Years of research inform a definitive study of Victorian poet Matthew Arnold, the author of "Dover Beach," chronicling the life and work of the masterful writer, devoted family man, and impassioned critic of Victorian materialism.

A major aim of Grob's study is to show Arnold as poet to be possessed of far greater philosophic depth and subtlety than his critics have usually credited him with by identifying the deep affinities and shared weltanschauung of his poetic vision with the metaphysical pessimism of Schopenhauer, the major European philosopher whose insistence on the cosmic opposition between the world as will and the world as idea provided the most important philosophic alternative in the nineteenth century to the age's otherwise dominant progressive historicism."--Jacket.

In lucid, elegant poems, Forever contemplates love against the pressing question of mortality after a diagnosis of cancer. Praised for a voice with "the crystalline, transformative, pure pitch of a lyric poet" (Ilya Kaminsky), James Longenbach explores a life lived with the knowledge of its end in his sixth collection. These luminous, lyrical poems pose a question: Why did this poet once live as if he would live forever? And what does it mean to know that we will not? Forever explores the meaning of love, from its discovery in the first poem, "Two People," to its maintenance in the last, "Forever." In between, the volume explores the precariously imminent demise of all that we love—the finite lives of other people, the mortal beauty of Venice—all thrown into urgent relief by the poet’s own cancer diagnosis. Evoking "the vivid dailiness of domestic life…and the specificity and poignance" of memories, "these lyrics are intimately personal, achingly autobiographical" (Langdon Hammer, American Scholar). Forthright, moving, and wry, the poems in Forever look back gratefully—excitedly—on a lifetime of self-making and self-shattering events.