An indispensable reference for anyone who knows how to read—or wants to fool people into thinking they do—The Funny Thing Is... is sure to make you laugh. Ellen DeGeneres published her first book of comic essays, the #1 bestselling My Point...And I Do Have One, way back in 1996. Not one to rest on her laurels, the witty star of stage and screen has since dedicated her life to writing a hilarious new book. That book is this book. After years of painstaking, round-the-clock research, surviving on a mere twenty minutes of sleep a night, and collaborating with lexicographers, plumbers, and mathematicians, DeGeneres has crafted a work that is both easy to use and very funny. Along with her trademark ramblings, The Funny Thing Is... contains hundreds of succinct insights into her psyche and offers innovative features including: -More than 50,000 simple, short words arranged in sentences that form paragraphs. -Thousands of observations on everyday life—from terrible fashion trends to how to handle seating arrangements for a Sunday brunch with Paula Abdul, Diane Sawyer, and Eminem. -All twenty-six letters of the alphabet.

In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.

Caught between two worlds—a poverty-stricken village and a fancy big-city school—a young Sri Lankan girl must decide who she really is and where she really belongs. 1998, Colombo. The Sri Lankan Civil War is raging, but everyday life must go on. At Kavi’s school, her friends talk about the weekly Top 40, the Backstreet Boys, Shahrukh Khan, Leo & Kate… and who died—or didn’t—in the latest bombing. But Kavi is afraid of something even scarier than war. She fears that if her friends discover her secret—that she is not who she is pretending to be—they’ll stop talking to her. I want to be friends with these / happy, / fearless, / girls / who look like they / belong. So I could also be / happy, / fearless, / and maybe even / belong. Kavi’s scholarship to her elite new school was supposed to be everything she ever wanted, but as she tries to find some semblance of normalcy in a country on fire, nothing is going according to plan. In an effort to fit in with her wealthy, glittering, and self-assured new classmates, Kavi begins telling lies, trading her old life—where she’s a poor girl whose mother has chosen a new husband over her daughter—for a new one, where she’s rich, loved, and wanted. But how long can you pretend to be someone else? This dazzling novel-in-verse comes from an astonishing new talent who lived through the civil war herself. Perfect for fans of Jamine Warga, Supriya Kelkar, and Rajani LaRocca, I Am Kavi centers a powerful South Asian voice, and stars an unforgettable heroine each and every one of us can relate to. "KAVI'S COURAGE AND VOICE ARE NOT TO BE MISSED."—Reem Faruqi, award-winning author of Call Me Adnan, Unsettled, and Golden Girl "I LOVED IT!"—Nizrana Farook, award-winning author of The Girl Who Stole an Elephant "POWERFULLY WRITTEN."—Lyn Miller-Lachmann, author of Los Angeles Times Book Prize Winner Torch "LUSH AND EVOCATIVE... A STUNNING DEBUT."—Kate Albus, award-winning author of A Place to Hang the Moon A Junior Library Guild Gold Standard Selection An Indies Introduce Selection

Introduction -- Dictionary -- Appendix A: Garment types -- Appendix B: Garment by country -- Appendix C: Garment types by era

The sari has remained an essential part of culture, tradition and fashion in South Asia and India through many centuries. This book examines the variety of meanings which it carries as a symbol of Indian femininity and tradition as well as a means of creative fashion expression for modern India. It discusses the semiotic interpretations of the sari today by understanding its significance for traditional weavers, designers and people who wear saris at home, work or for religious or cultural occasions. Through surveys, interactions and interviews, the author explores the shared experience of wearing saris in different social and cultural settings across economic groups in farms and boardrooms as well as a means of creative expression for young Indians. It also looks at the processes involved in making traditional saris today, draping and weaving styles, buying behaviour, saris in pop-culture, pride parades and Bollywood and interpretations of what the sari signifies in different socio-economic circles in India. This book will be of interest to students of fashion, design, fashion business, history and cultural studies. It will also be useful for professionals working in the fashion industry and designers.

In het Indisch Lexicon zijn bijna 19.000 Indische woorden en begrippen, zoals ze in de Nederlandse taal vanaf ongeveer 1600 gebruikt zijn, vastgelegd, omschreven en in hun context geplaatst. Van ieder woord is de betekenis gegeven op basis van reeds bestaande Indonesische, Maleise, Javaanse, Soendanese en Nederlandse woordenboeken. Niet alleen enkelvoudige woorden maar ook samenstellingen en spellingsvarianten zijn opgenomen, met citaten uit de bron waarin het betreffende woord voorkomt. Dit lexicon is een belangrijk naslagwerk om de Indische woorden en uitdrukkingen die langzaam uit ons collectieve geheugen verdwijnen, vast te houden, weer tot leven te wekken en te verklaren binnen hun semantische en culturele context. Let op: bijgaande CD functioneert niet op Windows Vista en opvolgende besturingssystemen.

Fictionalized account of the adventures of the two British surveyors who set the boundary between Pennsylvania and Maryland better known as the Mason-Dixon line.

1982 and Sami is far from home, trapped in war-torn Beirut, a city under siege by the Israelis. All he wants is to go home to his family in Sri Lanka but in order to stay alive he must learn to kill. David, a captain in the Sri Lankan army, is sent to the steamy jungles in the north of the country as punishment for an indiscretion and is thrown into the brutal insurrection by militant separatist Tamil Tigers. As civil war erupts in Sri Lanka and tears this once peaceful nation apart, David's love, the beautiful Priyani makes a difficult choice and the paths of these two men cross on opposing sides of the struggle. They must plumb the depths of their courage and question their beliefs about right and wrong. Sacred Tears, the first in a trilogy, is a powerful and evocative depiction of Sri Lanka's great beauty and recent tumultuous history. It will take you inside the story of this ancient nation and into the heart of a gripping human struggle.

The chapters collected in this book generate discussion about the intersections of feminisms and rhetorics, as well as the ways in which those intersections are productive. This collection focuses on the locations of feminist rhetorics, the various discourses that invoke “feminism” or “feminist,” and the scholarship that provokes, challenges, and deliberates issues of key concern. In focusing on challenge and location, this collection acknowledges the academic and socio-discursive spaces that feminisms, and rhetorics on or about feminisms, inhabit. Feminism, but also women and what it means to be a woman, is a signifier under siege in public discourse. The chapters included here speak to the challenges and diversities of feminist rhetoric and discourse in public and private life, in the academy, and in the media. The authors represented in this collection present potential consequences for communities in the academy and beyond, spanning international, geopolitical, racial, and religious contexts.