Paris, 1940: Walking through Montmartre that morning was like the eerie calm right before a storm. The roads were deserted. We carried on, arm in arm, and then finally, we saw them. Columns and columns of soldiers, spreading through the streets like a toxic grey vapour. 'You must write about this, ' he whispered to me. 'You must write about the day freedom left Paris.' As Nazi troops occupy the City of Lights, American journalist Florence is determined to do everything she can to save her adopted home and the man she loves. Florence had arrived in Paris in 1937 and on a beautiful summer's day, met and fell in love with Otto, a Jewish artist from Austria, who had fled persecution in his homeland. But as swastikas are draped along the city's wide boulevards, everything Otto was running from seems to have caught up with him. Both Florence and Otto begin lending their talents to the Resistance, working to sabotage the Germans right under their noses. Florence's society columns that, before the war were filled with tales of glamorous Parisian parties, now document life under occupation and hide coded messages for those fighting outside France for freedom. While Otto risks arrest in order to pin up the anti-Nazi posters he designs by candlelight in their tiny apartment. But with every passing day, things become more dangerous for Otto to remain in Paris. If Florence risks everything by accepting a secret mission, can she ensure his survival so that they can be reunited once the war is over? A sweeping wartime story that will capture your heart and never let it go. Fans of The Alice Network, The Lost Girls of Paris and My Name is Eva will be absolutely gripped from the very first page. Readers LOVE An American in Paris 'An enthralling story that puts readers in the middle of the chaos surrounding World War Two... Grabs readers from the beginning and won't let them go until they finish the last page... I loved absolutely everything about this novel and won't hesitate to claim it as my favourite historical fiction read of 2020.' Goodreads Reviewer, ⭐⭐⭐⭐⭐

The artist records the light, art, and beautiful people in his favorite city, and includes sketches worked at "his" table at Fouquet's during his 1991 and 1992 visits

Before a post-divorce road trip Chris Ames had been ensconced in French domesticity, with a wife, two children, and a regular job. Returning to Paris after that trip, he became an American vagabond and seeker who, lacking sufficient means and motivation to pay the rent and invest again in permanence, opted for homelessness. He soon found an unexpected place to pitch his tent--an abandoned golf course. Ames recounts a full year spent living there, with little baggage, through snow and heat, while commuting to his job as an English teacher in the city. Developing his urban-survivor skills, he rekindles relationships, starts others, offers glimpses of Parisian society--homeless and not--and ruminates on direction and the lack thereof. Ames circles serious questions, rarely losing a sense of irony, bewilderment, or amusement, especially at his circumstances, with their inherent discomforts, risks, and not-so-reassuring self-revelation. As readers see him stumble into renewed social bonds, his skewed searching and unconventional existence will engage and sometimes befuddle them. "I'm not saying become homeless, but do understand it opens many doors, and helps us appreciate the doors we can close."--from the introduction Winner of the Nonfiction Award in the Utah Division of Arts and Museums Original Writing Competition

The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough. Not all pioneers went west. In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history. Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time. Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.”

This classically illustrated picture book shows a sun-drenched slice of life for a family in the Southern countryside, inspired by the folk opera Porgy and Bess. A black family soaks up the sun, splashing in the pond, baking apple pie, and raising their voices in song at church.

(Vocal Selections). 14 selections from the Tony Award -winning production presented in vocal line arrangements with piano accompaniment. Includes: An American in Paris * But Not for Me * For You, for Me for Evermore * I Got Rhythm * I'll Build a Stairway to Paradise * I've Got Beginner's Luck * The Man I Love * 'S Wonderful * Shall We Dance? * They Can't Take That Away from Me * Who Cares? (So Long As You Care for Me) * and more.

When the heat in Brooklyn climbs to a hundred, there's only one thing worse than being a delivery man for HomeMade Cakes. It's being a delivery woman for Homemade. Because Anna, the feisty heroine of this earthy and irreverent novel, has to put up with things that her male co-workers can't imagine, from a boss who despises women to storekeepers who feel her up when they aren't trying to rip her off for the price of a carton of Chocos. As realized by Susan Jerden, Anna is a true representative of blue-collar, no-glitz New York, a valiant single mother, whose attempts to keep her head above water—and her dignity intact—are both hilarious and uplifting. Let 'Em Eat Cake is a novel for anyone who has ever worked at a demeaning job and dreamed of dancing on the merchandise, a book as real as a corner bodega and as refreshing as an open hydrant in the middle of a scolding summer.

In the early 1960s, most middle-class American women in their twenties had their lives laid out for them: marriage, children, and life in the suburbs. Most, but not all. Breathless is the story of a girl who represents those who rebelled against conventional expectations. Paris was a magnet for those eager to resist domesticity, and like many young women of the decade, Nancy K. Miller was enamored of everything French—from perfume and Hermès scarves to the writing of Simone de Beauvoir and the New Wave films of Jeanne Moreau. After graduating from Barnard College in 1961, Miller set out for a year in Paris, with a plan to take classes at the Sorbonne and live out a great romantic life inspired by the movies. After a string of sexual misadventures, she gave up her short-lived freedom and married an American expatriate who promised her a lifetime of three-star meals and five-star hotels. But her husband wasn't who he said he was, and she eventually had to leave Paris and her dreams behind. This stunning memoir chronicles a young woman’s coming-of-age tale, and offers a glimpse into the intimate lives of girls before feminism.