The revolutionary comedic short stories, rants, poems, loves and hates of one of the internets most read writers, the host of Peace and Pipedreams, and various other sites.

FROM THE BEST-SELLING AUTHOR OF THE SUPERVILLAINY SAGA What if all the villains of slasher movies were real? What if the movies made about them were just adaptations of real-life killers with supernatural powers? This is a fact known to William and Carrie because their father, Billy the Undying, was one of the worst slashers of all time. So much so that they've spent the past decade in an asylum out of fear they'd end up just like him. Escaping, the two have decided to form a new life on the road. Except, a chance encounter in a dingy diner introduces William to the girl of his dreams. Too bad she's a girl on a mission to kill all slashers. But maybe the best way to catch a supernatural serial killer is with another pair of them. Enjoy this exciting prequel to the United States of Monsters books!

Henry: Portrait of a Serial Killer (1986) is precisely that: a cold-eyed character study based on the crimes of Henry Lee Lucas, who was convicted of eleven murders in the 1980s. Director John McNaughton presents an unflinching portrayal of the semi-fictional Henry's crimes. The film proved immensely controversial, notably in the UK, where it confounded the British Board of Film Classification, which went so far as to re-edit a crucial scene, in addition to cutting others. Shaun Kimber's examination of the controversies surrounding Henry considers the history and implications of censors' decisions about the film on both sides of the Atlantic. Taking account of the views of audiences, critics and academics, both at the time the film was released and in the years since, Kimber also looks at the changing political, social and economic contexts within which the film was produced and has subsequently circulated. Henry continues to represent a key film within the horror genre, the history of censorship, and the study of film violence. Kimber's account of the film's production and its fortunes in the marketplace provides a fascinating case study of film censorship in action, and offers a sustained and wide-ranging analysis of what remains one of the most disturbing films ever made. 'An excellent in-depth analysis... Kimber effectively combines close readings of key scenes with detailed consideration of the history of different versions of Henry and its various engagements with critics, supporters and regulatory authorities.' Geoff King, Brunel University Shaun Kimber is a Senior Lecturer in the Media School at Bournemouth University.

"From New York Times bestselling author Pete Earley comes the true story of a young man who suffers a traumatic brain injury that renders him incapable of judging or feeling repulsion, and subsequently becomes the most trusted confidant of numerous imprisoned serial killers"--

Mind control, madness and altered states of reality can make for exciting nights at the movies--which explains the enduring popularity of a film genre that might be called the psycho thriller. Psychiatry and film came of age simultaneously, and characters such as the evil psychiatrist and the pathological killer were often developed in direct reference to the psychological themes that inspired them. For example, the penchants of Hitchcock's famously creepy Norman Bates represented real psychological disorders, and his actions were explained through psychoanalysis. The psycho thriller presents a world where psychology represents a dimension of supernatural and metaphysical wonders. The introduction analyzes what makes a psycho thriller, and subsequent chapters are devoted to each of the archetypal psycho thriller characters (the mad scientist, the psycho killer, the individual with psychic powers, and the psychiatrist) and themes (mind control, dreams, memory, and existential issues). The concluding chapter lists the top twenty psycho thrillers. Stills from classic films in the genre illustrate the text, which also includes filmography, bibliography, and index.

Steve Hutchison reviews 60 of his favorite serial killer movies. Each article includes a synopsis, a review, and a rating. The movies are ranked. How many have you seen?

In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.

Get the Summary of Jack Rosewood's The Ultimate Serial Killer Trivia Book in 20 minutes. Please note: This is a summary & not the original book. "The Ultimate Serial Killer Trivia Book" by Jack Rosewood delves into the complex world of serial killers, exploring their motivations, classifications, and historical context. The book outlines the evolution of the term "serial killer" and the FBI's definition, highlighting the shift from a three-victim requirement to two. It categorizes serial killers into four main types: Visionary, Mission-oriented, Hedonistic, and Power/Control, each with unique motivations ranging from delusions to a desire for dominance...

Publisher Description

In this book, Gregoriou explores the portrayal of the serial killer identity and its related ideology across a range of contemporary crime narratives, including detective fiction, the true crime genre and media journalism. How exactly is the serial killer consciousness portrayed, how is the killing linguistically justified, and how distinguishing is the language revolving around criminal ideology and identity across these narrative genres? By employing linguistic and content-related methods of analysis, her study aims to work toward the development of a stylistic framework on the representation of serial killer ideology across factual (i.e. media texts), factional (i.e. true crime books) and fictional (i.e. novels) murder narratives. ‘Schema’ is a term commonly used to refer to organised bundles of knowledge in our brains, which are activated once we come across situations we have previously experienced, a ‘group schema’ being one such inventory shared by many. By analysing serial murder narratives across various genres, Gregoriou uncovers a widely shared ‘group schema’ for these murderers, and questions the extent to which real criminal minds are in fact linguistically fictionalised. Gregoriou’s study of the mental functioning and representation of criminal personas can help illuminate our schematic understanding of actual criminal minds.