Ideally suited to intermediate to advanced college-level students, The Student’s Ovid offers twenty-one selections from the Metamorphoses, with notes to aid translation and interpretation. The introduction includes an essay on Ovid’s life and works, an outline of the structure of the Metamorphoses, and tips on Latin poetic forms and usage. Accompanying each Latin passage is an introduction that provides background on the myths and their literary history, both in Ovid and in other classical authors. The detailed notes on each selection are designed to help students read and understand the Latin for themselves. Other special features of this book include: · a glossary of mythological characters · lists of stories grouped by theme to help teachers design courses to suit their students’ interests · discussions of the basic concepts of classical meter, Latin pronunciation, and accentuation · reference charts on the declension of Greek nouns to aid the reading of proper names · a select bibliography of translations and secondary studies

Presents a selection from Metamorphoses, designed for those who have completed an introductory Latin course.

A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

Students of Latin have long enjoyed the poetry of Ovid, but his love poems, aptly titled Amores, have proved more difficult to introduce into the classroom. Curricular changes and increased appreciation of sophisticated love poetry are finally making room for the Amores. This edition of the first book of the Amores—the only one available for both intermediate- and advanced-level classes—addresses the needs of students of varying abilities and experience, helping them comprehend, and more fully enjoy, the rich complexities of Ovid's poetry. In their introduction to the volume, Maureen B. Ryan and Caroline A. Perkins recount Ovid's career as a poet, describe the elegiac genre, and explain elegiac meter and style. For the Latin text, they briefly introduce each poem, acquainting students with relevant subject matter and themes. Their commentary provides helpful notes clarifying grammatical constructions, word order, ellipsis, and other complexities of the Latin language that can challenge even the most experienced student. On the assumption that students will gain skills as they work through each poem, Ryan and Perkins give extensive and repeated assistance at the beginning of the text, tapering off as the student's facility increases. Throughout their commentary, they highlight thematic points of interest; explain mythological, cultural, and literary allusions; and stress the importance of Ovid's literary innovations. In addition to the critical apparatus accompanying each poem, this volume features a glossary of literary terms, a comprehensive Latin-to-English vocabulary, and an up-do-date bibliography.

This is the first intermediate-student edition of a selection from Ovid's Amores. Poems 2.2, 2.4, 2.6, 2.10, 2.12 are included as Latin text with an accompanying commentary and vocabulary. Focusing on a deliberately limited number of poems, this edition is designed to be manageable for students reading the text for the first time while also perfectly encapsulating the interest of Ovid's other work and inspiring further study of it. A detailed introduction explains points of historical and stylistic interest, including analysis of a further six poems: 2.1, 2.9 (both parts), 2.11, 2.15, 2.17, 2.18. Ovid's Amores represent the culmination of Roman love elegy, and the selection from Book II presented here shows the poet at the height of his literary and sexual powers. From dead parrots and eunuch slaves to the elusive mistress Corinna, Ovid teases and tantalises, deftly reworking themes and motifs from his elegiac predecessors to produce verse of effortless sophistication, wit and charm, poems that for the last two thousand years have scandalised and delighted readers in equal measure.

Ovid's Ars Amatoria has met with astonishingly varied fortunes down the centuries. Ten years after publication the book became a reason, or more probably a pretext, for the author's banishment from Rome. It was removed from public libraries, and more recently the poem suffered a virtual embargo in schools and universities. This is the first detailed English commentary on any part of the poem. Examined afresh, it emerges as the wittiest of Ovid's love poems, turning upside down the attitudes and conventions of orthodox love elegy. The work is full of psychological insight and is richly embroidered with details of contemporary Roman social and political life. This new paperback edition intends to bring out the spirit of provocative frivolity which was undeniably meant to irritate Roman traditionalists. The text of Kenney's Oxford Classical Text is reproduced and supplemented with a full introduction to the style and historical background the poem, as well as with a full commentary and appendices.

This introduction to Ovid's Metamorphoses considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magicand illusion.

The Essential Metamorphoses, Stanley Lombardo's abridgment of his translation of Ovid's Metamorphoses, preserves the epic frame of the poem as a whole while offering the best-known tales in a rendering remarkable for its clarity, wit, and vigor. While making no pretense of offering an experience comparable to that of reading the whole of Ovid’s self-styled history from the world's first origins down to my own time, this practical and judicious selection of myths at the heart of Roman mythology and literature yet manages to relate many of the most fascinating episodes in that world-historical march toward the Age of Augustus--and is accompanied by an Introduction that deftly sets them in their cosmological, theological, and Augustan contexts.