Explore the tradition of the political essay with this brilliant anthology. David Bromwich is one of the most well-informed, cogent, and morally uncompromising political writers on the left today. He is also one of our finest intellectual historians and literary critics. In Writing Politics, Bromwich presents twenty-seven essays by different writers from the beginning of the modern political world in the seventeenth century until recent times, essays that grapple with issues that continue to shape history—revolution and war, racism, women’s rights, the status of the worker, the nature of citizenship, imperialism, violence and nonviolence, among them—and essays that have also been chosen as superlative examples of the power of written English to reshape our thoughts and the world. Jonathan Swift, Edmund Burke, Henry David Thoreau, Harriet Taylor, Abraham Lincoln, George Eliot, W. E. B. Du Bois, Mohandas Gandhi, Virginia Woolf, Martin Luther King, and Hannah Arendt are here, among others, along with a wide-ranging introduction.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Essays on politics and literature from one of world literature's most respected voices. 'The bravest and most clear-headed interpreter of the Israeli-Palestinian divide' Observer 'The most honest, soul-searching book yet written by an Israeli - or, for that matter, by a Palestinian - on an agony that neither of them alone can bring to an end' L.A. Times Throughout his career, David Grossman has been a voice for peace and reconciliation between Israel and its Arab citizens and neighbours. In five new essays on politics and literature in Israel today, he addresses the conscience of a country that has lost faith in its leaders and its ideals. This collection includes an already-famous speech that Grossman delivered in the presence of Ehud Olmert, attacking Olmert's policies and his prosecution of Israel's disastrous Lebanon war in 2006, the war that took the life of Grossman's 20-year-old son Uri. Moving, humane, clear-sighted, and courageous, these essays on literature and the Holocaust, and artistic creation as well as politics and philosophy are a cri de coeur from a calm voice of reason at a time of uncertainty and despair.

Inspired and in honor of the work of noted political theorist Mary P. Nichols, the essays in this volume explore political ideas and implications in a range of works of philosophy, literature, and film from classical antiquity to the present day, creating an interdisciplinary conversation across genres.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The intention of this collection of essays, first published in 1971, is to explore the political aspects of some nineteenth century English writers. Under the influence of the great revolutionary upheavals of the period almost all its most important writers were involved, explicitly or otherwise, in political ideas. This is an exploratory volume, and will be of absorbing interest to anyone studying the interaction between literature and ideas in the nineteenth century.

"Politics and the English Language and Other Essays" is a collection of 6 essays by George Orwell. Eric Arthur Blair (25 June 1903 – 21 January 1950), known by his pen name George Orwell, was an English novelist, essayist, journalist and critic. His work is characterised by lucid prose, biting social criticism, opposition to totalitarianism, and outspoken support of democratic socialism. Included in this collection: - Politics and the English Language - Politics vs. Literature: An Examination of Gulliver's Travels - The Prevention of Literature - Why I Write - Writers and Leviathan - Poetry and the Microphone

This volume, in celebration of Peter Machinist, Hancock Professor of Hebrew and Other Oriental Languages at Harvard University, includes twenty-eight illuminating essays on ancient Near Eastern history and literature, which focus especially on the intersection of these fields. Contributors include one of Machinist’s teachers, several of his students, and numerous colleagues and friends. These essays probe topics for which Machinist’s work has often set new standards. And in the spirit of the honoree and his interests, these comparative studies encompass Babel, Bibel, and more. In them, Assyriologists contend with biblical cruxes and biblicists engage Assyriological research, while classicists and Hittitologists participate with considerations of their respective disciplines within a broad cross-cultural context. The volume is a must for anyone committed to the ongoing comparative study of the ancient Near East, and within that framework, the historical study of the Hebrew Bible.

A refreshing and wide-ranging approach to the study of South Asian politics.