Every writing project has one thing in common—they all start with a single sentence. Writers constantly struggle to answer this question: What is your story about? Finally, a guide by a leading Hollywood insider who actually knows the answer—and now she shows you how to do it yourself! Lane Shefter Bishop, CEO of Vast Entertainment, explains the key to selling your screenplay, novel, or script. This comprehensive guide to opening career doors is the first of its kind, highlighting the tips and techniques for making your story stand out. From tips on character development to hints on points to avoid, Bishop covers all your bases when selling your story.

In this indispensable guide for anyone who must communicate in speech or writing, Schwartzberg shows that most of us fail to convince because we don't have a point-a concrete contention that we can argue, defend, illustrate, and prove. He lays out, step-by-step, how to develop one. In Joel's Schwartzberg's ten-plus years as a strategic communications trainer, the biggest obstacle he's come across-one that connects directly to nervousness, stammering, rambling, and epic fail-is that most speakers and writers don't have a point. They typically have just a title, a theme, a topic, an idea, an assertion, a catchphrase, or even something much less. A point is something more. It's a contention you can propose, argue, defend, illustrate, and prove. A point offers a position of potential value. Global warming is real is not a point. Scientific evidence shows that global warming is a real, human-generated problem that will have a devastating environmental and financial impact is a point. When we have a point, our influence snaps into place. We communicate belief, conviction, and urgency. This book shows you how to identify your point, leverage it, stick to it, and sell it and how to train others to identify and successfully make their own points.

"For those who love to play with words"--Cover.

This little book aims to help you figure out how to get your story told on big screens or small. It offers nearly thirty years of observation of how things happen in the business of entertainment. Dr. Ken Atchity's Hollywood experience ranges from writing to managing to producing; he's seen Hollywood from nearly every angle.

What's your story about? It's the most frightening question in the world if all you have is a blank stare. But what if you had an attention-grabbing answer that left your audience wanting more? It's not only possible, it's simple if you have the right tools. Story consultant and author Jordan Smith has helped countless storytellers strengthen and pitch their stories. His tool of choice is the logline, a technique for selling screenplays that is little known outside of Hollywood. Jordan has adapted this powerful tool and made it accessible to all storytellers. Not only is a logline useful for answering that frightening question, it's also handy for keeping your story on track. If you don't know the core of your story, you run the risk of meandering it into places where it doesn't belong. With these techniques, you can solve story problems early before they cause you trouble. Inside this book, you'll find: The Quick-Start Logline Chapter to get you going right away Exercises to build your logline skills one step at a time The four fundamental logline rules Useful chapters to dig deeper and handle special cases More examples than you can shake a stick at And more! Whether you write novels, movies, comic books, songs, or even operas, this book is for you. Every storyteller should be able to say in one sentence what his story is about. Finding the Core of Your Story will help you learn to do just that.

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."

Hundreds of books claim they can teach you how to write the perfect script. Listen up: your script doesnt need to be perfect to sell! It does need to include nine standard story elements. Producer, writer and story analyst Donna Michelle Anderson, best known in the industry as DMA, has been hammering this point home for more than a decade at UCLA Extension Writers Program, film fests, production companies and more, and as the founder and screenwriting instructor of the Movie in a Box one-day filmmaking seminars.With this concise guide, DMA brings you the simplest steps to unifying a theme, character arc and spine, then streamlining those elements into a sellable script. She calls it The 1-3-5 System. Youre going to call it a miracle.

The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.

Paris, 1924. A city teeming with would-be poets, writers, and painters. Hector Lassiter, fledgling author and best friend of Ernest Hemingway, is crossing the Pont Neuf when he hears a body fall into the icy Seine — the first in a string of brutal murders of literary magazine editors that throw a shroud over the City of Light. Frantic to stop the killings, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark, mysterious crime novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets, but in a web of murders, each more grisly than the next. As he is drawn deeper into the hunt, Hector finds himself torn between three women with hidden agendas and dark imaginations. When Hector learns that the murders may be the work of a strange cult of writers who are targeting the literary set, Hemingway, Hector, and Brinke must scramble to find the killer before they become the next victims. A Moveable Feast meets The Dante Club in this ­­­­exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons. As dark as the shadowy banks of the Seine and as addictive as absinthe, this unforgettable book will grab you and never let go.

"One sentence. One Bible story. One great teachable moment. Each storybook contains beginning vocabulary words and charming illustrations as well as a devotional activity for parent and child to do together. All these elements combine for an outstanding educational and faith-building experience."--Page [4] cover.