Unusual Sounds is a deep dive into the hidden musical universe of Library Music, featuring histories, interviews, and extraordinary visuals from the field's most celebrated creators.

This textbook introduces the reader to the field of phonology, from allophones to faithfulness and exemplars. It assumes no prior knowledge of the field, and includes a brief review chapter on phonetics. It is written within the framework of Cognitive Linguistics, but covers a wide range of historical and contemporary theories, from the Prague School to Optimality Theory. While many examples are based on American and British English, there are also discussions of some aspects of French and German colloquial speech and phonological analysis problems from many other languages around the world. In addition to the basics of phoneme theory, features, and morphophonemics there are chapters on casual speech, first and second language acquisition and historical change. A final chapter covers a number of issues in contemporary phonological theory, including some of the classic debates in Generative Phonology (rule ordering, abstractness, ‘derivationalism’) and proposals for usage-based phonologies.

An accessible yet in-depth introductory textbook on the basic concepts of phonetics, fully updated and revised This broad, interdisciplinary textbook investigates how speech can be written down, how speech is produced, its acoustic characteristics, and how listeners perceive speech. Phonetics: Transcription, Production, Acoustics, and Perception introduces readers to the fundamental concepts of the discipline, providing coverage of all four areas of phonetics. This comprehensive textbook also familiarizes readers with concepts from other disciplines related to phonetics—such as physiology, anatomy, and psychology—through relatable, real-life examples. Now in its second edition, the text has been substantially revised to improve clarity and currency, based on student feedback received by the authors over the past decade. Brief “Nutshell” introductions have been added to all chapters to provide a clear overview of key points within the body of the text. Expanded content to this new edition examines voice quality, the acoustic correlates of different phonation types, intonation, and different theories of speech perception. Written in a clear and concise style by two of the field’s leading scholars, this textbook: Covers related relevant areas, including vocal fold vibration and the physiology of the ear Offers examples from other languages to highlight aspects of phonetics not found in English Includes chapter-by-chapter exercises, engaging illustrations, and a detailed glossary Features a companion website containing additional resources such as figures and sound files Phonetics: Transcription, Production, Acoustics, and Perception, 2nd Edition is an ideal text for both introductory and advanced courses in phonetics and speech science, general linguistics, related disciplines such as psychology, speech pathology, and audiology, and for anyone interested to learn about how we speak and hear.

Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.

Hindi: An Essential Grammar is a practical reference guide to the core structures and features of modern Hindi. Assuming no prior knowledge of Hindi grammar, this book avoids jargon and overly technical language as it takes the student through the complexities of Hindi grammar in short, readable sections. Suitable for either independent study or for students in schools, colleges, universities and adult education classes, key features include: Full examples throughout in both Devanagari and Roman script with a gloss in English Glossary of technical terms and detailed subject index Cross referencing between sections Authentic material provided in the appendix demonstrating grammar usage Hindi: An Essential Grammar will help students, in both formal and non-formal education and of all levels to read, speak and write the language with greater confidence and accuracy. The revised edition rectifies the printing errors inadvertently made in the first edition; it also further clarifies several other issues including Hindi word order flexibility, compound nouns, ergativity, pronominal usage and polite communication.

The fully updated, new edition of the bestselling introduction to phonetics and phonology The Sounds of Language presents a comprehensive introduction to both the physical and cognitive aspects of speech sounds. Assuming no prior knowledge of phonetics or phonology, this student-friendly textbook clearly explains fundamental concepts and theories, describes key phonetic and phonological phenomena, explores the history and intersection of the two fields, offers practical advice on collecting and reading data, and more. Twenty-four concise chapters, written in non-technical language, are organized into six sections that each focus on a particular sub-discipline: Articulatory Phonetics, Acoustic Phonetics, Segmental Phonology, Suprasegmental Phonology, the Phonology/Morphology Interface, and Variation and Change. The book's flexible modular approach allows instructors to easily choose, re-order, combine, or skip sections to meet the needs of one- and two-semester courses of varying levels. Now in its second edition, The Sounds of Language contains updated references, new problem sets, new examples, and links to new online material. The new edition features new chapters on Lexical Phonology; Word Structure and Sound Structure; and Variation, Probability, and Phonological Theory. Chapters on Sociolinguistic Variation, Child Language Acquisition, and Adult Language Learning have also been extensively updated and revised. Offering uniquely broad and balanced coverage of the theory and practice of two major branches of linguistics, The Sounds of Language: Covers a wide range of topics in phonetics and phonology, from the anatomy of the vocal tract to the cognitive processes behind the comprehension of speech sounds Features critical reviews of different approaches that have been used to address phonetics and phonology problems Integrates data on sociolinguistic variation, first language acquisition, and second language learning Surveys key phonological theories, common phonological processes, and computational techniques for speech analysis Contains numerous exercises and progressively challenging problem sets that allow students to practice data analysis and hypothesis testing Includes access to a companion website with additional exercises, sound files, and other supporting resources The Sounds of Language: An Introduction to Phonetics and Phonology, Second Edition, remains the ideal textbook for undergraduate and beginning graduate classes on phonology and phonetics, as well as related courses in linguistics, applied linguistics, speech science, language acquisition, and cognitive science programs.

