"The book is full of strong, memorable poems that stick with readers like a friend during a long, hard night. " - The Christian Science Monitor Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Mary Oliver, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.

Out of print for two decades and reissued in this updated edition, Sun at Midnight is the first translation into English of the work of Muso Soseki, a Zen roshi of the fourteenth century and father of what we now think of as the Zen rock garden. These sublime translations reveal W.S. Merwin's own resources as a gardener; the heart of both his and Soseki's endeavors can be seen with clarity through these inspiring poems and letters. Intensely lyric and rich with the concrete details of sight, sound, and scent, deeply immersed in the great philosophical questions, the work is transformative and full-spectrum. From a telling smile and handshake in "the one wind" to "something beyond happiness / inside the gate / of this mountain," the infinity in a moment can be found everywhere. All worries and troubles have gone from my breast and I play joyfully far from the world For a person of Zen no limits exist The blue sky must feel ashamed to be so small Book jacket.

Includes section with title: Journal of the American Education Society, which was also issued separately.

Includes section with title: Journal of the American Education Society, which was also issued separately.

Volume 1 of A History of the Book in America, The Colonial Book in the Atlantic World, encompasses the seventeenth and eighteenth centuries. It is organized around three major themes: the persisting colonial relationship between European settlements and the Old World; the gradual emergence of a pluralistic book trade that differentiated printers from booksellers; and the transition from a 'culture of the Word', organized around an understanding of print as a vehicle of the sacred, to the culture of republicanism, epitomized by Benjamin Franklin, and culminating in the uses of print during the Revolutionary era. The volume will also describe nascent forms of literary and learned culture (including the circulation of manuscripts), literacy and censorship, orality, and the efforts by Europeans to introduce written literary to Native Americans and African Americans.