Using an interdisciplinary approach, Kelman underscores the role that common people have played in shaping the city and portrays the Mississippi as an active participant in New Orlean's history."--BOOK JACKET.

This engaging environmental history explores the rise, fall, and rebirth of one of the nation's most important urban public landscapes, and more significantly, the role public spaces play in shaping people's relationships with the natural world. Ari Kelman focuses on the battles fought over New Orleans's waterfront, examining the link between a river and its city and tracking the conflict between public and private control of the river. He describes the impact of floods, disease, and changing technologies on New Orleans's interactions with the Mississippi. Considering how the city grew distant—culturally and spatially—from the river, this book argues that urban areas provide a rich source for understanding people's connections with nature, and in turn, nature's impact on human history.

This work is a social history of the devil. The figure of Satan has been a standing puzzle in the history of religion. This study examines his origins and his shifting functions. Satan is not present in classical Jewish sources (and scarcely present in traditional Judaism to this day). Images of Satan began to develop and proliferate in later Jewish sources not included in the Hebrew Bible. The book explores this early history or invention of the devil, and traces Satan's subsequent transformations as one of society's most necessary fictions.

The Fool and the Heretic is a deeply personal story told by two respected scientists who hold opposing views on the topic of origins, share a common faith in Jesus Christ, and began a sometimes-painful journey to explore how they can remain in Christian fellowship when each thinks the other is harming the church. To some in the church, anyone who accepts the theory of evolution has rejected biblical teaching and is therefore thought of as a heretic. To many outside the church as well as a growing number of evangelicals, anyone who accepts the view that God created the earth in six days a few thousand years ago must be poorly educated and ignorant--a fool. Todd Wood and Darrel Falk know what it's like to be thought of, respectively, as a fool and a heretic. This book shares their pain in wearing those labels, but more important, provides a model for how faithful Christians can hold opposing views on deeply divisive issues yet grow deeper in their relationship to each other and to God.

The description for this book, The Old Enemy: Satan and the Combat Myth, will be forthcoming.

A lively examination of the heretics who helped Christianity become the world’s most powerful religion. From Arius, a fourth-century Libyan cleric who doubted the very divinity of Christ, to more successful heretics like Martin Luther and John Calvin, this book charts the history of dissent in the Christian Church. As the author traces the Church’s attempts at enforcing orthodoxy, from the days of Constantine to the modern Catholic Church’s lingering conflicts, he argues that heresy—by forcing the Church to continually refine and impose its beliefs—actually helped Christianity to blossom into one of the world’s most formidable religions. Today, all believers owe it to themselves to grapple with the questions raised by heresy. Can you be a Christian without denouncing heretics? Is it possible that new ideas challenging Church doctrine are destined to become as popular as Luther’s once-outrageous suggestions of clerical marriage and a priesthood of all believers? A delightfully readable and deeply learned new history, Heretics overturns our assumptions about the role of heresy in a faith that still shapes the world. “Wright emphasizes the ‘extraordinarily creative role’ that heresy has played in the evolution of Christianity by helping to ‘define, enliven, and complicate’ it in dialectical fashion. Among the world’s great religions, Christianity has been uniquely rich in dissent, Wright argues—especially in its early days, when there was so little agreement among its adherents that one critic compared them to a marsh full of frogs croaking in discord.” —The New Yorker

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

In opposition to those who would claim that Christian faith embraces God at the expense of the suffering world, Rollins shows how the true believer embraces God only inasmuch as he fully embraces a needy world.