(Book). The guitar, particularly in its electric form, is the most influential instrument of the past 60 years. Guitar Masters spotlights the players who made it that way: the visionary talents and living legends who developed the sound and style of the electric guitar as we know and love it. This book traces the life stories and assesses the musical legacies of such superstar guitarists as Jeff Beck and Keith Richards as well as anonymous but influential sidemen and behind-the-scenes stalwarts such as James Burton. Veteran music journalist Alan di Perna draws on three decades' worth of experience as a writer and interviewer to extract the essence of what makes these gifted guitarists so influential and unique. Their stories are as diverse as they are inspiring. Yet what all these guitar masters share is an unshakable dedication to their craft and a deeply intuitive connection with their chosen instrument. Whether you're a fan, a player, or a master in your own right, Guitar Masters will give you new insights into the lives and music of the players to whom we owe our very notion of what a guitar sounds like and its extraordinary power to move people like no other instrument.

Renowned photographer Don Farber, one of the most important chroniclers of Buddhism today, brings the face and the spirit of contemporary Tibetan Buddhism alive with this remarkable book. Portraits of Tibetan Buddhist Masters―a collection of superb color photographs presented with brief biographies and teachings from each master―is a vibrant work, a testament to the compassion and wisdom that lies at the heart of the Tibetan Buddhist tradition. Farber felt compelled to record the last of the living Buddhist masters who received their training in Tibet and then fled the country following the invasion by China, as well as other masters who survived many years of imprisonment during the Cultural Revolution. He has worked with a sense of urgency to photograph and interview these extraordinary beings who have been the custodians of this endangered Buddhist tradition. His collection of portraits also includes some of the bright lights of Tibetan Buddhism, the younger masters who will carry the tradition into the future. As a photographic archive of Tibetan Buddhist masters, this book plays an important role in preserving Tibetan culture, in all its richness and complexity, through the words and faces of its esteemed masters.

Boudoir by Kara Marie is a gorgeous and detailed posing guide for boudoir portrait photographers. While a practical how-to guide, it is also a gorgeous art book that your clients can browse in your studio.If you purchase the Boudoir Book, you get the digital posing cards for free, just email The Portrait Masters Customer Support. support at the portrait masters dot com

The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

This extravagantly illustrated catalogue--published in association with a major exhibition--evokes the romantic fascination with Italy that glimmers in the work of John Singer Sargent. Sargent, heralded on both sides of the Atlantic, was one of the most creative American artists of the late nineteenth century. Born in Florence to American parents living abroad, he retained a deep and lifelong connection to the country famed for its ability to get "ineradicably in one's blood." Sargent vacationed frequently in Italy, and most of the works he created there were painted not for commission but out of his artistic passion for Italy's people, land, and culture. Often hauntingly powerful, they range from dramatically painted genre scenes of Italian peasants and saturated landscapes that celebrate the beauty of the Italian countryside to portraits of other Anglo-American expatriates and tourists, including Henry James and Edith Wharton. The majority of works are of Italian sites, including well-known tourist spots but also the quieter, more isolated locales that Sargent sought out. His subjects include magnificent Italian gardens with their ancient and Baroque statuary, Rome's Neoclassical and Renaissance buildings, urban street scenes, the Italian Alps, and, of course, Venetian canals. Sargent found Venice particularly alluring, and the city well suited the watercolor medium in which he worked most often in Italy. His use of vivid colors, brushwork that varied from soft and fluid to bold and dashing, and an overwhelming sense of light and air characterize his Italian scenes--and rank Sargent as one of the finest watercolorists of all time. His later Italian works, some in watercolor and others in oil, reveal an artist who relished his materials and made art purely for art's sake. Both beautiful and informative, this lavish volume includes eighty-five color and fifty black-and-white images. It adds a new dimension to our appreciation of Sargent's art and will delight anyone who loves Italy, as Sargent so passionately did.

Presents the artwork featured in the Dragonlance novels, games, calendars, and other materials by such artists as Brom, Mark Zug, Todd Lockwood, and Larry Elmore.

"This book will accompany an exhibition by the same name to be held at Laguna Art Museum, 307 Cliff Drive, Laguna Beach, California 92651, from June 28 to September 20, 2020. The exhibition will present Matthew Rolston's larger-than-life and strangely haunting photographs of participants in Laguna Beach's annual Pageant of the Masters. Lavishly illustrated, the book will feature essays on various aspects of the project"--

Elie Wiesel identified himself as a Vizhnitzer Hasid, who was above all things a witness to the testimony and teaching of the Jewish tradition at the core of the Hasidic tradition. While he is well known for his testimony on the Holocaust and as a messenger to humanity, he is less well known for his engagement with the teachings of Jewish tradition and the Hasidic heritage that informs that engagement. Portraits illuminates Wiesel's Jewish teachings and the Hasidic legacy that he embraced by examining how he brought to life the sages of the Jewish tradition. David Patterson reveals that Wiesel's Hasidic engagement with the holy texts of the Jewish tradition does not fall into the usual categories of exegesis or hermeneutics and of commentary or textual analysis. Rather, he engages not the text but the person, the teacher, and the soul. This book is a summons to remember the testimony reduced to ashes and the voices that cry out from those ashes. Just as the teaching is embodied in the teachers, so is the tradition embodied in their portraits.