Fanny Fern was one of the most popular American writers of the mid-nineteenth century, the first woman newspaper columnist in the United States, and the most highly paid newspaper writer of her day. This volume gathers together for the first time almost one hundred selections of her best work as a journalist. Writing on such taboo subjects as prostitution, venereal disease, divorce, and birth control, Fern stripped the façade of convention from some of society's most sacred institutions, targeting cant and hypocrisy, pretentiousness and pomp.

Reproduction of the original: Fresh Leaves by Fanny Fern

Fanny Fern is a name that is unfamiliar to most contemporary readers. In this first modern biography, Warren revives the reputation of a once-popular 19th-century newspaper columnist and novelist. Fern, the pseudonym for Sara Payson Willis Parton, was born in 1811 and grew up in a society with strictly defined gender roles. From her rebellious childhood to her adult years as a newspaper columnist, Fern challenged society's definition of women's place with her life and her words. Fern wrote a weekly newspaper column for 21 years and, using colorful language and satirical style, advocated women's rights and called for social reform. Warren blends Fern's life story with an analysis of the social and literary world of 19th-century America.

Once on a Time (1917) is a fairy tale by A.A. Milne. Known more for his series of Winnie-the-Pooh stories and poems for children, Milne also wrote novels, fairy tales, and plays, including this entirely original work of fiction inspired by the author’s experience in the Great War. Addressing themes of power, conflict, and moral ambiguity, Once on a Time updates the classic fairy tale format for the twentieth century, and remains a wonderful work of fiction for children and adults alike. >While testing out a pair of magical boots, King Merriwig of Euralia, a jolly and decent ruler, accidentally instigates war with a neighboring kingdom. While he is off fighting with the cruel and egotistical King of Barodia, Merriwig’s daughter, Princess Hyacinth, is left in charge of Euralia. Despite her youth, she possesses both wisdom and a desire to do right by her people. But the Countess Belvane, the king’s mistress, has desires of her own. Jealous of Hyacinth, she hatches a plan to take control of the kingdom, causing mischief for the Princess at every turn. With the help of Prince Udo of Araby—who suffers from a strange enchantment—and his companion Coronel, Princess Hyacinth does her best to take care of Euralia until her father is able to return. With a beautifully designed cover and professionally typeset manuscript, this edition of A.A. Milne’s Once on a Time is a classic work of British literature reimagined for modern readers.

The discovery in recent years of Louisa May Alcott's pseudonymous sensation stories has made readers and scholars increasingly aware of her accomplishments beyond her most famous novel, Little Women, one of the great international best-sellers of all time. This anthology brings together for the first time a variety of Louisa May Alcott's journalistic, satiric, feminist, and sensation texts. Elaine Showalter has provided an excellent introduction and notes to the collection.

In Performatively Speaking, Debra Rosenthal draws on speech act theory to open up the current critical conversation about antebellum American fiction and culture and to explore what happens when writers use words not just to represent action but to constitute action itself. Examining moments of discursive action in a range of canonical and noncanonical works—T. S. Arthur's temperance tales, Fanny Fern's Ruth Hall, Nathaniel Hawthorne's The Scarlet Letter, Harriet Beecher Stowe's Uncle Tom's Cabin, and Herman Melville's Moby-Dick—she shows how words act when writers no longer hold to a difference between writing and doing. The author investigates, for example, the voluntary self-binding nature of a promise, the formulaic but transformative temperance pledge, the power of Ruth Hall's signature or name on legal documents, the punitive hate speech of Hester Prynne's scarlet letter A, the prohibitory vodun hex of Simon Legree's slave Cassy, and Captain Ahab's injurious insults to second mate Stubb. Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect.

This work is a history book of the original Thirteen Colonies of the United States. They were originally a group of British colonies on the Atlantic coast of North America, who fought the American Revolutionary War and formed the United States of America by declaring full independence. Just prior to declaring independence, the Thirteen Colonies in their traditional groupings were: New England (New Hampshire; Massachusetts; Rhode Island; Connecticut); Middle (New York; New Jersey; Pennsylvania; Delaware); Southern (Maryland; Virginia; North Carolina; South Carolina; and Georgia).

"Ruth Hall - A Domestic Tale of the Present Time" is an 1854 novel by American writer Fanny Fern. The story revolves around Ruth Hall—a fictionalized version of the author—and follows her happy marriage, destitute widowhood, and eventual success as a newspaper columnist. Sara Payson Willis (1811–1872), also known as Fanny Fern, was an American novelist, humorist, newspaper columnist, and children's writer during the 1850s and 1870s. Fern's novels became incredibly popular and, by 1855, she was the highest-paid US columnist. In 1854, Fern signed a contract to write a full-length novel, and within just a few months, she had finished "Ruth Hall". One of her most celebrated works and a popular subject among feminist literary scholars, "Ruth Hall", is highly recommended for those interested in feminism and feminist literature. Read & Co. Classics is proudly republishing this classic novel now in a brand new edition complete with the introductory essay "Sara Payson Willis Parton" by Frances Elizabeth Willard & Mary Ashton Rice Livermore.