The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times)

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.

Few woman warriors are more storied than Boudicca, the fierce redheaded queen who, in the first century A.C.E., led the most celebrated Celtic rebellion in history. Here, for the first time, Jan Surasky imagines Boudicca's enthralling story of bravery and triumph from the Celtic perspective. In her extensively researched, vividly told novel, Boudicca bursts to life asnever before in all her bold passion, brazen courage and heroic glory. After a carefree childhood, Boudicca is wed to a much older king. Then, her world turns dark. Romans invade the island, taking slaves, publicly humiliating Boudicca and assualting her two young daughters. Betrayed and outraged, Boudicca leads thousands of warriors into an epic battle to avenge her daughters and rid her beloved island of Roman tyranny. Grand in scope and intimate in detail, this beautifully written novel resonates with the queen's indomitable spirit, placing her alongside no lesser woman warrior than Joan of Arc herself.

In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable. A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise. Praise for Dying of the Light “Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon “Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times “Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine “The galactic background is excellent. . . . Martin knows how to hold the reader.”—Asimov’s “George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys

"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature. In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death. The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process. "Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.

It's hard to recognize the devil when his hand is on your shoulder. That's because a psychopath is just a person before he becomes a headline....Psychopaths have preferences for Starbucks or Dunkin' Donuts coffee, denim or linen, Dickens or...well, you get the point. Ex-FBI agent Brigid Quinn has seen more than her share of psychopaths. She is ready to put all that behind her, building a new life in Tucson with a husband, friends, and some nice quiet work as a private investigator. Sure, she could still kill a man half her age, but she now gets her martial arts practice by teaching self-defense at a women's shelter. But sometimes it isn't that simple. When her sister-in-law dies, Brigid take in her seventeen-year-old niece, Gemma Kate. There has always been something unsettling about Gemma-Kate, but family is family. Which is fine, until Gemma-Kate starts taking an unhealthy interest in dissecting the local wildlife. Meanwhile, Brigid agrees to help a local couple by investigating the death of their son—which also turns out not to be that simple. Her house isn't the sanctuary it used to be, and new dangers—including murder—seem to lurk everywhere. Brigid starts to wonder if there is anyone she can trust, or if the devil has simply moved closer to home. Becky Masterman's Fear the Darkness is the masterful follow-up to the Edgar Award and CWA Gold Dagger finalist Rage Against the Dying.

"Former FBI agent Brigid Quinn, with her trademark toughness, raw humor, and human frailty, is back and better than ever in Masterman’s latest novel. As Quinn is drawn into an infamous cold case with a possible link to the two killers immortalized by Truman Capote’s In Cold Blood, she finds danger closing in. A gripping premise, brilliantly executed—you won’t be able to put this one down!"—Shari Lapena, New York Times bestselling author of The Couple Next Door In 1959, a family of four were brutally murdered in Holcomb, Kansas. Perry Smith and Dick Hickok were convicted and executed for the crime, and the murders and their investigation and solution became the subject of Truman Capote's masterpiece, In Cold Blood. But what if there was a third killer, who remained unknown? What if there was another family, also murdered, who crossed paths with this band of killers, though their murder remains unsolved? And what if Dick Hickok left a written confession, explaining everything? Retired FBI agent Brigid Quinn and her husband Carlo, a former priest and university professor, are trying to enjoy each other in this new stage in their lives. But a memento from Carlo's days as a prison chaplain--a handwritten document hidden away undetected in a box of Carlo's old things--has become a target for a man on the run from his past. Jerry Beaufort has just been released from prison after decades behind bars, and though he'd like to get on with living the rest of his life, he knows that somewhere there is a written record of the time he spent with two killers in 1959. Following the path of this letter will bring Jerry into contact with the last person he'll see as a threat: Brigid Quinn. Becky Masterman's unputdownable thrillers featuring unique heroine Brigid Quinn continue with this fascinating alternative look at one of America's most famous crimes.

A powerful, timely exploration of the art of living and dying on our own terms by one of Australia’s most respected voices Of all the experiences we share, two universal events bookend our lives: we were all born and we will all die. We don't have a choice in how we enter the world but we can have a say in how we leave it. In order to die well, we must be prepared to contemplate our mortality and to broach it with our loved ones, who are often called upon to make important decisions on our behalf. These are some of the most important conversations we can have with each other - to find peace, kindness and gratitude for what has gone before, and acceptance of what is to come. Dr Ranjana Srivastava draws on two decades of experience to share her observations and advice on leading a meaningful life and finding dignity and composure at the end. With an emphasis on advocacy, leaving a legacy and staying true to our deepest convictions, Srivastava tells stories of strength, hope and resilience in the face of grief and offers an optimistic meditation on approaching the end of life. Intelligent, warm and deeply affecting, A Better Death is a passionate exploration of the art of living and dying well. Dr Ranjana Srivastava OAM is a practising oncologist, award-winning writer, broadcaster and Fulbright scholar. See www.ranjanasrivastava.com

Partly autobiographical, partly historical, "The Rage Against God," written by the brother of prominent atheist Christopher Hitchens, assails several of the favorite arguments of the anti-God battalions and makes the case against fashionable atheism.

Rage Against The LightPlace: Sydney CBD. Or a city anywhere. Time: Mostly daytime yet feels like night.Era: Early 21st century. Mood: Dark but hopeful.Light: Dramatic. Sydney is a city in the midst of a development boom. Skyscrapers. Cranes. Man-made environment. Concrete. Few trees. Mirrored surfaces. Windows magnifying light. Consumer advertising expressing people's desires. Impersonal at heart.There are signs of life amid the cold abstractions of architecture. People scurry about being literally exposed by light. They are struck by shafts between buildings like insects coming out for food. Solitary male figures appear as different identities. A man in a suit, dragging on a cigarette is lost in thought.Street photography is a genre with a long history (Garry Winogrand, Daido Moriyama, Trent Parke). The CBD is a favorite haunt. Some photographers seek out people or emphasize a sense of isolation in the crowd. Others evoke a haunting mood empty of human presence. Markus Andersen does both, loving the tradition of black and white (high contrast), square format and abstraction. With very deliberate cropping and enterprising juxtapositions he reveals his skill for graphic design. He aligns the elements of people and place to make a wryly humourous visual haiku. The Leunig of photography.Markus Andersen's photographs describe an experience familiar to us. It is exciting and full of promise to go to the CBD and yet it can leave us feeling empty. We go home only temporarily satiated. This essay is rich with worldly wisdom. There is satisfaction in the vision shared. It celebrates the humanity of the self and its endless creative ability to interpret. This is the role of the artist. It casts light on our experience by speaking from the heart. Markus Anderson sheds light on our love of life and our love of light.