Every time you chew a stick of Juicy Fruit, eat a hamburger, slip on a nylon, plug your phone into a wall socket, flick on a TV, withdraw money from an ATM, lick an ice-cream cone, switch on a computer, ride an escalator, play a DVR, watch a movie about dinosaurs, or pop a tranquilizer, you’re doing something that originated at a world’s fair or trade expo. In fact, each new technology and every novel product that rocked America and rolled the world, from the Colt revolver and the Corvette to fax machines and flush toilets, started at trade fairs, a $100 billion industry that includes world expos, trade shows, and state fairs. More than just promoting material things, however, trade fairs popularized and evangelized every social movement and cultural concept, too, including Manifest Destiny, the closing of the frontier, Nudism, Nazism, Fascism, eugenics, female suffrage, temperance, and technocracy. While there have been notable works on world’s fairs by Robert Rydell, Erik Larsen, Erik Mattie, and others, they only capture a fragment of the whole mosaic of these shows—a mosaic that makes the glitziest Las Vegas spectacle look like an Amish barn-raising. This amusing book covers, for example, the World’s Fair that featured a nudist colony (1935); Salvador Dali’s half-naked lobster women, their virtue barely secured by well-placed crustaceans (1939); a model of the Liberty Bell made of Oranges (1893); one of Thomas Edison’s lesser-known inventions, the prefabricated concrete home (1907); and the Bayer Company’s experiment with selling heroin. More memorable and culturally iconic debuts discussed here include electricity, radios, the Volkswagen and the Corvette, television, the X-ray machine, air conditioning, and even nylon stockings. Dozens of short, illustrated chapters take the reader through over 150 years of world and trade fairs, from the vibrators displayed by sexual health advocates at the 1900 World’s Fair to the first true IMAX film at Expo ’70 in Japan.

Two powerful mages. One steeped in privilege, the other bound by a moral code. Their world is thrown into chaos by the end of magic. Rosheen Katell is a wandering mage and, with Anzu her griffin, she’s worked hard to build a reputation as a trustworthy truth seer. She never lies, never kills. Sander Bree is a royal mage. He lives an easy life advising the king on matters of court and politics, but dreams of an apocalypse are giving him massive anxiety attacks. Very soon, their magic will be gone. A cataclysmic event will change their lives and world forever. Sander must keep a promise to save the life of a young girl that would have been difficult enough with magic, but is a suicide mission without it. Rosheen is forced to side with a murderous warlord, and her once-solid principles are tested and found wanting. Both will be set against one another in a war unlike anything the world has seen before, in this sweeping fantasy of magic’s ending. A stand alone fantasy novel for readers of Joe Abercrombie and Scott Lynch ** "The sort of book you give to people who say “prove to me why I should read fantasy”... A simply terrific read." – James Barclay, author of the Legends of the Raven series "Mark Stay paints his world and characters with deft, confident and dark strokes." – RJ Barker, author of the Wounded Kingdom Trilogy "The sort of book you give to people who say “prove to me why I should read fantasy”... A simply terrific read." – James Barclay, author of the Legends of the Raven series "Takes the tropes of high fantasy and uses them to wield an original, compelling and intricately plotted story... exactly the kind of fantasy that we need more of." – Gavin G. Smith, author of the Veteran series "Stay does for George RR Martin what Pratchett did for Tolkien." - Julian Barr, author of The Way Home "The End of Magic has one of the most compelling narratives as well as a strong authorial voice." ★★★★★ Amazon UK Reviewer "Like Game of Thrones without the boobs!" ★★★★★ - Amazon UK Reviewer "This was a blast, hints of Joe Abercrombie’s books and his dark humour, but presented in a world in chaos." ★★★★★ - Amazon UK Reviewer "The most fun I've had reading a fantasy novel since Red Country by Joe Abercrombie." ★★★★★ - Amazon UK Reviewer "This book grabbed me in the first couple of pages... Couldn’t stop. Really want more!" ★★★★★ - Amazon UK Reviewer "I may never forgive the author for that (spoiler) death scene... *When you read it you’ll understand* Rarely have I shed tears so early on in a book." ★★★★★ - Amazon UK Reviewer "A fun and intense read." ★★★★★ - Amazon UK Reviewer "A fresh take on the perennial story of the golden catastrophe/age. The author has created a completely authentic fantasy world." ★★★★★ - Amazon UK Reviewer "Normal fantasy conventions are distorted, magic is not dependable and there are evil, bloodthirsty villains at work." ★★★★★ - Amazon UK Reviewer "The humour in the writing offset the blood and gore that featured throughout." ★★★★★ - Amazon UK Reviewer "The author effortlessly creates a world that is both wonderfully fantastical and at the same time strangely real." ★★★★★ - Amazon UK Reviewer "Gripping and entertaining." ★★★★★ - Amazon UK Reviewer

Are you prepared to meet your future robot overlords? According to futurist Ray Kurzweil, we only have until 2045 to prepare for the singularity-the moment AI achieves human-level general intelligence. That's where The Singularity Survival Guide comes in. How will you greet this new form of higher intelligence? With a simple handshake? And what are you going to do if the AI is evil? How will you fight against it? Find the answers to these and many other questions in this survival guide-before it's too late."The technological singularity has officially been treated to a full-scale parody, and it's even more comical and irreverent than it sounds."- Zoltan Istvan, Founder of the Transhumanist Party"A timely satire, even if humor doesn't stand a chance of saving us from the sort of superintelligence Clarke envisions." - Arif Khan, Chief Marketing Officer, SingularityNET Published by Logos Literature.

