The 112th volume of the Yale Series of Younger Poets explores the Vietnamese-American experience

"A collection of poems that conjure the quiet wisdom and spirit of the Midwest and the everyday"--

Celebrated poets Ted Kooser along with Connie Wanek, and illustrator Richard Jones, explore figures of speech in a spirited and magical way—and invite our imaginations out to play. A freewheeling romp through the world of imagery and metaphor, this quietly startling collection of thirty poems, framed by the four elements, is about art and reality, fact and fancy. Look around: what do you see? A clown balancing a pie in a tree, or an empty nest perched on a leafless branch? As poet Connie Wanek alludes to in her afterword—a lively dialogue with former US Poet Laureate Ted Kooser—sometimes the simplest sights and sounds “summon our imaginations” and cry out to be clothed in the alchemical language of poetry. This compendium of the fleeting and unexpected turns the everyday—turtles, trees, and tadpoles; cow pies, lazy afternoons, and pillowy white marshmallows—into poetic gold. A brilliant and timeless collaboration that evokes both the mystery and grandeur of the natural world and the cozy, mundane moments of daily life, this exquisitely illustrated collection is the go-to gift book of the season for poetry fans of all ages.

‘Fizzes with intellectual curiosity. Kane writes engagingly and with a humility difficult to find among idea-entrepreneurs’ James Harkin, Independent We all think we know what play is. Play is what we do as children, what we do outside of work, what we do for no other reason than for pleasure. But this is only half of the truth. The Play Ethic explores the real meaning of play and shows how a more playful society would revolutionize and liberate our daily lives. Using wide and varied sources – from the Enlightenment to Eminem, Socrates to Chaos theory, Kierkegaard to Karaoke – The Play Ethic shows how play is fundamental to both society and to the individual, and how the work ethic that has dominated the last three centuries is ill-equipped to deal with the modern world. With verve, wit and intelligence, Pat Kane takes us on a tour of the playful world arguing that without it business, the arts, politics, education, even our family and spiritual lives are fundamentally impoverished. The Play Ethic seeks to change the way you look at your daily life, how you interact with others, how you view the world. It is a guidebook to new, exciting – and unsettling – times. Shocking, controversial, yet magnificently argued, The Play Ethic is a book no one who works, or has ever worked, can afford to be without. ‘Kane's Manifesto for a Different Way of Living is a brave attempt to inject a little playfulness . . . into the dull grind of the working stiff’ Iain Finlayson, The Times

Drama. Poetry. LGBTQIA Studies. Art. California Interest. Being the selected plays of Kevin Killian, who has for decades won laurels for his novels, his poetry, and his work in the poets theater of the San Francisco bay area. Drawing from the late 1980s to the early 2010s, this is the first representative selection of Killian's plays. Once describing his productions as a form of "blanket permission," Killian added, "I think people might come away thinking, I could do that! Isn't that the best kind of work, something generative? Action painting was sort of like that..." This is a book to read, where reading means catching some action.

Identity, gender, and race politics all collide ferociously in this unflinching collection that actively cuts through cultural and social constructs.

In the nineteenth century, the French lyric poets imposed their diction on the theatrical genre and thus illuminated the essence of both poetry and theatre. Ten plays by Victor Hugo, the standard-bearer of the French romantic theatre, and Alfred de Musset, the romantic playwright most frequently performed in France today, are analyzed by Charles Affron to answer the question, "Can the dialetic form of the theatre accommodate the solitary élan of the lyric poet?" As a functional point of departure, he considers those characteristics of lyric poetry—time, voice, and metaphor—which bring us closest to the singular attitudes of Hugo and Musset. Then, examining the texts of Hernani, Les Burgraves, Torquemada, Fantasio, and Lorenzaccio as well as several lesser known plays, Mr. Affron discusses such topics as poetic time, the scope of analogy, theatrical and poetic rhetoric, the guises of the poet-hero, and the manner of sounding the poet's voice upon the stage. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.