Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only was to success been to slot into saleable images of the cute baby or sexy chanteuse? Lucy O'Brien has written the ultimate hands-on history of women in rock, pop, and soul. Billie Holiday, Ella Fitzgerald, Dusty Springfield, Patti Smith, Madonna, Joni Mitchell, whitney Houston, Courtney Love, Alanis Morissette, Destiny's child - all the key names are here. But She Bop II refuses to look at women artists simply as personalities, problems or victims. From dream babes to rock chicks, riot grrrls and ragamuffins, girlpower, Lilith Fair rock and the rise of the corporate diva, She Bop II is the uncompromising story of women as creators and innovators. Lucy O'Brien is the author of two previous books: the bestsellers Annie Lennox (1991) and Dusty (1989). She has contributed to the Guardian, Sunday Times, Observer, Marie Claire, New Musical Express and The Face, and worked extensively in TV and radio, as both guest pundit and producer.

Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only way to success been to slot into saleable images of the cute baby or sexy chanteuse? This is the story of women as creators and innovators, aiming to provide a history of women in rock, pop and soul - on stage, on camera and working behind the scenes in a male-dominated industry. This edition contains an extra chapter and interviews covering trends such as Girlpower.

Presents a definitive study of women in popular music, covering groundbreaking musicians from ragtime and vaudeville to punk and hip-hop, and profiles such musicians as Ella Fitzgerald, Madonna, Billie Holiday, and Lady Gaga.

From Janis Joplin to P.J. Harvey, Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture.

A boy describes his school bus as a big yellow monster that gobbles up students and takes them to school.

A quick, easy, and educational comic book guide that will help change the way we talk about sex and sexuality for all bodies. "This guide can help disabled people (and their partners) on their journey toward self-love, better communication, and confidence." –– Alice Wong, Founder and Director, Disability Visibility Project All different kinds of bods want to connect with other bods, but lots of them get left out of the conversation when it comes to S-E-X. As explained by disabled cartoonist A. Andrews, this easy-to-read guide covers the basics of disability sexuality, common myths about disabled bodies, communication tips, and practical suggestions for having the best sexual experience possible. Whether you yourself are disabled, you love someone who is, or you just want to know more, consider this your handy starter kit to understanding disability sexuality, and your path to achieving accessible (and fulfilling) sex. Part of the bestselling and critically acclaimed A Quick & Easy Guide series from Limerence Press, an imprint of Oni Press.

Dirk MacDonald, a sixteen-year-old boy living in Los Angeles, comes to terms with being gay after he receives surreal storytelling visitations from his dead father and great-grandmother.

When her favorite purple tennis shoes fall apart, an almost-second-grader visits a shoe store, where she tries on footwear of all colors and styles before finding the pair that is right for her.

Experience a radically inclusive and informative collection of stories, essays, interviews, and art about sex, relationships, and body confidence. Have you ever had a question about sex—whether out of curiosity, desire, or the sneaking suspicion you’re, somehow, different? Every Body will help you feel less alone. It’s a huge collection of anonymous stories, essays, artwork, and expert tell-alls on myriad subjects, all rolled into one. Really, it’s the conversations most of us are too scared to start. Thanks to talented duo Julia Rothman and Shaina Feinberg, we don’t have to. The stories, essays, and interviews they’ve compiled touch on a wide array of topics, including first times, open relationships, body acceptance, accidental pregnancies, sex toys, pleasure, fear and trauma, sexual discovery, and more. Framed by dozens of artists’ illustrations, deeply personal interviews, and expert essays that address stigmas and clichés, this book is an informative, welcoming, and inclusive user’s guide to your body, no matter its shape, size, or preferences. A dynamic group of voices and styles makes Every Body an essential resource and helpful companion as you explore your own body (and more!).

“The early years of Sarah Vaughan’s career coincided with the waning of the swing era, and this biography shows how the change both fuelled and limited her career.” — The New Yorker “Queen of Bebop explores the hard choices of many a jazz singer when rock ‘n roll began stealing audience focus, relying on a variety of performers to shed light on Vaughan’s mindset. A welcome and well-researched accounting of Vaughan’s life story. ” — NPR.org “Necessary and exciting. . . . Queen of Bebop models a way of understanding the lives and artistry of jazz musicians — one that establishes their importance and centrality in creating the best that America has offered the world.” — Washington Post “Elaine Hayes’ vivid portrait of Sarah Vaughan’s life, times, and indelible musical legacy reveals why she was indeed called The Divine One.” — New York Journal of Books “As a biographer, Hayes strikes a difficult balance between discussing Vaughan’s art and illuminating the tumultuous relationships of which Vaughan rarely spoke.” — Women’s Review of Books “A lively and moving portrait of the passionate and tenacious jazz singer. Hayes gracefully narrates Vaughan’s life… a detailed look at a fearless singer who constantly moved into new musical territories and left a legacy for younger musicians.” — Publishers Weekly, Starred Review “Hayes’ interviews with musicians, meticulous jazz history, incisive coverage of the ridiculous publicity campaigns the performer endured, and frank coverage of Vaughan’s emotionally and financially disastrous marriages and her repeated rising from the ashes cohere in a deeply illuminating and unforgettable biography of a true American master.” — Booklist, Starred Review “ an informative, meticulously researched biography. . . . a fine homage.” — emissourian.com “Inspiring. . . . traces Vaughan’s life and its intersection of music with race and gender.” — Library Journal “You may think you know Sarah Vaughan, but this book reveals how much you don’t. Queen of Bebop is a much-needed addition to music scholarship.” — Tammy Kernodle, author of Soul on Soul: The Life and Music of Mary Lou Williams “A richly contextualized and beautifully researched listening guide for the career of Sarah Vaughn. In respectfully treating Vaughn’s unflagging artistry, drive, and the social justice stakes involved in working within and against the new kinds of hit-making strategies and technologies, Hayes’ treatment lifts us beyond the bop/pop divide.” — Sherrie Tucker, author of Dance Floor Democracy “With an eye for detail and an ear for nuance, Elaine M. Hayes takes us on Vaughan’s journey from shy church girl to the sassy, masterful “musician’s singer” she became. This book is a must read for fans and scholars of the ‘Divine One’s’ singular contribution to American music.” — Guthrie P. Ramsey, author of The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and African American Music “Hayes brings to life the story of one of America’s most musically gifted, creative, intelligent, and productive women. An enticing and essential read for anyone drawn to the sounds of the inimitable Sarah Vaughan and what it meant to be strong, talented, beautiful, and black in 20th century America.” — Carol Ann Muller, author of Musical Echoes: South African Women Thinking in Jazz