Full of cool, two-color illustrations, this handbook is an inspired and hilarious look at how humans can defeat the inevitable robot rebellion--as revealed by a robotics expert.

RRRAWRRR!!! ZZZZZZTTTTT!!! ZZZZAAAAPPPPP!!! The robots of the 50s and 60s science fiction movies and novels captured our hearts and our imaginations. Their clunky, bulbous bodies with their clear domed heads, whirling antennae, and randomly flashing lights staggered ponderously across the screen and page and into our souls-whether as a constant companion or as the invading army threatening to exterminate our world. We can never return to that innocent time, where the robot overlords could be identified by their burning red eyes or our trusty robot sidekick would warn us instantly of danger- Or can we? With a touch of nostalgia and a little tongue-in-cheek humor, here are fifteen stories from today's leading science fiction and fantasy authors that take us back to the time of evil robot overlords, invading armies, and not-quite-trustworthy mechanical companions. Join Julie E. Czerneda, Brandon Daubs, Tanya Huff, Brian Trent, L.E. Modesitt, Jr., Jason Palmatier, Jez Patterson, Gini Koch, Lauren Fox, Sharon Lee & Steve Miller, Philip Brian Hall, Rosemary Edghill, R. Overwater, Helen French, and Seanan McGuire as we step into the future with a nod to the past. Hold on to those stun guns. You may need them!

What if every part of our everyday life was turned into a game? The implications of “gamification.” What if our whole life were turned into a game? What sounds like the premise of a science fiction novel is today becoming reality as “gamification.” As more and more organizations, practices, products, and services are infused with elements from games and play to make them more engaging, we are witnessing a veritable ludification of culture. Yet while some celebrate gamification as a possible answer to mankind's toughest challenges and others condemn it as a marketing ruse, the question remains: what are the ramifications of this “gameful world”? Can game design energize society and individuals, or will algorithmic incentive systems become our new robot overlords? In this book, more than fifty luminaries from academia and industry examine the key challenges of gamification and the ludification of culture—including Ian Bogost, John M. Carroll, Bernie DeKoven, Bill Gaver, Jane McGonigal, Frank Lantz, Jesse Schell, Kevin Slavin, McKenzie Wark, and Eric Zimmerman. They outline major disciplinary approaches, including rhetorics, economics, psychology, and aesthetics; tackle issues like exploitation or privacy; and survey main application domains such as health, education, design, sustainability, or social media.

Emigrating to a new universe can be hard. People in the new universe eat for sustenance (rather than get their energy directly from sunlight). Eww! They use umbrellas to protect them from the rain (rather than pianos and anvils and safes and orangutans – oh, my! – falling from the sky). Their gods do not reward them in the afterlife for how funny they were while they were alive – as if any other qualities in life matter! Fleeing a dying universe is not for the faint of gall bladder! The Ugly Truth: is the final volume in Ira Nayman’s appropriately described Multiverse Refugees trilogy. In it, musicians are hoist on their own poetic petard, pies fly and four foot tall blue aliens with no hair and exaggeratedly round features who wear exquisite three piece suits find amusing new ways to die. As they say on Earth Prime 4-6-4-0-8-9 dash Omega, “May the Audi Enz laugh upon you all the days of your life!” “The name of the game here is wordplay. Non-stop, unrestrained, groan-worthy … inspired wordplay.” – Alex Good, reviewing Good Intentions Cover artwork by Hugh Spencer

We know that robots are just machines. Why then do we often talk about them as if they were alive? Laura Voss explores this fascinating phenomenon, providing a rich insight into practices of animacy (and inanimacy) attribution to robot technology: from science-fiction to robotics R&D, from science communication to media discourse, and from the theoretical perspectives of STS to the cognitive sciences. Taking an interdisciplinary perspective, and backed by a wealth of empirical material, Voss shows how scientists, engineers, journalists - and everyone else - can face the challenge of robot technology appearing »a little bit alive« with a reflexive and yet pragmatic stance.

Death Machines offers a critical reconsideration of ethical theories and political justifications for technologised practices of violence in contemporary conflicts.

JF Dubeau’s debut novel, The Life Engineered begins in the year 3594, where humanity is little more than a memory—a legend of the distant past destined to reappear. Capeks, a race of artificial creatures originally created by humans, have inherited the galaxy and formed a utopian civilization built on the shared goal of tirelessly working to prepare for their makers’ return. One moment a cop dying in the line of duty in Boston, the next “reborn” as a Capek, Dagir must find her place in this intricate society. That vaguely remembered “death” was but the last of hundreds of simulated lives, distilling her current personality. A robot built for rescue and repair, she finds her abilities tested immediately after her awakening when the large, sentient facility that created her is destroyed, marking the only instance of murder the peaceful Capeks have ever known. For the first time in their history, conflicting philosophies clash, setting off a violent civil war that could lay waste to the stars themselves. Dagir sets off on a quest to find the killers, and finds much more than she sought. As the layers of the Capeks’ past peel away to reveal their early origins, centuries-old truths come to light. And the resulting revelations may tear humanity’s children apart—and destroy all remnants of humankind.