His Waverley novels brought Sir Walter Scott (1771-1832) great international fame in his own day. Many modern readers, however, find them too daunting, perhaps because of their considerable length. The aim of this volume is to introduce the general reader to Scott's prose fiction through his highly accessible short stories. These include the "straightforward" horror stories My Aunt Margaret's Mirror and The Tapestried Chamber and the masterly Wandering Willie's Tale with its weird expedition to Hell, told in broad Scots. The Highland Widow and The Two Drovers mirror the themes of some of Scott's great novels. The former deals with friction and misunderstanding between generations in a Highland family - with fatal consequences. The latter examines ideas of justice and honour when Highlander and Englishman collide - again with fatal consequences.Also included are The Fortunes of Martin Waldeck and Death of the Laird's Jock. With an Introduction by Ronald W. Renton and an Essay byDavid Cecil.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

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Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott—the first modern historical novelist—and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy.

The Fortunes of Nigel is a historical novel set in the early 17th century. It follows the adventures of Nigel Olifaunt, a Scottish nobleman, as he tries to make his fortune in the court of King James I. Filled with political intrigue, romance, and swashbuckling action, this novel is a classic example of the historical fiction genre. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.