One peaceful August day in A.D. 79, the people of Pompeii were going about their business—baking bread, eating lunch, lounging in the afternoon heat. Suddenly there was a great explosion, and tons of rock, ash, and gas were spewed into the air. Mount Vesuvius was erupting! In just 19 hours, most of the inhabitants were dead, and a layer of ash had buried the city. This is the story of what happened to the advanced city of Pompeii on that fateful day—and how we’ve learned about its people and culture thousands of years later by digging through the deadly ash.

The beast beneath the mountain is restless... No one in the bustling city of Pompeii worries when the ground trembles beneath their feet. The beast under the mountain Vesuvius, high above the city, wakes up angry sometimes -- and always goes back to sleep.But Marcus is afraid. He knows something is terribly wrong -- and his father, who trusts science more than mythical beasts, agrees. When Vesuvius explodes into a cloud of fiery ash and rocks fall from the sky like rain, will they have time to escape -- and survive the epic destruction of Pompeii?

Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.

The morning of August 24, AD 79, seemed like any other in the Roman city of Pompeii. So no one was prepared when the nearby volcano Mount Vesuvius suddenly erupted, spouting ash that buried the city and its inhabitants. The disaster left thousands dead, and Pompeii was no more than a memory for almost 1,700 years. In 1748, explorers rediscovered the port city with intact buildings and beautiful mosaics. This easy-to-read account is gripping and includes photos of the ruins.

Recently placed in charge of the Aqua Augusta, the aqueduct that brings fresh water to thousands of people around the bay of Naples, Roman engineer Marius Primus struggles to discover why the aqueduct has ceased delivering water and heads to the slopes of Mount Vesuvius to find the problem, only to come face to face with an impending catastrophe of mammoth proportions. Reprint.

Pompeii was one of most advanced cities of its time; it had a complex water system, gymnasium, and an amphitheater. Despite it's advancements, there was one thing it wasn't ready for: Mount Vesuvius—the volcano that led to its ultimate doom. The 79 AD eruption of Mount Vesuvius was one of the worst disasters in all of European history. In a near instant, over 15,000 people were dead and a city was completely destroyed. This book looks at the rise, fall, and rediscovery of the great city of Pompeii.

Much of ancient Pompeii remained intact when the city was rediscovered, preserved by the volcanic ash of Mount Vesuvius. This preservation presented artifacts that serve as clues for archaeologists to piece together what life was like for these Roman people. This book delves into who found these buried cities and what was involved in uncovering Pompeii’s past. Brightly colored photographs and informational sidebars give readers the tools to become excited about this archaeological mystery.

"Richly illustrated with historical images and new images of the site by acclaimed photographer Chris Caldicott, The Lost World of Pompeii tells the fascinating story of the ghosts of a bygone era raised from the ashes."--BOOK JACKET.

It is AD 79 and Mount Vesuvius has erupted, destroying Pompeii. Among the thousands of people huddled in refugee camps along the bay of Naples are Flavia Gemina and her friends, Jonathan the Jewish boy, Nubia the African slave-girl, and Lupus the mute beggar boy. When the friends discover that children are being kidnapped from the camps, they start to investigate and soon solve the mystery of the pirates of Pompeii. A terrifically exciting and dramatic story packed with superb historical detail.