An acclaimed local author recounts the evolution of Richmond’s alternative newspapers, comics, and small presses beginning in the Civil Rights Era. As the political and social upheaval of the 1960s took hold across the United States, even the sleepy town of Richmond, Virginia, experienced a countercultural shift. New attitudes about the value of journalism spurred an underground movement in the press. “The Sunflower,” Richmond’s first underground newspaper, appeared in 1967 and set the stage for a host of alternative local media lasting into the 1990s and beyond. Publications such as the “Richmond Chronicle,” “Richmond Mercury,” and “Commonwealth Times,” as well as numerous minority-focused presses such as “Richmond Afro-American,” served the progressive-minded citizens of the River City. In Richmond Independent Press, the historian, activist and former “ThroTTle” editor Dale Brumfield reveals the untold story of this cultural revolution in the River City.

The nation's capital and the state of Virginia were a hotbed of political and social turmoil that marked the 1960s and 1970s. The area saw anti-Vietnam War protests, civil rights marches and students clamoring for a cultural revolution. Underground publications in D.C. and Virginia sprang up to document the radical change and question the "straight media." Off Our Backs led the charge for women's equality. The Gay Blade fought for the rights of homosexuals. Even the FBI began infiltrating the underground press movement by planting informants and creating fake magazines to attract suspicious "radicals". Join author and former underground editor Dale Brumfield as he traces the history of alternative press in the Commonwealth and the District. Book jacket.

Once the capital of the Confederacy and the industrial hub of slave-based tobacco production, Richmond, Virginia has been largely overlooked in the context of twentieth century urban and political history. By the early 1960s, the city served as an important center for integrated politics, as African Americans fought for fair representation and mobilized voters in order to overcome discriminatory policies. Richmond's African Americans struggled to serve their growing communities in the face of unyielding discrimination. Yet, due to their dedication to strengthening the Voting Rights Act of 1965, African American politicians held a city council majority by the late 1970s. In The Dream Is Lost, Julian Maxwell Hayter describes more than three decades of national and local racial politics in Richmond and illuminates the unintended consequences of civil rights legislation. He uses the city's experience to explain the political abuses that often accompany American electoral reforms and explores the arc of mid-twentieth-century urban history. In so doing, Hayter not only reexamines the civil rights movement's origins, but also seeks to explain the political, economic, and social implications of the freedom struggle following the major legislation of the 1960s. Hayter concludes his study in the 1980s and follows black voter mobilization to its rational conclusion -- black empowerment and governance. However, he also outlines how Richmond's black majority council struggled to the meet the challenges of economic forces beyond the realm of politics. The Dream Is Lost vividly illustrates the limits of political power, offering an important view of an underexplored aspect of the post--civil rights era.

Founded in Richmond in 1968, Virginia Commonwealth University (VCU) began with a mission to build a university to serve a city emerging from the era of urban crisis—desegregation, white flight, political conflict, and economic decline. With the merger of the Medical College of Virginia and the Richmond Professional Institute into the single state-mandated institution of VCU, the two entities were able to embrace their mission and work together productively. In Fulfilling the Promise, John Kneebone and Eugene Trani tell the intriguing story of VCU and the context in which the university was forged and eventually thrived. Although VCU’s history is necessarily unique, Kneebone and Trani show how the issues shaping it are common to many urban institutions, from engaging with two-party politics in Virginia and African American political leadership in Richmond, to fraught neighborhood relations, the complexities of providing public health care at an academic health center, and an increasingly diverse student body. As a result, Fulfilling the Promise offers far more than a stale institutional saga. Rather, this definitive history of one urban-setting state university illuminates the past and future of American public higher education in the post-1960s era.

“Grim and gruesome tales from the nearly 200-year history of the commonwealth’s most infamous prison.” —Style Weekly Thomas Jefferson developed the idea for the Virginia State Penitentiary and set the standard for the future of the American prison system. Designed by U.S. Capitol and White House architect Benjamin Latrobe, the “Pen” opened its doors in 1800. Vice President Aaron Burr was incarcerated there in 1807 as he awaited trial for treason. The prison endured severe overcrowding, three fires, an earthquake and numerous riots. More than 240 prisoners were executed there by electric chair. At one time, the ACLU called it the “most shameful prison in America.” The institution was plagued by racial injustice, eugenics experiments and the presence of children imprisoned among adults. Join author Dale Brumfield as he charts the 190-year history of the iconic prison. “Undoubtedly the most thorough work of its kind on this defunct Richmond institution that had occupied the same spot on Spring Street for almost 200 years. Dale is thorough in his research, digs deep for data, excavates through layers of ancient papers like an archaeologist. In the bibliography there are more than 300 sources cited. But this is much more than a work of history.”—North of the James

Thomas Jefferson developed the idea for the Virginia State Penitentiary and set the standard for the future of the American prison system. Designed by U.S. Capitol and White House architect Benjamin Latrobe, the "Pen" opened its doors in 1800. Vice President Aaron Burr was incarcerated there in 1807 as he awaited trial for treason. The prison endured severe overcrowding, three fires, an earthquake and numerous riots. More than 240 prisoners were executed there by electric chair. At one time, the ACLU called it the "most shameful prison in America." The institution was plagued by racial injustice, eugenics experiments and the presence of children imprisoned among adults. Join author Dale Brumfield as he charts the 190-year history of the iconic prison.

A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.

The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.

This book describes the emergence of DIY punk record labels in the early 1980s. Based on interviews with sixty-one labels, including four in Spain and four in Canada, it describes the social background of those who run these labels. Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing bands to contracts, expectations of extensive touring, and use of professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label. Unlike approaches to punk that consider it a subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them. Book jacket.