From the distinguished polymath George Steiner comes a profound and illuminating vision of the inseparability of Western philosophy and its living language. With his hallmark forceful discernment, George Steiner presents in The Poetry of Thought his magnum opus: an examination of more than two millennia of Western culture, staking out his claim for the essential oneness of great thought and great style. Sweeping yet precise, moving from essential detail to bracing illustration, Steiner spans the entire history of philosophy in the West as it entwines with literature, finding that, as Sartre stated, in all philosophy there is “a hidden literary prose.” “The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.”

Essential reading for students and anyone interested in the great philosophers, this book opened up appreciation of Martin Heidegger beyond the confines of philosophy to the reaches of poetry. In Heidegger's thinking, poetry is not a mere amusement or form of culture but a force that opens up the realm of truth and brings man to the measure of his being and his world.

Varied and original, 'A Thousand Thoughts' aims to inspire, to provoke thought, to raise a smile and to comfort along the journey. Incorporating poems on such subjects as love, loss, hope, comedy, nature, fantasy, myth and historic events. Poetry holds a key to unlock the inner thoughts and imagination of the reader, this unique compilation of poems by David Penny is open to interpretation, using the vehicle of the mind to travel along the route. With such variation, there surely will be something for everyone in this book.

From 1916 to his death in 1955 he was associated with the Hartford Accident and Indemnity Company, of which he became vice-president in 1934.

The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Buddhism known as Shin Bukkyo ("New Buddhism"). Chapter 2 explores the classical Chinese poetics that undergirds the lost half of Fenellosa's essay. Chapter 3 concludes the first half of the book with an exploration of the didactic and soteriological function of "emptiness" in Gary Snyder's influential poetry and poetics. The second half begins with a critical exploration of the three-decades-long career of the poet/translator/critic Wai-lim Yip, whose "transpacific Daoist poetics" has been an important fixture in American poetic late modernism and has begun to gain wider notoriety in China. The last chapter engages the intertextual weave of poststructural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha's important body of heterocultural productions. By formulating interpretive frames as hybrid as the texts being read, this book makes available one of the most important yet still largely unknown stories of American poetry and poetics.

Pillow Thoughts is a collection of poetry and prose about heartbreak, love, and raw emotions. It is divided into sections to read when you feel you need them most.

THIS BOOK WRITTEN by Edwin Debiew is a book of suddenthoughts which came over his mind within the last few months.Edwin wanted to capture those thoughts in writing and decided to try hishand at poetry. Edwin Debiew is a poet who thinks outside of the normalpoetic structure and conforms to his own rules of writing poetry. He writesfrom his impromptu thoughts and allows the poems to develop in his mindwhile formulating the final product. Edwin's ink pen adapts a mind of itsown and cuts like a sword when needed, and paints like a new brush at times.Edwin creates poems just like a lyricist who recites verse after verse-usingvarious rhyme schemes. Poetry defined is a freedom of expression that is fluidlike water. Simply meaning, poetry can mean many things to many people,but the greatest thing about the meaning, is that it is whatever you want it tobe. Of course, there has to be some grammatical and thematic cohesion, butthe meaning can span from A to Z, if your mind flows freely. The process ofaligning words concertedly to arrive at a point with the intention to generatefeelings is a good definition! This is Edwin Debiew's definition of poetry.His new book, Impromptu Poetry, "Thoughts On My Mind" possessesvarious thought provoking themes, while showing a variety of rhymeschemes. Edwin uses real life examples of joy and daily issues and turns theminto short poetic stories for readers to build upon. From short tanaga's andclerihew's, Edwin flows long with "The Opposite of Invictus" and "R&BSongs and Memories."Moreover, Impromptu Poetry is Edwin's story as he progresses in life. Hispoems expounds on past experiences, perceptions by others and relationshipswith others of the world. Edwin gives credence in love poems for women-todeclare their great place in society. Impromptu Poetry will make many laugh,think, invoke inner feelings and motivate and guide people through themind of a man who continues to strive for the best life has to offer!

Representing a different voice in the study of late ancient religion, these collected essays by Patricia Cox Miller identify new possibilities of meaning in the study of religion in late antiquity. The book addresses the topic of the imaginative mindset of late ancient authors from a variety of Greco-Roman religious traditions. Attending to the play of language, as well as to the late ancient sensitivity to image, metaphor, and paradox, Cox Miller's work highlights the poetizing sensibility that marked many of the texts of this period and draws on methods of interpretation from a variety of contemporary literary-critical theories.This book will appeal to scholars of late antiquity, religious literature, and literary critical theory more widely, illustrating how fruitful dialogue across the centuries can be - not only in eliciting aspects of late ancient texts that have gone unnoticed but also in showing that many 'modern' ideas, such as Roland Barthes', were actually already alive and well in ancient texts.Patricia Cox Miller is Professor of Religion at Syracuse University, USA and author of books which include: Dreams in Late Antiquity (Princeton University Press) and Biography in Late Antiquity (University of California Press).

In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"--Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne--Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song's forms and sound textures through lyric's rhythm, rhyme, and repetition, these poets were pursuing song's "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.

Now available in paperback, The Quarrel Between Philosophy and Poetry focuses on the theoretical and practical suppositions of the long-standing conflict between philosophy and poetry. Stanley Rosen--one of the leading Plato scholars of our day--examines philosophical activity, questioning whether technical philosophy is a species of poetry, a political program, an interpretation of human existence according to the ideas of 19th and 20th-century thinkers, or a contemplation of beings and Being.