Frank Thorpe Porter's book is a fascinating, horrifying, and at times hilarious document of life in Ireland during the late 18th and early 19th century. Porter's book is full of personal anecdotes about the cases he was involved in, and the people he knew around Dublin, Dun Laoghaire, and further afield. There's stories of people escaping from Death Row in Kilmainham gaol, professional beggars, lost diamonds, suave swindlers, drunken sailors, rebels, reunited lovers, she barracks, and much more. Thorpe is a convivial storyteller and relishes the opportunity of presenting these stories and tries to be as accurate as he can. Anyone who enjoys incredible real stories, Irish History, or criminal cases will find something to appreciate here.About BrambleHill Press: BrambleHill Press Limited has been set up to publish forgotten or neglected texts that we come across and feel are interesting, relevant, and should be much wider known. We take these texts and redesign them, adding footnotes, indexes, or other material that may help the reader.

This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.

The Policing of Belfast, 1870-1914 examines the Royal Irish Constabulary (RIC) in late Victorian Belfast in order to see how a semi-military, largely rural constabulary adapted to the problems that a city posed. Mark Radford explores whether the RIC, as the most public face of British government, was successful in controlling a recalcitrant Irish urban populace. This examination of the contrast in styles between urban and rural policing and semi-rural and civil constabulary offers an important insight into the social, political and military history of Ireland at the turn of the twentieth century. The book concludes by showing how governmental neglect of the force and its failure to comprehensively address the issues of pay and conditions of service ultimately led to crisis in the RIC.

Civilised by beasts tells the story of nineteenth-century Dublin through human-animal relationships. It offers a unique perspective on ordinary life in the Irish metropolis during a century of significant change and reform. At its heart is the argument that the exploitation of animals formed a key component of urban change, from municipal reform to class formation to the expansion of public health and policing. It uses a social history approach but draws on a range of new and underused sources, including archives of the humane society and the zoological society, popular songs, visual ephemera and diaries. The book moves chronologically from 1830 to 1900, with each chapter focusing on specific animals and their relationship to urban changes. It will appeal to anyone fascinated by the history of cities, the history of Dublin or the history of Ireland.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1951. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived