Sex, Rock & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time―the Avalon, the Matrix, and the Fillmoreas well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective―Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time is an intense, vibrant, and revelatory experience. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #424242}

Tracing the roots of rebel style to the music scene, this book explores how fashionable music and "anti-fashion" icons, like David Bowie, the Sex Pistols, and Gwen Stefani, have inspired fashion. Rebel style is all about wearing common or mundane items with a sense of creativity and irony. The classic leather jacket (think Brando or Joan Jett) remains a symbol of "outsider-dom," while jeans have been reimagined as a style centerpiece by every generation. The skirt is constantly being reappraised, whether it’s mini, peasant, or frou-frou, to simultaneously celebrate and subvert images of femininity. Rebel, Rebel is the anti-style bible that will inspire the next generation of designers, fashionistas, and club kids alike.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

In Lousy Sex, Gerald Callahan explores the science of self, illustrating the immune system’s role in forming individual identity. Blending the scientific essay with deeply personal narratives, these poignant and enlightening stories use microbiology and immunology to explore a new way to answer the question, who am I? “Self” has many definitions. Science has demonstrated that 90 percent of the cells in our bodies are bacteria—we are in many respects more non-self than self. In Lousy Sex, Callahan considers this microbio-neuro perspective on human identity together with the soulful, social perception of self, drawing on both art and science to fully illuminate this relationship. In his stories about where we came from and who we are, Callahan uses autobiographical episodes to illustrate his scientific points. Through stories about the sex lives of wood lice, the biological advantages of eating dirt, the question of immortality, the relationship between syphilis and the musical genius of Beethoven, and more, this book creates another way, a chimeric way, of seeing ourselves. The general reader with an interest in science will find Lousy Sex fascinating.

Optical Allusions is for those people seeking a painstakingly researched, scientifically accurate, eye-themed comic book adventure! Wrinkles the Wonder Brain has lost his bosses eye and now he has to search all of human imagination for it. Along the way, he confronts biology head on and accidentally learns more about eyes and the evolution of vision than he thought possible. And, as if a compelling story with disembodied talking brains, shape-changing proteins, and giant robot eyes wasn't enough, each tale is followed by a fully illustrated, in-depth exploration of the ideas introduced in the comic story. Designed to be a hybrid college text book/comic book, Optical Allusions is suitable for advanced readers with an interest in evolution and real science. 127 pages.

Presents examples of optical illusions and discusses how they happen by looking at how the brain and the eyes work together.

In the heady and hallucinogenic days of the 1960s and ’70s, a diverse range of artists and creative individuals based in the American West—from the Pacific coast to the Rocky Mountains and the Southwest—broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. Often created through radically collaborative artistic practices, such works as Paolo Soleri’s earth homes, the hand-built architecture of the Drop City and Libre communes, Yolanda López’s political posters, the multisensory movement workshops of Anna and Lawrence Halprin, and the immersive light shows and video-based work by the Ant Farm and Optic Nerve collectives were intended to generate new life patterns that pointed toward social and political emancipation. In West of Center, Elissa Auther and Adam Lerner bring together a prominent group of scholars to elaborate the historical and artistic significance of these counterculture projects within the broader narrative of postwar American art, which skews heavily toward New York’s avant-garde art scene. This west of center countercultural movement has typically been associated with psychedelic art, but the contributors to this book understand this as only one dimension of the larger, artistically oriented, socially based phenomenon. At the same time, they reveal the disciplinary, geographic, and theoretical biases and assumptions that have led to the dismissal of countercultural practices in the history of art and visual culture, and they detail how this form of cultural and political activity found its place in the West. A companion to an exhibition originating at the Museum of Contemporary Art Denver, this book illuminates how, in the western United States, the counterculture’s unique integration of art practices, political action, and collaborative life activities serves as a linchpin connecting postwar and contemporary artistic endeavors.

A provocative chronicle of the guerilla art movement that changed comics forever, this comprehensive book follows the movements of 50 artists from 1967 to 1972, the heyday of the underground comix movement. With the cooperation of every significant underground cartoonist of the period, including R. Crumb, Gilbert Shelton, Bill Griffith, Art Spiegelman, Jack Jackson, S. Clay Wilson, Robert Williams and many more, the book is illustrated with many neve-before-seen drawings and exclusive photos.

The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has also been updated to provide: The latest key developments in web, multimedia, and interactive design Expanded coverage of design in Asia and the Middle East Emerging design trends and technologies Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design Extensive ancillary materials including an instructor's manual, expanded image identification banks, flashcards, and quizzes You can't master a field without knowing the history. Meggs' History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.

More than a musician, the Grateful Dead’s founder Jerry Garcia was also a prolific artist who created hundreds of paintings, drawings, and prints. Get to know another side of this creative legend through his paintings and drawings, and through interviews with those who knew him best. Jerry Garcia: The Collected Artwork is an intimate, playful exploration of Jerry Garcia’s artistic legacy and creative life. The book opens with a foreword by Grateful Dead percussionist Mickey Hart and features more than 100 full-color reproductions of Jerry's paintings, drawings, and prints—from pen-and-ink drawings to acrylics, watercolors, and digital media. With archival interviews and quotes from the likes of Bob Dylan, Patti Smith, Grace Slick, and Carlos Santana, and stunning photography of Jerry and his lifelong collaborators, this is at once a beautifully crafted art book and a celebration of Jerry Garcia as an artist and human being. 100+ IMAGES: Features more than 100 full-color reproductions of Jerry's paintings, drawings, and prints—from pen-and-ink drawings to acrylics, watercolors, and digital media EXCLUSIVE ESSAYS: Edited by April Higashi, art curator and archivist of the Jerry Garcia Estate, each chapter opens with a commentary on the art presented in the context of Jerry's life and times GO BEHIND THE STAGE: Explore candid photographs, interviews, anecdotes, and remembrances by key cultural figures and those closest to Jerry COMMENTARY FROM MUSIC’S BIGGEST NAMES: Hear from Bob Dylan, Patti Smith, Herbert Gold, Baron Wolman, Jon Carroll, Paul Pena, Victor Moscoso, Carlos Santana, and Grace Slick as they recount their memories of Jerry Garcia PERFECT FOR ALL DEADHEADS: Fans of the Grateful Dead and Jerry Garcia can enjoy this deep exploration of Jerry’s life as an artist