Publisher Description

Presents the life and work of one of the foremost landscape designers of the early 1900s. Born into a prominent New York family (the niece of Edith Wharton), Farrand eschewed the social life of the Gilded Age to pursue her passion for landscape and plants. Many of her clients were members of the highest society with estates in Newport, the Berkshires, and Maine, but Farrand ultimately became a consultant for university campuses, including Yale and Princeton, and for public gardens, including the Santa Barbara Botanic Garden and the Rose Garden at The New York Botanical Garden. Perhaps her best-known work is Dumbarton Oaks, originally a private residence and now a research institute of Harvard University. Known for broad expanses of lawn with deep swaths of borders in a subtle palette of foliage and flowers, her gardens have been photographed at their peak for this book, and complemented by watercolor wash renderings of her designs.--From publisher description.

Open urban spaces are an ideal stage for public events. An important prerequisite for their design in an increasingly heterogeneous multicultural cityscape is the relationship between design, use, and social function.The book documents both temporary as well as permanent installations of various kinds – from the open-air courtyard of a museum to the design of a river bank promenade, through to a city park.

During the 1930s, the state park movement and the National Park Service expanded public access to scenic American places, especially during the era of the New Deal. However, under severe Jim Crow restrictions in the South, African Americans were routinely and officially denied entrance to these supposedly shared sites. Landscapes of Exclusion presents the first-ever study of segregation in southern state parks, underscoring the profound disparity that persisted for decades in the Jim Crow South.

A leading figure in the New Perennial planting movement, garden and landscape designer Piet Oudolf emphasizes plant structure as the most important aspect of a successful garden, along with form, texture and colour. He uses perennials almost exclusively to create lasting, ecologically sound panoramas that relate to the greater landscape and the shifting seasons. This book features twenty-three of Oudolf's public and private gardens, along with detailed plans to provide inspiration and insight for small personal gardens and for the design of large-scale public landscapes.--From book flap.

Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice by The Power of Place, a nonprofit organization Hayden founded in downtown Los Angeles. Through public meetings, walking tours, artists's books, and permanent public sculpture, as well as architectural preservation, teams of historians, designers, planners, and artists worked together to understand, preserve, and commemorate urban landscape history as African American, Latina, and Asian American families have experienced it. One project celebrates the urban homestead of Biddy Mason, an African American ex-slave and midwife active betwen 1856 and 1891. Another reinterprets the Embassy Theater where Rose Pesotta, Luisa Moreno, and Josefina Fierro de Bright organized Latina dressmakers and cannery workers in the 1930s and 1940s. A third chapter tells the story of a historic district where Japanese American family businesses flourished from the 1890s to the 1940s. Each project deals with bitter memories—slavery, repatriation, internment—but shows how citizens survived and persevered to build an urban life for themselves, their families, and their communities. Drawing on many similar efforts around the United States, from New York to Charleston, Seattle to Cincinnati, Hayden finds a broad new movement across urban preservation, public history, and public art to accept American diversity at the heart of the vernacular urban landscape. She provides dozens of models for creative urban history projects in cities and towns across the country.

Gardening. Environmental Studies. Photographs by Saxon Holt. Illustrations by Richard Pembroke. This lavishly illustrated book celebrates the challenges and opportunities of gardening in Mediterranean climates, with special reference to northern California's San Francisco Bay Region. The core of the book is a catalog of more than 650 plants suited to regions with mild, usually wet winters and dry, often hot summers. These plants thrive with moderate to no summer irrigation when established, require little or no maintenance, and are reasonably available from nurseries, botanic gardens, native plant sales, or specialty seed suppliers. Many of the 542 color photographs show plants in garden settings to suggest attractive and compatible plant combinations. Summary charts provide information on each plant, such as bloom time, needs for water and sun, and preferences for coastal or inland microclimates. Lists suggest plants for special situations, such as hot sites, dryish shade, small gardens, and clay soils. Chapters on landscape design and maintenance inspire readers to make gardens that use little water and no harmful chemicals, with a focus on building healthy soil. Practical steps to successful design are supplemented with ideas for designing with microclimate, attracting wildlife, and fire safety. Sidebars by local experts discuss weather, natural landscapes, design solutions, and gardening with recycled water. "A valuable resource for climate-compatible gardening in the San Franciso Bay Area that will also be of interest to gardeners in other parts of the world with a similar seasonal pattern of winter rain and dry summers. This book will occupy a prominent place in my library for many years to come." Katherine Greenberg, president Mediterranean Garden Society "This book is beautifully designed with abundant photographs of plants, many in garden settings, and it is packed with the kind of information gardeners need for their own special situations. Simply stunning Bravo " Phyllis M. Faber, editor University of California Press"

The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape. Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.

Well-illustrated chapters describe how to select the right period design for the garden, yard and grounds of a historic building, how to research and plan development, how to find and identify authentic plants, and how to maintain the landscape once it's restored. Included is the most complete list ever published of plants and flowers and the dates they came into popular use. Annotation copyrighted by Book News, Inc., Portland, OR