The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day

Publisher Description (unedited publisher data) Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.

Alla Prima II Companion is a comprehensive guide outlining Richard Schmid's material, tool and techniques written from the perspective of his student Katie Swatland. The book offers full explanations of all painting preparations, with step-by-step images illustrating each process. Both Katie Swatland and Richard Schmid offer painting demonstrations with sequential images showing the developmental stages of Richard's paintings.

Charting the ruthless rise and fall of the villainous king, Richard III remains one of Shakespeare's most enduringly discussed and oft-performed plays. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play. Throughout the book survey chapters explore such issues as the play's critical reception from Dr Johnson to postmodern readings in the 21st century; the performance history of the play, from Shakespeare's day to more recent stagings by Laurence Olivier and Ian McKellen; key themes in current scholarship, from disability to gender and nationalism; Richard III on film, including Al Pacino's Looking for Richard. Richard III: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's play.

Shows Wright's art was intrinsic to his politics, grounding his exploration of the intersections between race, gender, and class.

The fate of Richard III's two nephews, Edward V and Richard of York, who disappeared after his coronation in 1483, has remained controversial centuries after Thomas More's history and Shakespeare's play laid the blame on their conniving uncle. Some later writers, unconvinced of the king's guilt, have tried (with little success) to portray him as an innocent victim of Tudor propaganda, pointing instead to a number of unlikely culprits, including Henry Tudor and the Duke of Buckingham. This book sifts through the available evidence about the fate of the two boys. The author examines the facts, discusses who may or may not have had information and offers a reasoned solution to the question, What really happened to the two princes?

Richard Hooker was a learned philosophical theologian and engaged polemicist of the later sixteenth century who explained and defended the Elizabethan religious and political settlement, and shaped definitively the self-understanding of the English ecclesiastical establishment for centuries to come. This Companion to Richard Hooker brings together a representative body of contributors with a view to offering a summary of the current state of scholarly debate and a synthesis of emerging trends in criticism. Contributions to this volume reflect the major current trends of scholarly opinion on Hooker’s place within the mainstream of Protestant reform. This Companion aims to provide a comprehensive and systematic introduction to Richard Hooker’s life, works, thought, reputation, and influence. Contributors are: Rudolph P. Almasy, Daniel Eppley, Lee W. Gibbs, Egil Grislis, William Harrison, W. Speed Hill, Ranall Ingalls, Dean Kernan, Torrance Kirby, Diarmaid MacCulloch, A. S. McGrade, W. David Neelands, W. Brown Patterson, Debora K. Shuger, Corneliu C. Simuţ, John K. Stafford, Paul Stanwood, James F. Turrell, and the Archbishop of Canterbury, Dr. Rowan Williams.

Dramatizes Richard's rise to the British throne and his subsequent downfall, and includes criticism and notes on the play's text.