The body of a sheep rancher is found headless, with a warning from a cattle baron known as "Snake": if the ranchers and their families don't leave the mountains, they will all die. The dead man's cousin demands justice, so he pays a visit to the Denver Detective Agency and acquires the services of Brad Storm, also known as "Sidewinder". So, armed with a new double-ought buck nicknamed "Snake Eyes", Brad heads to the mountains to hunt for a man just as deadly as he is...

A PopMatters Best Non-Fiction Book of 2020 From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel. Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.

"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society

With more than 120 titles still in print, Louis L'Amour is recognized the world over as one of the most prolific and popular American authors in history. Though he met with phenomenal success in every genre he tried, the form that put him on the map was the short story. Now this great writer – who The Wall Street Journal recently compared with Jack London and Robert Louis Stevenson – will receive his due as a great storyteller. This volume kicks off a series that will, when complete, anthologize all of L'Amour’s short fiction, volume by handsome volume. Here, in Volume Two, is a treasure-trove of 35 frontier tales for his millions of fans and for those who have yet to discover L'Amour’s thrilling prose – and his vital role in capturing the spirit of the Old West for generations to come.

BOWDRIE, TEXAS RANGER Lawman, manhunter, peacemaker—it takes a hard breed of man to survive as a Texas Ranger, but Chick Bowdrie stands head and shoulders above the rest. The rough trails are his home, from the Big Thicket to the Pecos to the border. He’s dried by the desert sun and wind, scarred and toughened by uncounted gun battles, and when you look into his black eyes it’s like looking down the barrels of two .44s with their hammers drawn back. He rides in the name of justice, but he lives by his own law—Bowdrie’s Law. And if you’re thinking about walking on the wrong side of Bowdrie’s Law, you’d better start running. Fast.

"This is the definitive country music book." "Here are the lyrics to virtually every country song that matters, from "Your Cheatin' Heart" to "Stand By Your Man" to "Friends In Low Places," with comments on each song by the artist who wrote it, or a friend or heir. The list of contributors reads like all-star night in Nashville. Loretta Lynn tells how "Coal Miner's Daughter" came out of here own experience, while Mary Chapin Carpenter reveals that the inspiration for "He Thinks He'll Keep Her" came from watching a Geritol commercial. Audrey Williams talks about her husband, Hank. Maybelle Carter remembers A. P. Carter. Kris Kristofferson, Gene Autry, Alan Jackson, Roy Acuff, Merle Haggard, Roger Miller, Dolly Parton, and countless others speak for themselves." "This book is divided into fifteen categories, including Songs of Home, Lost and Unrequited Love, Traveling, Prison, and Cowboy songs. Each section begins with a short essay by Dorothy Horstman, country music scholar and song-writer. Also included is a complete bibliography and a discography which leads you to classic recordings of all the songs in the book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Where others saw only sage, a salt lake, and a great desert, the Mormons saw their ?lovely Deseret,? a land of lilacs, honeycombs, poplars, and fruit trees. Unwelcome in Ohio, Missouri, and Illinois, they migrated to the dry lands between the Rockies and the Sierra Nevada to establish Mormon country, a wasteland made green. Like the land the Mormons settled, their habits stood in stark contrast to the frenzied recklessness of the American West. Opposed to the often prodigal individualism of the West, Mormons lived in closely knit ?øsome say ironclad ?øcommunities. The story of Mormon country is one of self-sacrifice and labor spent in the search for an ideal in the most forbidding territory of the American West. Richard W. Etulain provides a new introduction to this edition.