This volume assembles 25 novels and short stories by Murray Leinster, published between 1919 and 1963, plus a biographical introduction and a selected bibliography. Contents: MURRAY LEINSTER: A SELECTED BIBLIOGRAPHY THE ALIENS A THOUSAND DEGREES BELOW ZERO THE MAD PLANET THE GALLERY GODS THE RED DUST NERVE MORALE: A STORY OF THE WAR OF 1941-43 THE FIFTH-DIMENSION TUBE INVASION SPACE PLATFORM SPACE TUG THE INVADERS OPERATION: OUTER SPACE SAM, THIS IS YOU THE MACHINE THAT SAVED THE WORLD THE MONSTER FROM EARTH’S END LONG AGO, FAR AWAY THE LEADER THE AMBULANCE MADE TWO TRIPS PARIAH PLANET OPERATION TERROR PLANET OF DREAD SCRIMSHAW TALENTS, INCORPORATED THE HATE DISEASE And don't forget to search this ebook store for "Wildside Press Megapack" to see the 300+ entries in the MEGAPACK® series, covering science fiction, fantasy, horror, mysteries, westerns, author collections...and much, much more!

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.

Analyzes efforts to eliminate poverty during each U.S. president's administration from George Washington to Barack Obama, looking at why no president has been able to end poverty and challenges each has faced in his quest to do so.

On a warm, quiet morning in a speck of a town near the Mexican border, an old man stops at an airstream diner and orders coffee. When the owner of the diner appears, the old man shoots him to death, pays his bill, and drives away. The sheriff, Leo Murphy is called in to investigate the murder. His instincts lead him to his brother, Ryan. The black sheep of the family, Ryan Murphy lives just south in Mexico. He makes a living as a coyote, moving illegal cargo across the border. The brothers have an arrangement regarding Ryan’s illegal enterprise: Don’t ask, don’t tell. When the old man’s car breaks down in the middle of the desert Leo takes him into custody. If only things had gone according to Ryan’s plan. Now a cold-blooded killer named Wicked Bill is on his way from Miami to help Ryan clean things up. The Murphy brothers need to redefine the lines they will and won’t cross to protect each other and those closest to them from interlopers on both sides of the law. In True Dark, Mike Miner has created a vivid and dangerous world. Praise for TRUE DARK: “Admirers of Mike Miner’s previous novels will undergo quick conversions to devoted fans when they read True Dark. Everything Miner does well—the spare dialogue loaded to within an inch of mercy, a story that doesn’t so much unfold as uncoil, breathtaking tension—he has sharpened to a masterful art in True Dark. That Miner does this without ever letting go of your heart, no matter how jaded, is the mark of emerging genius.” —James Anderson, author of The Never-Open Desert Diner and Lullaby Road “A carefully calibrated and complex page-turner that cascades over generations and decades without ever losing intensity. Miner keeps upping his game. Plot lines, eras, and characters interlace effortlessly in a well-crafted page-turner. Miner’s skills have out-paced his peers. True Dark is a perfect crime novel.” —Tom Pitts, author of 101 and American Static