In this first full-length biography of Alexander Bogdanov, James D. White traces the intellectual development of this key socialist thinker, situating his ideas in the context of the Russian revolutionary movement. He examines the part Bogdanov played in the origins of Bolshevism, his role in the revolutions of 1905 and 1917 and his conflict with Lenin, which lasted into Soviet times. The book examines in some detail Bogdanov’s intellectual legacy, which, though deliberately obscured and distorted by his adversaries, was considerable and is of lasting significance. Bogdanov was an original and influential interpreter of Marx. He had a mastery of many spheres of knowledge, this expertise being employed in writing his chief theoretical work Tectology, which anticipates modern systems theory. See inside the book.

Empiriomonism is Alexander Bogdanov’s monistic philosophy of being and cognition, which he believed is consistent with both modern science and Marxism. It is of the same order as materialist systems and is the ideology of the productive forces of society.

William Shakespeare's tragedy in which a Danish prince seeks vengeance for his father's murder after being visited by his ghost, accompanied by notes on the theatrical world and texts of Shakespeare.

On 21 November 1963, the first rocket took off from Thumba, a fishing hamlet near Thiruvananthapuram, announcing the birth of India's space programme. The rocket, the payload, the radar, the computer, the helicopter - all that was required for the launch - came from outside the country. Fifty years later, on 5 November 2013, when ISRO launched its Mars Orbiter Mission (MOM) from the Satish Dhawan Space Centre, Sriharikota, all of it had been indigenously manufactured. Ten months after the launch, on 24 September 2014, India became the first country in the world to put a satellite around the Red Planet in the very first attempt. From Fishing Hamlet to Red Planet tracks this stupendous journey through articles, interviews and reminiscences with contributions from intellectual giants like Dr Vikram Sarabhai, Satish Dhawan, M.S. Swaminathan, Jacques Blamont, Dr A.P.J. Abdul Kalam, U.R. Rao and Dr K. Kasturirangan, among others, this is the story of India's space journey from its modest beginnings to its rendezvous with Mars.

Detached from Shakespeare’s English, Hamlet has been rewritten numerous times in European languages, the various translations into any one language jostling with each other for dominance and spawning new Hamlets that depart decisively from Shakespeare as a source. This book focuses on the rich tradition of drawing from Hamlet in European cultures to produce new, independent works, which include Hamlet theatre, Hamlet ballet, Hamlet poetry, Hamlet fiction, Hamlet essays and Hamlet films. It examines how the myth of Hamlet has crossed back and forth over Europe’s linguistic borders for four hundred years, repeatedly reinvigorated by being bent to specific geo-political and cultural locations. The enquiries in this book show how, in the process of translation, adaptation and reinventing, Hamlet has become the common cultural currency of Europe.

Edited by Joseph Pearce Contributors to this volume: Crystal Downing Anthony Esolen Gene Fendt Richard Harp Joseph Pearce Andrew Moran Jim Scott Orrick R.V. Young Arguably Shakespeare's finest and most important play, Hamlet is also one of the most misunderstood masterpieces of world literature. ""To be or not to be"", may be the question, but the answer has eluded many generations of critics. What does it mean ""to be""? And is everything as it seems to be? These are the questions that are asked and answered in the introduction by Joseph Pearce, author of The Quest for Shakespeare, and in the tradition-oriented critical essays by leading Shakespeare scholars that can be found in this groundbreaking edition of Shakespeare's masterpiece. To see or not to see, that is the question. The Ignatius Critical Edition of Hamlet will help many people truly see the play and its deepest meaning in a new and surprising light. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.

Vale Ferne was born in China, from where her family moved from another country; and now lives in Canada. Shakespeare captured her interest early in life, and a reading of Hamlet at a night school in Toronto intensified it. Others of her favorite writers are J.J. Rousseau, L.G. Byron and J.L. Borges. Hamlet, Prince of Denmark: A Thought Quarter'd is her first book. In Hamlet, Prince of Denmark: A thought Quarter’d Vale Ferne offers her own radical, fresh and witty reading of Shakespeare’s play in the light of the legendary history of Denmark. She goes beyond “deconstruction” to “reconstruction,” splitting and combining Shakespeare’s characters to create a whole new cast of her own. Her new version is a true Jeu d’esprit that can be read entirely for itself yet offers provocative insights into Shakespeare’s play. Enjoy!

"But in a fiction, in a dream of passion..." In an extended commentary on this passage this book offers a rationale for the excellence and primacy of this play among the tragedies. Throughout, emphasis is placed on Hamlet's fantasies and imaginations rather than on ethical criteria, and on the depiction of Hamlet as a revenge play through an exploration of its dark and mysterious aspects. The book stresses the importance of Passion and Its Fictions in the play and attempts to explore the very Pirandellian topic of Hamlet's passion and dream of passion. It goes on to examine the organization of dramatic energies in the play - the use Shakespeare makes of analogy and infinite regress and of scene rows, broken scenes and impacted scenes, and the significance of the exact middle of Hamlet. The final section is devoted to conventions of style, imagery, and genre in the play - what is the stage situation of asides, soliloguies, and offstage speech? How is the imagery of skin disease and sealing distinctive? In what sense is Hamlet a comedy, or does it use comedy significantly?