Dialogues Concerning Natural Religion is a philosophical work written by the Scottish philosopher David Hume. Through dialogue, three fictional characters named Demea, Philo, and Cleanthes debate the nature of God's existence. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity. In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design - for which Hume uses a house - and whether there is more suffering or good in the world (Argument from evil)

Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

What do we talk about when we talk about "religion"? Is it an array of empirical facts about historical human civilizations? Or is religion what is in essence unpredictable--perhaps the very emergence of the new? In what ways are the legacies of religion--its powers, words, things, and gestures--reconfiguring themselves as the elementary forms of life in the twenty-first century? Given the Latin roots of the word religion and its historical Christian uses, what sense, if any, does it make to talk about "religion" in other traditions? Where might we look for common elements that would enable us to do so? Has religion as an overarching concept lost all its currency, or does it ineluctably return--sometimes in unexpected ways--the moment we attempt to do without it? This book explores the difficulties and double binds that arise when we ask "What is religion?" Offering a marvelously rich and diverse array of perspectives, it begins the task of rethinking "religion" and "religious studies" in a contemporary world. Opening essays on the question "What is religion?" are followed by clusters exploring the relationships among religion, theology, and philosophy and the links between religion, politics, and law. Pedagogy is the focus of the following section. Religion is then examined in particular contexts, from classical times to the present Pentacostal revival, leading into an especially rich set of essays on religion, materiality, and mediatization. The final section grapples with the ever-changing forms that "religion" is taking, such as spirituality movements and responses to the ecological crisis. Featuring the work of leading scholars from a wide array of disciplines, traditions, and cultures, Religion: Beyond a Concept will help set the agenda for religious studies for years to come. It is the first of five volumes in a collection entitled The Future of the Religious Past, the fruit of a major international research initiative funded by the Netherlands Organization for Scientific Research.

This complete overview of religious studies provides students with the essential knowledge and tools they need to explore and understand the nature of religion. Covers the early development of religion, with overviews of major and minor religions from Islam to Scientology Considers recent developments including secularization; the relationship between religion and science; and scientific studies on religion, health, and mystical experience Uses humor throughout, allowing students to remain open-minded to the subject Explains what it means to study religion academically, and considers the impact of the study of religion on religion itself Contains numerous student-friendly features including photos, maps, time lines, side bars, historical profiles, and population distribution figures Provides classroom users with a lively website,www.wiley.com/go/religiontoolkit, including questions, quizzes, extra material, and helpful primary and secondary sources

Reflecting the tenets of such world religions as Christianity, Judaism, Islam, Buddhism, Confucianism, and Baha'i, this classic study gathers selections from the religious writings of the world to show the beliefs and universal truths thay have in common. Reprint.

Since its inception almost 200 years ago, the study of religion has informed, enlightened, provoked, and challenged our notions of humanity's deepest beliefs and longings. Now Walter Capps, nationally recognized for the quality and depth of his teaching, has written the first full-scale introduction to the history and methods of religious studies. To assess the many points of view in this mature but diffuse discipline. Capps uses the idea that four basic of fundamental questions and three enduring interests have given formal structure to the study of religion: the essence of religion; the origin of religion, descriptions of religion; the function of religion, the language of religion, comparisons of religion and, the future of religious studies. In this way Capps relates the chief insights and theories of philosophy, anthropology, phenomenology, sociology, and theology of religion, and spotlights theorists from Immanuel Kant to Mircea Eliade. His valuable text unites in a single narrative and conceptual framework the major methodological proposals for the academic study of religion; treats all the major theorists in their respective disciplines, schools of thought, and intellectual movements; treats the whole discipline as a dynamic and evolving tradition. Religious Studies constitutes not only an erudite introduction to the field, exhibiting vast scholarship and careful assessment, but also a bold synthetic proposal for its future.

Classical Christian theologies came to expression at a time when the universe seemed relatively fixed and unchanging. The otherworldly spiritual instincts of many religions reflected a static, vertical, and hierarchical understanding of the natural world. Today, however, especially because of developments in the sciences, it appears that the universe is still coming into being. The writings offered in this book reflect their author's belief that if the universe is unfinished, new thoughts about God and all the traditional theological topics are essential to make sense of it all. John Haught argues that the universe is best understood according to the metaphor of drama rather than design. This means that the most important question in science and theology today is not whether the intricate complexity of life points to a deity, or even how God acts in nature, but whether the cosmic drama as a whole carries a meaning. Unfortunately, the devotional life of most religious people on our planet still presupposes an essentially immobile universe. Christian instruction, for example, continues to nurture an otherworldly piety that estranges nature unnecessarily from God. The readings in this book, however, suggest that the ancient Abrahamic hope for the coming of God from out of the future may now become the foundation of a scientifically up-to-date theology of nature that affirms divine transcendence without robbing nature of its significance.