The demands and expectations of a psychologist or neuropsychologist in a courtroom are different from those in a clinical practice. The challenges to and scrutiny of one's basic credentials, training, expertise, and conclusions can be intimidating. The contributors of Disorders of Executive Functions display obvious knowledge of these demands and challenges. Law and neuropsychology of executive functions will be increasingly intertwined as findings are applied to forensic settings and situations. In instances where executive impairment is suspected, this book will assist the forensic evaluator to demonstrate the relationship between frontal lobe impairment and criminal/civil behavior. Disorders of Executive Functions was written not only for professionals in psychology and neuropsychology, but also for plaintiff and defense attorneys and judges, rehabilitation and insurance professionals. Specific, on-point issues are addressed within each chapter with specific references and suggested readings. This source book presents realistic examples and case studies, then prepares the reader for litigation situations. Heavily illustrated, it provides numerous checklists, tables, and interview formats. Sample tests and evaluation, an extensive glossary, and an exhaustive list of core readings are also included.

Leading a burgeoning self-critical moment in composition studies and writing program administration, Postcomposition is a fundamental reconsideration of the field that attempts to shift the focus away from pedagogy and writing subjects and toward writing itself. In this forceful and reasoned critique of many of the primary tenets and widely accepted institutional structures of composition studies, Sidney I. Dobrin delivers a series of shocks to the system meant to disrupt the pedagogical imperative and move beyond the existing limits of the discipline. Dobrin evaluates the current state of composition studies, underscoring the difference between composition and writing and arguing that the field's focus on the administration of writing students and its historically imposed prohibition on theory greatly limit what can be understood about writing. Instead he envisions a more significant approach to writing, one that questions the field's conservative allegiance to subject and administration and reconsiders writing as spatial and ecological. Using concepts from ecocomposition, spatial theory, network theory, complexity theory, and systems theory, Postcomposition lays the groundwork for a networked theory of writing, and advocates the abandonment of administration as a useful part of the field. He also challenges the usefulness of rhetoric in writing studies, showing how writing exceeds rhetoric. Postcomposition is a detailed consideration of how posthumanism affects the field's understanding of subjectivity. It also tears at the seams of the "contingent labor problem." As he articulates his own frustrations with the conservatism of composition studies and builds on previous critiques of the discipline, Dobrin stages a courageous-and inevitably polemical-intellectual challenge to the entrenched ideas and assumptions that have defined composition studies.

The first book on the central importance of literary sources in the paintings of Cy Twombly Many of Cy Twombly's paintings and drawings include handwritten words and phrases—naming or quoting poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz. Twombly’s art reveals both his distinctive relationship to poetry and his use of quotation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century.

This collection of original critical essays explores how women periodical editors in the long 19th century redefined women's identities and roles, and influenced public opinion about such issues as abolition and woman suffrage.

Daniel Asa Rose was a successful novelist, memoirist, book critic, and columnist for the New York Times Magazine, Esquire, and others, when the top blew off his domestic life. His wife of sixteen years wanted out. Before he could slip into depression, doubt, and self-loathing, Dan’s lifelong friend Tony made an irresistible proposition: go back to the place where, forty years earlier, their college road trip had come to a crashing halt, T-boned by a woman in the decidedly oddball little town of Truth or Consequences, New Mexico. Dan and Tony return to the scene of the crash in an effort to make sense of that fateful moment. He’s certain that if he can locate the woman in whose arms he almost died, he will find the self he lost and make peace with his life choices since. Dan moves into a single-wide trailer four blocks from the crash. Over the next eight months, inexplicable encounters make him fall in love with the New Mexico desert and the wiggy place that embraces him.