For LGBTQ people and their supporters, Pride events are an opportunity to honor the past, protest injustice, and celebrate a diverse and vibrant community. The high point of Pride, the Pride Parade, is spectacular and colorful. But there is a whole lot more to Pride than rainbow flags and amazing outfits. How did Pride come to be? And what does Pride mean to the people who celebrate it?

A stunning fifty-year visual history of LGBTQ pride marches, parades, and protests, taken from the New York Times photo archives. It began in New York City on June 28, 1969. When police raided the Stonewall Inn—a bar in the Greenwich Village neighborhood, known as a safe haven for gay men—violent demonstrations and protests broke out in response. The Stonewall Riots, as they would come to be known, were the first spark in the wildfire that would become the LGBTQ rights revolution. Fifty years later, the LGBTQ community and its supporters continue to gather every June to commemorate this historic event. Here, collected for the first time by The New York Times, is a powerful visual history of five decades of parades and protests of the LGBTQ rights movement. These photos, paired with descriptions of major events from each decade as well as selected reporting from The Times, showcase the victories, setbacks, and ongoing struggles for the LGBTQ community. “To take in the breadth of [PRIDE’s] contents—to see the scope of LGBTQ+ rights, from the first Christopher Street Day march in 1970 to protests for transgender rights just last year—is to witness the power of visibility firsthand.” —them. “This book is a powerful visual history of five decades of parades and protests for equality. Educational and visually enriching, complete with photos from The New York Times, this book is the perfect companion for any coffee table.” —BookTrib

A dead body is always right around the corner with New York Times bestselling author Rachel Vincent, but this time it’s up to Faythe to stop the killer before the blame falls on her! I know that better than most. Since rejoining the Pride, I've made big decisions and even bigger mistakes: the kind paid for with innocent lives. As the first and only female enforcer, I have plenty to prove to my father, the Pride and myself. And with murdered toms turning up in our territory, I'm working harder than ever, though I always find the energy for a little after-hours recreation with Marc, my partner both on and off duty. But not all my mistakes are behind me. We're beginning to suspect that the dead are connected to a rash of missing human women and that they can all be laid at my feet—two or four, take your pick. And one horrible indiscretion may yet cost me more than I can bear.… Previously published.

"The plot revolves around Captain Clancy, who--mortally wounded while leading a charge up Ridge Red Boy--lies dying in a bamboo bed."--Back cover.

Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction. Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement. “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History "This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development." —Maureen A. Flanagan, American Historical Review

Joi Marin is torn between two different men--Claude Jeeter, a man from a world of wealth and privilege, and Joe Pride, a blue-collar factory worker who is everything she doesn't want in a man, but who takes her to new heights of passion. Original.

This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.