In this fascinating new book, Malcolm Vale sets out to recapture the splendour of the court culture of western Europe in the thirteenth and fourteenth centuries. Exploring the century or so between the death of St Louis and the rise of Burgundian power in the Low Countries, he illuminates a period in the history of princes and court life previously overshadowed by that of the courts of the dukes of Burgundy. Taking in subjects as diverse as art patronage and gambling, hunting anddevotional religion, Malcolm Vale rediscovers a richness and abundance of artistic, literary, and musical life. He shows how, despite the pressures of political fragmentation, unrest, and a nascent awareness of national identity, a common culture emerged in English, French, and Dutch courtsocieties at this time. The result is a ground-breaking re-evaluation of the nature and role of the court in European history and a celebration of a forgotten age.

This is an invaluable work looking into new areas relating to India's princely states. Based on an abundance of rarely used archival material, the book sheds new light on diversities related to the princely states such as health policies and practices, gender issues, the states’ military contribution or the mechanisms for controlling or integrating the states. Contributions are from international, reputable scholars, and they present historiographic, analytical and methodological approaches, placing attention to concepts, theories and sources. Inter-disciplinary in nature, this book will appeal to scholars and researchers of South Asia, studies of transnational histories, cultural and racial studies, international politics and economic history and the social history of health and medicine.

Long before the photo op, political rulers were manipulating visual imagery to cultivate their authority and spread their ideology. Born just decades after Gutenberg, the Holy Roman Emperor Maximilian I (1459-1519) was, Larry Silver argues, the first ruler to exploit the propaganda power of printed images and text. Marketing Maximilian explores how Maximilian used illustrations and other visual arts to shape his image, achieve what Max Weber calls "the routinization of charisma," strengthen the power of the Hapsburg dynasty, and help establish the Austro-Hungarian Empire. A fascinating study of the self-fashioning of an early modern ruler who was as much image-maker as emperor, Marketing Maximilian shows why Maximilian remains one of the most remarkable, innovative, and self-aggrandizing royal art patrons in European history. Silver describes how Maximilian--lacking a real capital or court center, the ability to tax, and an easily manageable territory--undertook a vast and expensive visual-media campaign to forward his extravagant claims to imperial rank, noble blood, perfect virtues, and military success. To press these claims, Maximilian patronized and often personally supervised and collaborated with the best printers, craftsmen, and artists of his time (among them no less than Albrecht Dürer) to plan and produce illustrated books, medals, heralds, armor, and an ambitious tomb monument.

This volume explores the concept of magnificence as a social construction in seventeenth-century Europe.