A volume of top-selected interviews with renowned celebrities and cultural figures, published in celebration of the magazines fortieth anniversary, includes features about such individuals as Mick Jagger, Johnny Carson, and Kurt Cobain.

The candid and far-reaching interview with the public intellectual and author of Illness as Metaphor, conducted in 1978 Paris and New York. Over the summer and fall of 1978, Susan Sontag engaged in a series of deeply stimulating, provocative and intimate conversations with Jonathan Cott of Rolling Stone magazine. While the printed interview was extensive, it covered only a third of their twelve hours of discussion. Now, for the first time, the entire transcript of Sontag’s remarkable conversation is available in book form, accompanied by Cott’s preface and recollections. An acclaimed author of novels and essays, a renowned cultural critic and radical anti-war activist, Sontag was at the height of her powers in the late 1970s. Her musings and observations in this interview reveal the breadth and depth of her critical intelligence and curiosities at the time. These hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist."

Reproduces one thousand of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.

"STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING." --New York Daily News "Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife." --Rolling Stone "SENSUAL . . . BOLD, FAST-PACED." --USA Today "Rice has penned an ambitious close to this long-running series. . . . Fans will no doubt devour this." --The Washington Post Book World "MEMNOCH THE DEVIL OFFERS PASSAGES OF POETIC BRILLIANCE." --Playboy "[MEMNOCH] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form." --The Seattle Times

A brilliant album of interviews, photographs, feature articles, and exposés from the magazine that’s chronicled music and culture since 1967. Rolling Stone has been a leading voice in journalism, cultural criticism, and—above all—music for over five decades. This landmark book documents the magazine’s rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to today, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends—Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more—appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and others. With feature articles, excerpts, and exposés by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, it’s an irresistible greatest-hits collection from the magazine that has defined American music for generations. “Documenting the magazine’s rise from humble beginnings in a tiny office in San Francisco, the book includes interviews with artists such as Bob Dylan, the Beastie Boys and Adele, images from iconic photographers including Annie Leibovitz and sparking prose from the likes of Hunter S. Thompson.” —Daily Mail

A raucous and vividly dishy memoir by the only woman writer on the masthead of Rolling Stone Magazine in the early Seventies. In 1971, Robin Green had an interview with Jann Wenner at the offices of Rolling Stone magazine. She had just moved to Berkeley, California, a city that promised "Good Vibes All-a Time." Those days, job applications asked just one question: "What are your sun, moon and rising signs?" Green thought she was interviewing for a clerical job like the other girls in the office, a "real job." Instead, she was hired as a journalist. With irreverent humor and remarkable nerve, Green spills stories of sparring with Dennis Hopper on a film junket in the desert, scandalizing fans of David Cassidy and spending a legendary evening on a water bed in Robert F. Kennedy Jr.'s dorm room. In the seventies, Green was there as Hunter S. Thompson crafted Fear and Loathing in Las Vegas, and now, with a distinctly gonzo female voice, she reveals her side of that tumultuous time in America. Brutally honest and bold, Green reveals what it was like to be the first woman granted entry into an iconic boys' club. Pulling back the curtain on Rolling Stone magazine in its prime, The Only Girl is a stunning tribute to a bygone era and a publication that defined a generation.

This insider's account of the lives of Brian Jones, Keith Richard, and Mick Jagger in the sixties and seventies has become legendary in the years since its first publication in 1979. Tony Sanchez worked for Keith Richard for eight years - buying drugs, running errands, and orchestrating cheap thrills - and he records unforgettable accounts of the Stones' perilous misadventures: racing cars along the Cote d'Azur; murder at Altamont; nostalgic nights with the Beatles at the Stones-owned nightclub Vesuvio; frantic flights to Switzerland for blood changes; and the steady stream of women, including Anita Pallenberg, Marianne Faithfull, and Bianca Jagger. Here the Stones as never seen before, cavorting around the world, smashing Bentleys, working black magic, getting raided, having children, snorting coke, and mainlining heroin. Sanchez tells the whole truth, sparing not even himself in the process. With hard-hitting prose and candid photographs, he creates an invaluable primary source for anyone interested in the world's most famous rock and roll band.

Shortlisted for the Penderyn Music Book Prize Sticky Fingers is the story of how one man's ego and ambition captured the 1960s youth culture of rock and roll and turned it into a hothouse of fame, power, politics, and riches that would last for fifty years. Drawn from dozens of hours of interviews with Jann Wenner, who granted Joe Hagan exclusive access to his vast personal archive, this biography reveals how Wenner manufactured an unforgettable cultural mythology in story and image every other week for five decades. Hagan captures in stunning detail the extraordi­nary stories behind Rolling Stone, the magazine that reinvented youth culture, and marketed the libertine world of late-sixties San Francisco. He chronicles Wenner's marksmanship as an editor, his instinctive un­derstanding of the zeitgeist, his endless pursuit of fame and power and his capacity for betrayal that would earn him as many enemies as friends. Featuring on-the-record interviews with Mick Jagger, Bruce Springsteen, Paul McCartney, Elton John, Keith Richards, Pete Townsend, Yoko Ono, Billy Joel, Tom Wolfe, Cameron Crowe, Lorne Michaels, David Geffen, Dan Aykroyd, Bette Midler, and many others, Hagan describes Wenner with intimacy, nuance, and complexity. Like a real life Clash of the Titans, STICKY FINGERS captures the spirit of the age and paints an unforgettable portrait of one of the most signif­icant cultural forces of our time.

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange. "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. " Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story. Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal. He was acquainted with Stanley Kubrick for twenty-five years.