Every chess player needs a high-quality answer to 1.e4, and there is nothing more reliable than 1...e5. Black stakes a claim in the centre and prepares to deploy his pieces on good squares. The challenge nowadays is to build a robust repertoire without being overwhelmed by the volume of material and continual advances in opening theory. In Playing 1.e4 e5 - A Classical Repertoire, Nikolaos Ntirlis offers the best of both worlds: a complete repertoire against 1.e4, built on sound positional principles, which does not require excessive memorization. Against the Spanish the author recommends the Breyer System, one of the most stable, computer-proof options at Black's disposal. The Scotch, Italian, Four Knights and various other sidelines and gambits are handled with the same clarity and efficiency.

Grandmaster John Emms presents a repertoire for White after 1 e4 e5, based on the Italian Game and the Bishop's Opening. The lines he recommends are built upon a sound yet aggressive system of development which can be deployed against virtually every Black defence. The emphasis is firmly on understanding and executing key positional and tactical ideas, rather than the arduous process of memorizing theory. Emms covers both the main variations and the tricky sidelines, and highlights crucial move-order subtleties. This book provides everything you need to know about playing the Italian Game and the Bishop's Opening. A Grandmaster's repertoire after 1 e4 e5 Packed with new ideas and analysis Ideal for improvers, club players and tournament players

One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.

First Steps books are based around carefully selected instructive games which demonstrate exactly what both sides are trying to achieve. There is enough theory to enable the improving player to get to grips with the opening without feeling overwhelmed.

This book fills a gaping chasm in chess literature. For years, those who wish to take on the black side of the Ruy Lopez have had to muddle their way through against the variety of alternative openings at White's disposal, because there have been no good books to assist them. This is a detailed guide, written from Black's viewpoint, to facing such openings as the King's Gambit, Vienna, Scotch, Four Knights, Italian Game, Bishop's opening, and the variety of oddball gambits White can try.

It's not easy finding a good opening to play against 1 e4, especially if you don't have endless time available to study the latest theoretical developments. If you choose fashionable openings, it's often a necessity to keep pace with modern theory if you want to succeed with Black. This book provides a solution. Neil McDonald advocates his favourite opening - the very popular French Defence - but chooses a repertoire for Black that requires only the minimum amount of move memorization. The lines he selects are very easy to learn and play - perfect for those who are unwilling to be slaves to opening theory. But there's also something here for more experienced players, as McDonald goes on to offer a second repertoire based on counter-attacking lines against 3 Nc3 and 3 Nd2. *An easy-to-learn defence against 1 e4*Provides solutions to all of White's options*Written by a world-renowned expert on the French*Ideal for improvers, club players and tournament players English Grandmaster Neil McDonald is an experienced and successful player on the international chess circuit. He is a respected chess coach, who has trained many of the UK's strongest junior players. McDonald is also a talented chess writer and has many outstanding works to his name.

Acclaimed author and chess grandmaster Mihail Marin presents an opening repertoire for Black against the Open Games. This means providing an answer to 1.e4, but not considering the main lines of the Spanish Opening. This includes openings such as the Scotch, the Vienna, the Spanish Exchange Variation, and even the notorious Kings Gambit. Marin uses his renowned writing skills to explain the ideas behind each move, so Beating the Open Games escapes the standard opening book trap of being a boring list of analysis. Marin has based the book mainly on his own repertoire and reveals many original moves and ideas. After studying this book the reader will not only have an excel-lent repertoire but also a deeper understanding of chess.

Why is this repertoire called simple? For the simple reason that the variations are straightforward, easy to remember and require little or no maintenance. International Master Christof Sielecki has created a reliable set of lines for chess players of almost all levels. The major objective is to dominate Black in the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. Unless Black plays something stupid, when tactics are the simplest punishment. Sielecki developed this repertoire working with students who were looking for something that was easy to understand and to learn. Most of the lines he selected are occasionally played by grandmasters, but on the whole they lie outside the mainstream of opening theory. That means that there is hardly any need to monitor theoretical developments. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.

The Petroff Defence is anything but dull. Although it is a frequent choice of top grandmasters, club players often fear that it leads to passive play. This book will debunk this prejudice and open new vistas. The Petorff that Or Cohen champions is sharp and ambitious. The Israeli FIDE Master has studied and practiced his favourite opening, also known as the Russian Game, for many years, Bassed on his experience he has turned it into a vigorous weapon with which Black doesn't play for a draw but fights for a win. Cohen offers many exciting choices for Black in the Petroff, backed, by new analysis and samples of his own games and those of top players. Every line radiates his love of lively piece play. In a separate part, Cohen deals with all the 1.e4 lines that White can try to avoid the Petroff. Here, too, he comes up with a wealth of fresh and sharp ideas. This book provides you with an accessible comprehensive and vibrant repertoire against the ever popular 1.e4, based on the fundamentally solid first move 1 ...e5. Book jacket.

A highly adventurous repertoire designed to meet 1 e4 with 1...e5 and take the initiative! The main problem Black faces in answering 1 e4 with 1...e5 is the plethora of opening systems available to White: the Ruy Lopez, Giuoco Piano, Scotch, Ponziani, King’s Gambit, Vienna, Bishop’s Opening and so on. Each is likely to be White’s pet line, which usually means conducting the chess battle on the opponent’s turf. One solution is to study the main lines of all these openings and hope to remember what to do if they appear on the board. Another, more enterprising approach is to turn the tables and make White fight on your territory. Adopting the latter course, CC-SIM Jonathan Tait shares their investigations into a myriad of disregarded, “disreputable” responses, which can set White thinking as early as move three. These lines are greatly under-estimated by contemporary theory and include weird and wonderful variations such as the Calabrese Counter-Gambit (1 e4 e5 2 Bc4 f5), the Wagenbach Defence to the King’s Gambit (1 e4 e5 2 f4 exf4 3 Nf3 h5), the Romanishin Three Knights (1 e4 e5 2 Nf3 Nc6 3 Nc3 Bc5), the Two Knights Ulvestad Variation (1 e4 e5 2 Nf3 Nc6 3 Bc4 Nf6 4 Ng5 d5 5 exd5 b5) and ultra-sharp lines of the Jaenisch Gambit (1 e4 e5 2 Nf3 Nc6 3 Bb5 f5). The theory of the variations in this book is generally poorly understood. This has made them successful at all forms of play, including against online computer-assisted assault.