The dead refuse to stay dead. The Reaper is here to put them down. As winter sets in and America’s survivors struggle to rebuild a semblance of civilization, terrifying new enemies are gathering—both in the lawless badlands and within the walls of the safe zone. Most fearsome of all is the “King of the Dead.” His zombified troupe of sideshow curiosities is but a fraction of his growing pack. The Reaper’s quest to safeguard the humans he has befriended places him on the trail of these feral undead. But he is sorely unprepared for the return of the zombie transformed by his own flesh, the Omega—a fiend driven by something more sinister than any virus. Meanwhile, Death’s questions about his origin haunt him, and he is close to the answers... but the worst of both the living and the dead are rising in his path, and he’ll have to cut them all down to reach the cosmic endgame.

Menolly needs more than music’s power to make it as a Harper in the second book in the Harper Hall trilogy, set within science fiction legend Anne McCaffrey’s beloved and bestselling Dragonriders of Pern series. In the world of Pern, Harpers are more powerful than kings, for the music they play can control the minds of others. For young Menolly, her dreams of becoming a Harper have nothing to do with power, but rather her love of music. Now she is finally living out her musical dreams as an apprentice Harper, but it’s turning out to be more challenging than she thought. Formerly forbidden to study music because of her gender, Menolly quickly encounters hostility from a number of her male peers and masters. With the help of new friends, teachers, and her nine tiny, colorful dragons, Menolly finds that her musical talents may be stronger than anyone could imagine.

After witnessing the tragic death of her closest friends and family, Dawn travels across the country with a weathered vagabond in search of her aunt. On the way, she discovers that the world is a much scarier place than she had initially imagined, and that she might have some darkness lingering within herself as well. A nail-biting, edge of your seat fantasy story; one that tackles issues of the human heart, as well as mental and emotional wellness in the wake of trauma. Reflection is a story that teeters the line between wonder, amazement, and real life terrors. In a world is filled with all sorts of monsters and creatures, Reflection will leave its readers asking questions about life, and their own mental well-being.

Brings ideas and animals together to shed new light on modernist magazine culture Tests the concept of 'primordial' modernism as a tributary of primitivism, Jungian thought, and fraught nationalismsProvides readings of Eugene Jolas's creative and critical works that place him centre-stage in modernist studiesMoves between unpublished archival material, reception studies, and readings of overlooked authorsConsiders a wide range of modernist authors and artists as befitting to such a rich documentTouches on contemporary scientific discourse as an aspect of animal studiesThis adventurous study focuses on experimental animal writing in the major interwar journal transition (1927-1938), which contains a striking recurrence of metaphors around the most basic forms of life. Amoebas, fish, lizards, birds - some of the 'lowest' and 'oldest' creatures on earth often emerge at the very places authors seek expressions for the 'newest' and the 'highest' in art. Discussing works by James Joyce, Henry Miller, Gottfried Benn, Eugene Jolas, Kay Boyle, Bryher, Paul luard and more, Cathryn Setz investigates this paradox and provides a new understanding of transition's contribution to twentieth-century periodical culture.

From tiny to gigantic, from drab to remarkably beautiful, from harmless to venomous, lizards are spectacular products of natural selection. This book, lavishly illustrated with color photographs, is the first comprehensive reference on lizards around the world. Accessible, scientifically up-to-date, and written with contagious enthusiasm for the subject, Lizards: Windows to the Evolution of Diversity covers species evolution, diversity, ecology, and biology. Eric R. Pianka and Laurie J. Vitt have studied and photographed members of almost all lizard families worldwide, and they bring to the book a deep knowledge based on extensive firsthand experience with the animals in their natural habitats. Part One explores lizard lifestyles, answering such questions as why lizards are active when they are, why they behave as they do, how they avoid predators, why they eat what they eat, and how they reproduce and socialize. In Part Two the authors take us on a fascinating tour of the world's manifold lizard species, beginning with iguanians, an evolutionary group that includes some of the most bizarre lizards, the true chameleons of Africa and Madagascar. We also meet the glass lizard, able to break its tail into many highly motile pieces to distract a predator from its body; lizards that can run across water; and limbless lizards, such as snakes. Part Three gives an unprecedented global view of evolutionary trends that have shaped present-day lizard communities and considers the impact of humans on their future. A definitive resource containing many entertaining anecdotes, this magnificent book opens a new window to the natural world and the evolution of life on earth.

The definitive collection of nonfiction--from war reporting to literary criticism to the sharpest political writing--from the "legend of American letters" (Vanity Fair) Robert Stone was a singular American writer, a visionary whose award-winning novels--including Dog Soldiers, Outerbridge Reach, and Damascus Gate--earned him comparisons to literary lions ranging from Samuel Beckett to Ernest Hemingway to Graham Greene. Stone had an almost prophetic grasp of the spirit of his age, which he captured with crystalline clarity in each of his novels. Of course, he was also a sharp and brilliant observer of American life, and his nonfiction writing is revelatory. The Eye You See With--the first and only collection of Robert Stone's nonfiction--was carefully selected by award-winning novelist and Stone biographer Madison Smartt Bell. Divided into three sections, the collection includes the best of Stone's war reporting, his writing on social change, and his reflections on the art of fiction. This is an extraordinary volume that offers up a clear-eyed look at the 20th century and secures Robert Stone's place as one of the most original figures in all of American letters.

This comprehensively updated and expanded revision of the successful second edition continues to provide detailed coverage of the ever-growing range of research topics in vision. In Part I, the treatment of visual physiology has been extensively revised with an updated account of retinal processing, a new section explaining the principles of spatial and temporal filtering which underlie discussions in later chapters, and an up-to-date account of the primate visual pathway. Part II contains four largely new chapters which cover recent psychophysical evidence and computational model of early vision: edge detection, perceptual grouping, depth perception, and motion perception. The models discussed are extensively integrated with physiological evidence. All other chapters in Parts II, III, and IV have also been thoroughly updated.

In the comparative physiology of photoreception by the Protista and the invertebrates two aspects are emphasized: (1) the diversity of visual processes in these groups and (2) their bearing upon general mechanisms of photoreception. Invertebrates have evolved a far greater variety of adaptations than vertebrates modifications aiding survival in the remarkably different biotopes they occupy. The number of species in itself suggests this multiformity; each of them has peculiarities of its own, in morphology as well as in physiology and behavior. But these special adaptations are variations on a few great themes. Although the catalogue of invertebrate species is immense, the literature concerning them nearly rivals it in extent-even if one considers only that fraction dealing with visual physiology. Taxonomy proceeds by grouping the species, categorizing them in genera, families, orders, and progressively larger units. Similarly, comparative physiology aims at an analogous, more or less compre hensive, classification. This Part A of Volume VII/6, like Part B that follows it, emphasizes the broad questions that concern groups larger than the individual species; in some cases these questions have general applicability. The middle course between approaches that are too specialized and those that are too general is often elusive, but here we attempt to follow it. The vast number of special adaptations-probably, as we have said, as large as the number of species-is beyond the range even of a handbook.