Write Scenes that Move Your Story Forward In Make a Scene, author Jordan E. Rosenfeld takes you through the fundamentals of strong scene construction and explains how other essential fiction-writing techniques, such as character, plot, and dramatic tension, must function within the framework of individual scenes in order to provide substance and structure to the overall story. You'll learn how to: Craft an opening scene that hooks readers and foreshadows supporting scenes Develop various scene types - from the suspenseful to the dramatic to the contemplative - that are distinct and layered Tailor character and plot around specific scene types to better convey the nuances of your storyline Create resonating climactic and final scenes that stay with readers long after they've finished your work

From legendary playwright August Wilson comes the powerful, stunning dramatic bestseller that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s. Now an Academy Award-winning film directed by and starring Denzel Washington, along with Academy Award and Golden Globe winner Viola Davis.

Faking this relationship should be a piece of cake. Retta Majors is having a bad day. But that’s to be expected when your ex gets engaged to your cousin. Instead of (totally) freaking out, Retta decides to attend the wedding with her amazing, faithful, and handsome boyfriend. One problem... He doesn’t exist. Duncan Gilmore is living his dream. His boxing gym is open for business, and he’s focused on success. The last thing on his mind is a relationship. That is until the beautiful baker next door makes him an offer so bizarre he can’t refuse. One weekend of pretending to be Retta’s boyfriend should be a piece of cake. However, shared kisses and some flirting start to blur the lines in their fake relationship. When their performance draws to a close, will they go their separate ways or return for an encore?

Combining theory with practical examples, Creative English, Creative Curriculum will stimulate students and teachers to be adventurous and creative in their teaching, while covering the mains strands of the Primary National Strategy for English: narrative, non-fiction and poetry. This book: reflects the new emphases on speaking and listening contextualises recent changes to the English curriculum, reviewing models of best practice provides practical examples and research evidence of creative approaches to the teaching of English considers the cross-curricular aspects in creating a thematic approach to teaching and learning. This book will appeal to both students and practising teachers in the primary school who either wish to implement creative approaches to their English teaching, or are undertaking extended study for a Masters Degree.

“The protagonists use their quick wit and brains to save the day . . . Irresistible and hilarious.” —School Library Journal With its kid-perfect humor and dynamic illustrations, the first book in the Templeton Twins series left young readers clamoring for more. This time, Abigail and John Templeton find themselves at TAPAS (the Thespian Academy of the Performing Arts and Sciences) where their father, the illustrious Professor Templeton, has been hired to invent a groundbreaking theatrical device. Once again, there is drama (of course!), silliness, and suspense, as the twins (and their ridiculous dog) must thwart the dastardly Dean brothers in order to save the invention as well as their father (and the dog). Oh yes, there is sure to be another recipe. This time for guacamole. Or is it coleslaw? “The intrusive, self-absorbed narrator hogs the limelight and keeps the vocabulary words and brainy laughs coming.” —San Francisco Chronicle

From the writer and director of Kerala's first iPhone feature film. This book is for you if you are looking to do the following:? Learn quickly what took Ashik five years? Learn the dos and don'ts of smartphone filmmaking? Make a film for a low budget and not wait for the date of a big star, or large sums of money from a producer? Send to festivals or release it on OTT platforms"Extensively documented. Many interesting insights"-Rahul Riji Nair, Filmmaker"An inspiration"-Raj Bk, Actor, Filmmaker"More important than film history and aesthetics"-Harshitha S, FilmmakerEveryone says to go and shoot your film on a smartphone. Do it cheap. Make a low-budget film. But besides a phone, what else do you need to make your first feature film? It is not stars, stunts, money, music, dance, exotic locations, camera, VFX?!This book will help you:? Find your caliber and hone it better? Gain knowledge and confidence to go make your movie? Raise money and make a micro-budget film for ?5 lakhs ($ 7,000), on a mobile phone? Sell the movie on Amazon Prime and gain profit and international viewershipAbout The WriterAshik's aim is to make world-class films. He set foot into the professional arena by writing and directing Munnariv (2020), the first-ever Malayalam feature film to be shot entirely on an iPhone.Besides Munnariv he also made over 10 short films, assisted several Ads and award-winning feature films like Ottamuri Velicham (2017). Ashik is an Engineer by degree who worked with Tata Consultancy Services in Mumbai. He quit, traveled across India soul searching, and finally choose to follow his passion for stories. Besides making great films, he also loves to teach filmmaking.This book is not for people looking to make a star-studded high budget commercial movie. The Indian Indie Film is:? Intensive and written from experience? A complete guide on low budget filmmaking and selling itGo and make your film now!

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed “making-of” accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: “Did the Academy get it right?” Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world.

The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.