Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.

The result of half a century of research and experimentation in economics and management, this Treatise is intended for management practitioners. Socio-economic management (SEAM) makes the demands of humanism in professional life and sustainable economic prosperity compatible. It is illustrated with numerous cases from 2,150 companies and organizations from a wide variety of sectors and presents observed and measured results. Most of these chapters are written jointly by managers or executives of companies and organizations, and scholars or consultants involved in the pilot actions. This book is the work of 193 authors, from 16 countries and 4 continents, practitioners or academics in management sciences and management. This reflects the diversity of national and sectoral contexts of SEAM applications. Some chapters situate this concept in relation to the major currents of current thought. Each chapter is preceded by abstracts in French, English and Spanish. The prefaces, signed by Herman Aguinis and Rene Ricol, show the scope of socio-economic theory and management beyond the borders of the company. The book illustrates the international influence (48 countries) of the innovative and robust methods created and developed by the ISEOR team. Socio-economic theory constitutes a "breakthrough innovation", both in terms of its conceptual contribution and the practical methods and tools of its applications. This holistic approach touches on the different functions of the company and its multiple problems. It provides a structured change management method, focused on stimulating Human Potential and on self-financing the development of the company or organization, through the periodic recycling of hidden costs.

This issue of AD explores the working discipline of architecture as it impacts the material culture within which it is always embedded. An architecture of impact uses advanced digital techniques in such a way that its material assembly supersedes its use of the digital. Until now, this type of architecture has been formally and materially bound by restrictive conventional methodologies, which the digital project has moved from the scale of installations to three-dimensional building-sized fabrications. Unless architects turn to a new culture of making, architecture shaped by even innovative digital technology will become irrelevant. Architectural projects that are more subversive in how they are created and that lose their digital signature have greater potential to be at the forefront of the discipline’s new materialisations. This issue illustrates these ideas and their architectural impact. Contributors: Kutan Ayata, Ben van Berkel, Hernan Diaz Alonso, David Goldblatt, Thomas Heatherwick, Ferda Kolatan, Ascan Mergenthaler, Antoine Picon, Casey Rehm, Patrik Schumacher, and Philip F Yuan. Featured architects: Archi-Union, Contemporary Architecture Practice, HDA-X, Heatherwick Studio, Herzog & de Meuron, Ishida Rehm Studio, Pininfarina, SHoP Architects, SU-11, UNStudio, and Young & Ayata, and Zaha Hadid Architects.

In recent years, menswear has moved decisively center stage. Menswear Revolution investigates the transformation of men's fashion through the lens of shifting masculinities, examining how its increasing diversity has created new ways for men to explore and express their identities. Harnessing sustained market growth and creative dynamism on the runway, ground-breaking designers from Raf Simons and Hedi Slimane to Craig Green have revolutionized the discipline with their bold re-imaginings of the male wardrobe. Analysing the role of the media in shaping attitudes to men's fashion, Menswear Revolution studies how competing narratives of masculinity are reflected in popular discourse. Taking us from the mod and peacock revolutions of the 1960s to the new wave aesthetics of the 1980s, the book explores historical precedents for today's menswear scene – and looks at the evolution of the 'ideal' male body, from the muscular to the lean and boyish. Combining interviews with fashion professionals with close analyses of garments and advertising, Menswear Revolution provides an authoritative account of menswear design today. Highlighting its relationship to changing concepts of gender, the book provides a much-needed update to scholarship on masculinity, fashion and the body.

Online Identities: Creating and Communicating the Online Self presents a critical investigation of the ways in which representations of identities have shifted since the advent of digital communications technologies. Critical studies over the past century have pointed to the multifaceted nature of identity, with a number of different theories and approaches used to explain how everyday people have a sense of themselves, their behaviors, desires, and representations. In the era of interactive, digital, and networked media and communication, identity can be understood as even more complex, with digital users arguably playing a more extensive role in fashioning their own self-representations online, as well as making use of the capacity to co-create common and group narratives of identity through interactivity and the proliferation of audio-visual user-generated content online. - Makes accessible complex theories of identity from the perspective of today's contemporary, digital media environment - Examines how digital media has added to the complexity of identity - Takes readers through examples of online identity such as in interactive sites and social networking - Explores implications of inter-cultural access that emerges from globalization and world-wide networking