New best friend? Check. Cool band? Check. Simple life? As if. Obi's thrilled to be invited to join Sucker Punch - and to top it off Donna, the band's singer, calls Obi her best friend. The only problem is, Obi can't tell her mum about being in the band. She can't tell her friends she's also joined the orchestra. And she definitely can't tell Donna about her friendship with Lenny - he's Donna's boyfriend. But when things get complicated at home, Obi starts seeing more and more of Lenny: it feels like he's is the only one who understands ... What's one more little secret?

Hillcrest High Boys' School is admitting girls for the first time, and Tara couldn't be more excited. New friends? Check. Cute boys? Check. Mean sister gone? Wrong... When she discovers Maxie is joining the school too, Tara is crushed. How can she be her own person when her cleverer, prettier sister seems determined to outshine her? And sibling trouble isn't Tara's only problem. With only ten girls in the year, they're going to have to stick together to survive. Boys against girls? Bring. It. On.

Winner of the Asian/Pacific American Award for Young Adult Literature * 2018 YALSA Best Fiction for Young Adults * 2018 Rainbow Book List * A Kirkus Reviews Best Book of 2017 "Well-paced, brimming with drama, and utterly vital."—Kirkus (starred review) This charming and bittersweet coming-of-age story featuring two girls of color falling in love is part To All the Boys I've Loved Before and part Simon vs. the Homo Sapiens Agenda. Sixteen-year-old Sana Kiyohara has too many secrets. Some are small, like how it bothers her when her friends don’t invite her to parties. Some are big, like the fact that her father may be having an affair. And then there’s the one that she can barely even admit to herself—the one about how she might have a crush on her best friend. When Sana and her family move to California, she begins to wonder if it’s finally time for some honesty, especially after she meets Jamie Ramirez. Jamie is beautiful and smart and unlike anyone Sana’s ever known. There are just a few problems: Sana's new friends don't trust Jamie's crowd; Jamie's friends clearly don't want her around anyway; and a sweet guy named Caleb seems to have more-than-friendly feelings for her. Meanwhile, her dad’s affair is becoming too obvious to ignore. Sana always figured that the hardest thing would be to tell people that she wants to date a girl, but as she quickly learns, telling the truth is easy…what comes after it, though, is a whole lot more complicated.

"Between a mother and son there can be a very thin line connecting lies and silence ... On the streets of the city, Josh will find his own power. And reach through the silences"--Page 4 of cover.

After being sworn in as president, Richard Nixon told the assembled crowd that “government will listen. ... Those who have been left out, we will try to bring in.” But that same day, he obliterated those pledges of greater citizen control of government by signing National Security Decision Memorandum 2, a document that made sweeping changes to the national security power structure. Nixon’s signature erased the influence that the departments of State and Defense, as well as the CIA, had over Vietnam and the course of the Cold War. The new structure put Nixon at the center, surrounded by loyal aides and a new national security adviser, Henry Kissinger, who coordinated policy through the National Security Council under Nixon’s command. Using years of research and revelations from newly released documents, USA Today reporter Ray Locker upends much of the conventional wisdom about the Nixon administration and its impact and shows how the creation of this secret, unprecedented, extra-constitutional government undermined U.S. policy and values. In doing so, Nixon sowed the seeds of his own destruction by creating a climate of secrecy, paranoia, and reprisal that still affects Washington today.

Out of his years of experience in working with children, Zingher identifies some of the powerful and evocative themes of childhood, and explores why these touch children so deeply. He encourages professionals who work with children in school, camp, club and library settings to consider using these themes to develop thoughtful and creative programs and units of study. Included are recommended books and videos that illustrate each theme, questions for discussion, possible starting points (readalouds, stories to be told, sensory experiences, interesting objects etc), follow-up activities, and examples of fully described and developed thematic journeys. In this time of standards and accountability, this book reminds us of the joy of teaching and learning, and the power of the imagination.

This book argues that all truths systems include paradoxes. Paradoxes, such as found in the sciences, philosophy and religion offer themselves as mutually shared partners in a dialogue of arguably incommensurable truths on the basis of their underlying truth. Paradoxes leap beyond the epistemic border of individual truth claims. A dialogue of truths, grounded in paradox, reaches before, and at the same time past singular truths. A paradox-based dialogue of truths elevates the communication of disciplines, such as the sciences and religion, to a meta-discourse level from which differences are not perceived as obstacles for dialogue but as complementary aspects of a deeper and fuller truth in which all truths are grounded.

Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry.

Adrian Mole's first love, Pandora, has left him; a neighbor, Mr. Lucas, appears to be seducing his mother (and what does that mean for his father?); the BBC refuses to publish his poetry; and his dog swallowed the tree off the Christmas cake. "Why" indeed.