Most teenagers think that being a Christian means doing the right thing. But figuring out what the 'right thing' is can be a challenge. This book will guide your students through God's Word and help them figure out what God really wants from them.

This is the first guide and introduction to the extraordinary range of languages in Amazonia, which include some of the most the most fascinating in the world and many of which are now teetering on the edge of extinction. Alexandra Aikhenvald, one of the world's leading experts on the region, provides an account of the more than 300 languages. She sets out their main characteristics, compares their common and unique features, and describes the histories and cultures of the people who speak them. The languages abound in rare features. Most have been in contact with each other for many generations, giving rise to complex patterns of linguistic influence. The author draws on her own extensive field research to tease out and analyse the patterns of their genetic and structural diversity. She shows how these patterns reveal the interrelatedness of language and culture; different kinship systems, for example, have different linguistic correlates. Professor Aikhenvald explains the many unusual features of Amazonian languages, which include evidentials, tones, classifiers, and elaborate positional verbs. She ends the book with a glossary of terms, and a full guide for those readers interested in following up a particular language or linguistic phenomenon. The book is free of esoteric terminology, written in its author's characteristically clear style, and brought vividly to life with numerous accounts of her experience in the region. It may be used as a resource in courses in Latin American studies, Amazonian studies, linguistic typology, and general linguistics, and as reference for linguistic and anthropological research.

Is it in our nature to be altruistic, or evil, to make art, use tools, or create language? Is it in our nature to think in any particular way? For Daniel L. Everett, the answer is a resounding no: it isn’t in our nature to do any of these things because human nature does not exist—at least not as we usually think of it. Flying in the face of major trends in Evolutionary Psychology and related fields, he offers a provocative and compelling argument in this book that the only thing humans are hardwired for is freedom: freedom from evolutionary instinct and freedom to adapt to a variety of environmental and cultural contexts. Everett sketches a blank-slate picture of human cognition that focuses not on what is in the mind but, rather, what the mind is in—namely, culture. He draws on years of field research among the Amazonian people of the Pirahã in order to carefully scrutinize various theories of cognitive instinct, including Noam Chomsky’s foundational concept of universal grammar, Freud’s notions of unconscious forces, Adolf Bastian’s psychic unity of mankind, and works on massive modularity by evolutionary psychologists such as Leda Cosmides, John Tooby, Jerry Fodor, and Steven Pinker. Illuminating unique characteristics of the Pirahã language, he demonstrates just how differently various cultures can make us think and how vital culture is to our cognitive flexibility. Outlining the ways culture and individual psychology operate symbiotically, he posits a Buddhist-like conception of the cultural self as a set of experiences united by various apperceptions, episodic memories, ranked values, knowledge structures, and social roles—and not, in any shape or form, biological instinct. The result is fascinating portrait of the “dark matter of the mind,” one that shows that our greatest evolutionary adaptation is adaptability itself.

The author of Detroit 67 captures Northern England’s underground music scene of the 1970s and ‘80s in this candid memoir of late nights and heavy beats. Young Soul Rebel is a compelling and intimate story of northern soul, Britain's most fascinating musical underground scene. Author Stuart Cosgrove takes the reader on a personal journey through the iconic clubs that made it famous, like The Twisted Wheel, The Torch, Wigan Casino, Blackpool Mecca and Cleethorpes Pier. He also details the bootleggers that made it infamous, the splits that threatened to divide the scene, the great unknown records that built its global reputation and the crate-digging collectors that travelled to America to unearth unknown sounds. A sweeping memoir that covers fifty years of British life, Young Soul Rebel places the northern soul scene in a larger social and historical context that includes the rise of amphetamine culture, the policing of youth culture, the north-south divide, the decline of coastal Britain, the Yorkshire Ripper inquiry, the rise of Thatcherism, the miners' strike, the rave scene and music in the era of the world wide web.