"An astounding epic novel of J.R.R. Tolkien proportions!" — Steven Pressfield, Bestselling author of Gates of Fire and The War of Art Raiders of the Lost Ark playing A Game of Thrones The Sand Sea takes place on an alternative Earth roiled by war and conquest that mirrors our own Gilded Age. The treasure that ignites greed and folly in this parallel world is not petroleum, but beserite—a mineral of immeasurable value. Captivated by an ancient prophecy and the call of adventure, inexperienced nobleman and scholar Peter Harmon (think of a young Winston Churchill-like naif) joins an expedition to stake his nation’s claim to a global empire. Harmon’s destination is a vast and inhospitable desert halfway around the world, dominated by the iron-fisted Grand Vizer Jemojeen Jongdar. A tyrant on a mission to secure the ancient and supernatural Staff of the Ram, the Lion, and the Serpent, Jongdar knows the truth that others can only imagine: The one who controls the staff will possess the power to rule the world. Before he can seize his destiny, Jongdar must find and destroy the one person capable of thwarting his ambition, the rightful heir to the Sand Sea realm, an innocent woman named Selena Savanar. Can the brave and indomitable Selena accept her true destiny and rally her people in the eye of a gathering storm? To do so will require her to outwit the man who burned her father alive and left her an orphan and beggar a lifetime ago. Or will Peter Harmon and the cadre of opportunists he rides with conquer the divided empire? With the mythic structure of J.R.R. Tolkien’s The Lord of the Rings trilogy in a world as rich and real as George R.R. Martin’s Westeros, The Sand Sea is an immersive experience made to order for epic fantasy fans and anyone who enjoys grand-scale historical fiction.

Uncovering seashells... jumping in the waves... It's a perfect beach day! And what better way to spend it than with a new beach friend? Patricia Hubbell's light verse skips merrily along, while Lisa Campbell Ernst's playful scenes picture a sea that is justwaiting to be splashed in!

Photographs and text introduce the animal and plant life found on beaches, in tide pools, on reefs, and in shallow and deep ocean waters of Hawaii.

From Ty McCormick, winner of the Robert F. Kennedy Journalism Award, an epic and timeless story of a family in search of safety, security, and a place to call home. When Asad Hussein was growing up in the world’s largest refugee camp, nearly every aspect of life revolved around getting to America—a distant land where anything was possible. Thousands of displaced families like his were whisked away to the United States in the mid-2000s, leaving the dusty encampment in northeastern Kenya for new lives in suburban America. When Asad was nine, his older sister Maryan was resettled in Arizona, but Asad, his parents, and his other siblings were left behind. In the years they waited to join her, Asad found refuge in dog-eared novels donated by American charities, many of them written by immigrants who had come to the United States from poor and war-torn countries. Maryan nourished his dreams of someday writing such novels, but it would be another fourteen years before he set foot in America. The story of Asad, Maryan, and their family’s escape from Dadaab refugee camp is one of perseverance in the face of overwhelming adversity. It is also a story of happenstance, of long odds and impossibly good luck, and of uncommon generosity. In a world where too many young men are forced to make dangerous sea crossings in search of work, are recruited into extremist groups, and die at the hands of brutal security forces, Asad not only made it to the United States to join Maryan, but won a scholarship to study literature at Princeton—the first person born in Dadaab ever admitted to the prestigious university. Beyond the Sand and Sea is an extraordinary and inspiring book for anyone searching for pinpricks of light in the darkness. Meticulously reported over three years, it reveals the strength of a family of Somali refugees who never lost faith in America—and exposes the broken refugee resettlement system that kept that family trapped for more than two decades and has turned millions into permanent exiles.

Early descriptions and considerations of the characteristics of modern eolian sand deposits, mostly in the great sand seas of the world, date back to the 1880's and 1890's, when pioneer geologists and explorers wrote their classic papers on desert dunes. One or two decades later, interest in eolian processes greatly increased when wind-formed deposits were recognized in ancient sandstones in many parts of the world and in rocks of many ages. Throughout the 20th century, as the science of geology has expanded and the programs of the U.S. Geological Survey have proliferated to keep pace, dune studies have had a similar growth. Work was initially concentrated mostly on the description of dune forms or morphology and on analysis of textural features; by midcentury, however, major contributions had been made to the physics of eolian sand by detailed studies and interpretations of minor eolian structures, by statistical analyses of cross-strata dip directions, and by the development of systems for dune classification. Most recently, interest has been renewed in detailed grain studies, in the study of cross-strata, and in interpretation of dune patterns by means of aerial photographs and Landsat imagery. A major feature of this report on global sand seas is the compilation and comparison of available data based on many different methods of investigation. The application of these studies to economic problems, which is described in one chapter, clearly illustrates the importance of eolian deposits to our present culture and to human welfare. H. William MenardDirector, U.S. Geological Survey

