The editors of this legendary and hilarious anthology write: "It would seem at a hasty glance that to make an anthology of Bad Verse is on the whole a simple matter . . . On the contrary . . . Bad Verse has its canons, like Good Verse. There is bad Bad Verse and good Bad Verse. It has been the constant preoccupation of the compilers to include in this book chiefiy good Bad Verse." Here indeed one finds the best of the worst of the greatest poets of the English language, masterpieces of the maladroit by Dryden, Wordsworth, and Keats, among many others, together with an index ("Maiden, feathered, uncontrolled appetites of, 59;. . . Manure, adjudged a fit subject for the Muse, 91") that is itself an inspired work of folly.

poetry

This Top Five Classics illustrated edition of Edgar Allan Poe’s The Raven includes: • All 25 illustrations by Gustave Doré for Harper & Brothers’ 1884 edition • An informative Introduction • A detailed Biography of Edgar Allan Poe • The illustrated version and text-only version of the full poem No poem has ever received the kind of immediate and overwhelming response that Poe’s “The Raven” did when it first appeared in the New York Evening Mirror on January 29, 1845. It made Poe an overnight sensation (though his great fame never brought him much wealth) and the poem, a powerfully haunting elegy to lost love, remains one of the most beloved and recognizable verses in the English language. The illustrations that accompany this Top Five Classics edition are reproductions of the renowned French artist Gustave Doré’s steel-plate engravings created for Harper & Brothers’ 1884 release of The Raven. It would be Doré’s last commission as he died shortly after completing the 25 illustrations in January 1883. His illustrations would become famous in their own right, evoking as they do the lyrical and mystical air of Poe’s masterpiece.

Take a bite out of the calendar with this cheerful collection of delicious seasonal poems, each one an ode to a favorite food! The daring popcorn astronauts are brave beyond compare— they scramble into puffy suits and hurtle through the air. And when they land, we say hooray and crowd around the spot to salt the little astronauts and eat them while they’re hot. Dive into a watermelon lake and sing the praises of mac and cheese in this playful and poetic celebration of food. In spring, bow to the “Strawberry Queen” and eat “Only Guacamole.” In summer you’ll meet Bob the Ogre, who only eats corn on the cob, and in fall, you can learn “21 Things to Do with an Apple.” And then in winter, retreat from the cold at “The Cocoa Cabana!” Stellar team Deborah Ruddell and Joan Rankin deliver a whimsical celebration of the tastiest treats of life in this palatable poetry collection.

Ryan O'Brian is riding a wave of inspiration with no shoreline in sight--he can't STOP writing poetry. In the cafeteria with french fries. In the bathroom with toothpaste. Even on the soccer field with mud! Has he reached an artistic crescendo with a sonnet on the staircase and a villanelle on the shower curtain? What next? In this innovative, inspiring picture book, you'll find a laugh-out-loud story poem full of hilarious antics, and, if you look carefully, you'll discover Ryan's own poems within the inventive illustrations. As a bonus, Ryan's helpful guide to fifteen poetic forms and five voices invites you to challenge your own poetic imagination. Ideal for reading aloud or acting out, here's the perfect book to celebrate the joy of poetry and spark creative thinking. Join in the fun!

A New York Times New & Noteworthy Book • "Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations."—Kirkus Reviews • "This book has no business being as good as it is."—Christian Wiman In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable. Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.

This selection gathers together the best-loved poems from "A Child's Garden of Verses with many less well-known gems from Stevenson's work.

Imagine if six famous protagonists transcended chronological and geographical barriers to come together through a poetry group in Adelaide. Rhymes with Hyenas is an inventive narrative of emails and poetry that gives a female voice to characters originally written by men. They are Ursula from DH Lawrence's Women in Love, Caddy from Faulkner's The Sound and the Fury, Melanie from Coetzee's Disgrace, Delores from Nabokov's Lolita, Katherina from Shakespeare's Taming of the Shrew, and Lilith from Hebrew mythology. In a poignant ode to literature and Adelaide, these women are whole, complex characters, sometimes up to their breasts in mothering, sometimes homesick for exiled lands. 'They are lecturers, dog owners, art makers and carers who deal with illness, infertility, addiction and abuse. Their stories, initially limited by the masterpieces that spawned them, continue on: they are not a closed book. In a vibrant commentary on literary patriarchy and the patriarchy beyond, this book considers the place of writing, critiquing, reading, performing and publishing poetry in a woman's space.

Tender Buttons is a 1914 book by American writer Gertrude Stein consisting of three sections titled "Objects", "Food", and "Rooms". While the short book consists of multiple poems covering the everyday mundane, Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar.Stein began composition of the book in 1912 with multiple short prose poems in an effort to "create a word relationship between the word and the things seen" using a "realist" perspective. She then published it in three sections as her second book in 1914