"The minutiae of daily life - paintings and movie posters, dime-store novels and daily newspapers, figurines and mannequins, decals and stenciled graffiti - here are laid out as artifacts pointing to a bigger vision of the world as we know it. Patriotism, consumerism, censorship, nostalgia for a simpler past coupled with a desire for a less complicated present...touching on all these themes, Bergerson's quietly ironic but empathetic tone encourages the reader to imagine how our own ordinary surroundings might appear in a hundred or more years' time."--BOOK JACKET.

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Once upon a time, Michael Katakis lived in a place of big dreams, bright colours and sleight of hand. That place was America. One night, travelling where those who live within illusions should never go, he stared into the darkness and glimpsed a faded flag where shadows gathered, revealing another America. It was a broken place, bred from fear and distrust – a thousand shards of glass – filled with a people who long ago had given away all that was precious; a people who had been sold, for so long, a foreign betrayal that finally came from within, and for nothing more than a handful of silver. These essays, letters and journal entries were written as a farewell to the country Michael loves still, and to the wife he knew as his 'True North'. A powerful and personal polemic, A Thousand Shards of Glass is Michael's appeal to his fellow citizens to change their course; a cautionary tale to those around the world who idealise an America that never was; and, crucially, a glimpse beyond the myth, to a country whose best days could still lie ahead.

A New York Times Notable Book: “Brilliant . . . With verbal glee, Prcic serves up a darkly comic vision of the terrors and misunderstandings of immigration” (Shelf Awareness). Ismet Prcic’s brilliant, provocative, and energetic debut novel is about a young Bosnian, also named Ismet Prcic, who has fled his war-torn homeland and is now struggling to reconcile his past with his present life in California. He is advised that in order to make peace with the corrosive guilt he harbors over leaving his family behind, he must “write everything.” The result is a great rattlebag of memories, confessions, and fictions: sweetly humorous recollections of Ismet’s childhood in Tuzla appear alongside anguished letters to his mother about the challenges of life in this new world. As Ismet’s foothold in the present falls away, his writings are further complicated by stories from the point of view of another young man—real or imagined—named Mustafa, who joined a troop of elite soldiers and stayed in Bosnia to fight. When Mustafa’s story begins to overshadow Ismet’s new-world identity, the reader is charged with piecing together the fragments of a life that has become eerily unrecognizable, even to the one living it. Shards is a thrilling read—a harrowing war story, a stunningly inventive coming of age, and a heartbreaking saga of a splintered family. “Fierce, funny and real, it also says much about war, exile, guilt and fear.” —Chicago Sun-Times, Favorite Books of 2011

The “smoldering heat, epic romance, and awesome action”* of Nalini Singh’s New York Times bestselling series continues as two Arrows find themselves caught in a chilling conspiracy that spans all three races… Awakening wounded in a darkened cell, their psychic abilities blocked, Aden and Zaira know they must escape. But when the lethal soldiers break free from their mysterious prison, they find themselves in a harsh, inhospitable landscape far from civilization. Their only hope for survival is to make it to the hidden home of a predatory changeling pack that doesn’t welcome outsiders. And they must survive. A shadowy enemy has put a target on the back of the Arrow squad, an enemy that cannot be permitted to succeed in its deadly campaign. Aden will cross any line to keep his people safe for this new future, where even an assassin might have hope of a life beyond blood and death and pain. Zaira has no such hope. She knows she’s too damaged to return from the abyss. Her driving goal is to protect Aden, protect the only person who has ever come back for her no matter what. This time, even Aden’s passionate determination may not be enough—because the emotionless chill of Silence existed for a reason. For the violent, and the insane, and the irreparably broken…like Zaira. *Jaci Burton, New York Times bestselling author

On June 24, 1941, Michael, 16, and his sister, 19, leave their home in Dubno in Ukraine, just ahead of the advancing German armies. Fleeing by foot and train, deep into Ukraine and beyond, the teens spend a brutal winter in a town near Stalingrad, where they nearly perish from hunger and cold. In July of 1942, they escape again ahead of the Germans onslaught. The siblings saga of loss, courage, and endurance is interlaced with accounts of critical events of the war and of the annihilation of the Jews in Ukraine, offering an important historical narrative of the challenges wartime refugees faced in the Soviet Union. "Its very well-written and tells an extraordinary story with much passion, empathy and skill." - Omer Bartov, professor of history, Brown University "Michael portrays in shattering detail the improbable survival of most Polish Jews who eluded the Holocaust by fleeing to the Soviet Union. The memoir offers a novel, absolutely essential perspective on the catastrophic events of World War II." - Atina Grossmann, professor of history, Cooper Union, New York "This unbelievable, yet true, unique story will help teachers meet the NJ mandate that all students must learn about bias, prejudice and bigotry through the teaching of the Holocaust and genocide." -

Shard Cinema tells an expansive story of how moving images have changed in the last three decades and how they changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. With a range that spans film, games, software, architecture, and military technologies, the book crosses the twentieth century into our present to confront a new order of seeing and making that took slow shape: the composite image, where no clean distinction can be made between production and post-production, filmed and animated, material and digital. Giving equal ground to costly blockbusters and shaky riot footage, Williams leads us from computer-generated “shards” of particles and debris to the broken phone screen on which we watch those digital storms, looking for the unexpected histories lived in the interval between.

The Newbery Medal-winning tale of an orphan boy whose dream of becoming a master potter leads to unforeseen adventure in ancient Korea. Tree-ear is an orphan boy in a 12th-century Korean village renowned for its ceramics. When he accidentally breaks a delicate piece of pottery, he volunteers to work to pay for the damage. Putting aside his own dreams, Tree-ear resolves to serve the master potter by embarking on a difficult and dangerous journey, little knowing that it will change his life forever. "Despite the odds against him, Tree-ear becomes courageous, brave and selfless, a hero as enduring as the porcelain Park so lovingly describes." (New York Times) “Intrigues, danger, and a strong focus on doing what is right turn a simple story into a compelling read. A timeless jewel.” (Kirkus starred review) *A broken piece of pottery sets events in motion as an orphan struggles to pay off his debt to a master potter. This finely crafted novel brings 12th-century Korea and these indelible characters to life." (School Library Journal starred review) "Tree-ear's determination and bravery in pursuing his dream of becoming a potter takes readers on a literary journey that demonstrates how courage, honor and perseverance can overcome great odds and bring great happiness. Park effectively conveys 12th century Korea in this masterful piece of historical fiction." (Kathleen Odean, chair of the Newbery Award Selection Committee)

IT’S CALLED “THE EVENT,” AN UNIMAGINABLE CATACLYSM THAT SHATTERS 600 MILLION YEARS OF THE EARTH’S TIMELINE. Our world is gone, instantly replaced by a new one made of scattered remnants of the past, present, and future, dropped alongside one another in a patchwork of “shards”. Monsters from Jurassic prehistory, ancient armies, and high-tech robots all coexist in this deadly post-apocalyptic landscape. A desperate group of survivors sets out to locate the source of the disaster. They include 21st century Californian Amber Richardson, Cam, a young Celtic warrior from Roman Britannia, Alex Brice, a policewoman from 1985, and Blake, a British soldier from World War II. With other refugees from across time, they must learn the truth behind the Event, if they are to survive.