Sculpted into graceful contours by countless centuries of wind and water, the Great Sand Dunes sprawl along the eastern fringes of the vast San Luis Valley of south-central Colorado. Covering an area of nearly thirty square miles, they are the tallest aeolian, or wind-produced, dunes in North America, towering 750 feet above the valley floor. With the addition of the enormous Baca Ranch and other adjacent lands, the dunes—originally designated as a National Monument in 1932—attained official National Park status in 2004. In Sea of Sand, Michael M. Geary guides readers on a historical journey through this unique ecosystem, which includes an array of natural and cultural wonders, from the main dunefield and verdant wetlands to the summits of the Sangre de Cristo Mountains. Described by explorer Zebulon Pike as “a sea in a storm” and by frontier photographer William Henry Jackson as “a curious and very singular phase of nature’s freak,” the Great Sand Dunes are a nexus of more than 10,000 years of human history, from Paleolithic big-game hunters to nomadic Native Americans, from Spanish conquistadores and transcontinental explorers to hard-rock miners and modern-day tourists in motor homes. Like these successive waves of visitors, Sea of Sand follows the water, analyzing its critical role in the settlement and development of the region. Geary also describes the profound impact that waves of human use and settlement have had on the land—which ultimately inspired the early grassroots efforts by San Luis Valley citizens to protect the dunes from further exploitation. He examines as well the more recent legislative effort led by an unprecedented coalition of local, state, and federal agencies and organizations, including The Nature Conservancy and the National Park Service, to secure the Great Sand Dunes’ national park designation. Amply illustrated, Sea of Sand is the definitive history of the natural, cultural, and political forces that helped shape this incomparable landscape.

Qatar occupies a thumb of land that extends off the Arabian Peninsula into the Persian Gulf. This nation, though small in size, represents more than a strategic geographical location-it is uniquely beautiful and culturally rich. Qatar: Sand, Sea and Sky is an overview of the country and its journey into modernity while it preserves the duality of its culture as a desert by the sea. Stunning photography pairs with informative and personal text by the wife of the most recent United States ambassador to Qatar to give Westerners traveling to Qatar on business or for World Cup preparations an inside understanding of this moderate Muslim country and the way it attempts to become modern and engaged with the world without losing its heritage. It includes an introduction by Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, current chair of the Qatari Foundation Reach Out to Asia and daughter of Sheikh Hamad bin Khalifa Al-Thani, the current Emir of Qatar.

J. D. Salinger's "A Perfect Day for Bananafish," John Cheever's "Goodbye, My Brother," Doris Lessing's "Through the Tunnel": These and dozens of other beloved stories share the beach as their setting. In fact, it is remarkable how many of the finest writers have set stories and novels in whole or in part at the beach -- and how often they use this locale to explore the great themes of love, loss, death, family, and redemption. Beach brings together, for the first time, the very best of this literary tradition, including stories, novel excerpts, and narrative nonfiction.

The ocean and the beach have always provided humankind with ready metaphors for the infinite. For New York photographer Tria Giovan, the beaches of Long Island inspired a fascinating attempt to comprehend their vastness and that of the Atlantic Ocean beyond. Known for her portraits of Cuban daily life (collected in Cuba: The Elusive Island) and her regular publication in magazines such as Aperture, Elle, Harpers and Vogue, Giovan has traveled all over the globe throughout her 25-year career, but here she has decided to stay close to home. Accumulating roughly 10,000 photographs of the undisturbed Sagaponack beaches on the eastern end of Long Island, Giovan charted the change of seasons and myriad shifts of light and atmosphere as the tides rose and receded each day. With a selection of 63 captivating prints and an accompanying essay by ecologist Carl Safina, Sand Sea Sky offers the photographer's meditations on fragility, the vastness of nature and the inevitability of change. As Giovan also observes: "these photographs of this vulnerable landscape invite a thoughtful concern about the environmental preservation of special places that engage our capacity for wonder."

Between Sand and Sea is a patchwork of small mismatched pieces (memories) of actual daily journal entries masked in metaphors and poetry as Douglas finds his own way to recover from the harshness of a love lost along his lifes journey. To a greater sense, it serves as his personal forum, his therapy, as he reopens old wounds and takes a second look at a past love affair only to discover post mortem what love really means to him. This book is filled with his inner most intimacy, his cryptic pain and his desperate need to hold on to what he earned and lost some time ago. As well, it serves as his strength as he heals those past wounds only to discover a new love and how wonderful the feeling in finding a new beginning. Much a metaphor to life, Douglas learns how to maneuver through the harshness of life as he finds himself always somewhere between the sand and sea. This book serves as a sequel to Sunflowers: A Collection of Poems. Between Sand and Sea largely picks up to the woven words where Douglas left off in his first book. Here, he finds and adds missing poems. Here, he finds himself logging over memories, jumping back and forth, from a past relationship to his most recent, ultimately discovering his past insecurities still rest against the darkness of his shadows, as equally, his personal evolution, growth and maturity in creating and maintaining a new relationship. He finds himself reflecting in hot steamy passionate moments, restlessness, jealousness; impatience and eventually finding that place where sacrifice ultimately leading to completeness. Each poem takes the reader into the day after, not knowing if the next poem is full of life, positivity or sadness resting on the pain of melancholy. Much fashioned after life, we all hope the next page is filled with happiness and inspiration.