This training manual goes chapter by chapter through the book, Pound The Stone, and has reflection and discussion questions to help the reader go even deeper with the material. The manual was designed to be worked through by individuals and then ideally discussed in small groups. However, if an individual went through the training manual by themselves it should still be a valuable experience. There is space after each question to reflect and write answers.

Guided by "Akira-sensei," John comes to realize the greatest adversity on his journey will be the challenge of defeating the man in the mirror. This powerful story of one boy's journey to achieve his life long goal of becoming a samurai warrior, brings the Train to be CLUTCH curriculum to life in a powerful and memorable way. Some things you will learn... -No matter how it feels, you are always building your own house. -How and why you must surrender to the outcome in order to be at your best. -Why you never want to have your identity wrapped up in what you do. -Why your strength lies in faithfulness to the little things. -How to develop a heart posture of gratitude. -How to use the biggest challenges as a training ground for greatness. -Why the process is more important than the goal. -Why comparison is the thief of all joy. -How to develop a growth mindset. -Why talent is more of a curse than a blessing. "So many valuable stories and lessons!" -Nick Ahmed, Arizona Diamondbacks

Although readers of modern literature have always known about the collaboration of W.B. Yeats and Ezra Pound, the crucial winters these poets spent living together in Stone Cottage in Sussex (1913-1916) have remained a mystery. Working from a large base of previously unpublished material, James Longenbach presents for the first time the untold story of these three winters. Inside the secret world of Stone Cottage, Pound's Imagist poems were inextricably linked to Yeats's studies in spiritualism and magic, and early drafts of The Cantos reveal that the poem began in response to the same esoteric texts that shaped Yeats's visionary system. At the same time, Yeats's autobiographies and Noh-style plays took shape with Pound's assistance. Having retreated to Sussex to escape the flurry of wartime London, both poets tracked the progress of the Great War and in response wrote poems--some unpublished until now--that directly address the poet's political function. More than the story of a literary friendship, Stone Cottage explores the Pound-Yeats connection within the larger context of modern literature and culture, illuminating work that ranks with the greatest achievements of modernism.

Drawn by the lodestone his father gave him years before, twelve-year-old orphan Ray travels south, meeting along the way various characters from folklore who are battling against an evil industry baron known as the Gog.

Originally published: London: Doubleday, 2002.

When Daniel's mother dies, he is brought under the protection of the AMO: the Alliance of Magicians and Outlaws. It is an introduction to a world of revenge, revolution and mind-bending chemicals, where anarchists, alchemists and high-stake gamblers co-exist. It is a place in which magic and murder are the norm. So begins an extraordinary quest for knowledge and understanding in this unforgettable outlaw classic.

"Be influenced by as many great writers as you can," said Ezra Pound. Pound was an "assimilative poet" par excellence, as George Bornstein calls him, a writer who more often "adhered to a . . . classical conception of influence as benign and strengthening" than to an anxiety model of influence. To study Pound means to study also his precursors—Homer, Ovid, Li Po, Dante, Whitman, Browning—as well as his contemporaries—Yeats, Williams, and Eliot. These poets, discussed here by ten distinguished critics, stimulated Pound's most important poetic encounters with the literature of Greece, Rome, China, Tuscany, England, and the United States. Fully half of these essays draw on previously unpublished manuscripts.

This selection from the Cantos was made by Ezra Pound himself in 1965. It is intended to "indicate main elements" in the long poem -- his personal epic -- with which he was engaged for more than fifty years. His choice includes, of course, a number of the Cantos most admired by critics and anthologists, such as Canto XIII ("Kung [Confucius] walked by the dynastic temple..."), Canto XLV ("With usura hath no man a house of good stone...") and the passage from The Pisan Cantos (LXXXI) beginning "What thou lovest well remains / the rest is dross," and so the book is an ideal introduction for newcomers to the great work. But it has, too, particular interest for the already initiated reader and the specialist, in its revelation, through Pound's own selection of "main elements," of the relative importance which he himself placed on various motifs as they figure in the architecture of the whole poem. Book jacket.

Police chief Jesse Stone returns in the newest novel in Robert B. Parker's New York Times--bestselling series, and his newest case hits right at the heart of the Paradise police force. Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse's own deputy Alisha--the first black woman hired by the Paradise police force--becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine. At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority--namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there's more to him than meets the eye, and his secrets might change Jesse's life forever.