In the summer of 1969, 400,000 people from across the country came together and redefined the music scene forever. Though the legacy and lore of Woodstock lives on in the memory of its attendees, a new generation can experience the real and unedited festival through Richard Bellak's never-before-seen photographs and John Kane's incredible new interviews. Pilgrims of Woodstock offers a vivid and intimate portrait of the overlooked stars of the festival: the everyday people who made Woodstock unforgettable. The photographs and interviews capture attendees' profound personal moments across hundreds of acres of farmland, as they meditated, played music, cooked food at night, and congregated around campfires. For three days, they helped and relied on each other in peace and harmony. For most, it was a life-changing event. Now, as the 50th anniversary of the famed festival approaches, relive their experiences firsthand in Pilgrims of Woodstock.

It defined a generation, exemplified an era: Woodstock was unlike anything that has ever happened before or since--and August 2009 marks the 40th anniversary of this seminal event. Relive the moment and "get back to the garden” with this day-by-day, act-by-act account of everything that went down on Yasgur’s Farm. With interviews and quotes from those who were there--the musicians, the fans, the organizers--and a wealth of photographs and graphic memorabilia, Woodstock is the ultimate celebration of a landmark in modern cultural history. Woodstock is organized in three parts: - Origins sets the stage by describing the counterculture of the time, along with the festival’s organization, fundraising, buzz-building tactics, ticket selling and publicity, and site building. - The Event--the heart of the project--includes a log with a run-down of each of the 32 acts, in the order they appeared, one spread to each name. Fans and politics are also featured prominently here. - The Aftermath focuses on media coverage, follow-up festivals, Michael Wadleigh and Thelma Schoonmaker’s documentary, and Woodstock’s enduring legacy.

For three days in the summer of 1969, 500,000 people spontaneously gathered like no others had before or since then, bringing together peace, love, aromatic smoke and the sounds of the greatest rock 'n' roll show in history. Sounds and smells wafted through the air, making this legendary event one that has never been duplicated. Barry Z Levine, a member of the Academy Award-winning Woodstock documentary film team, captured this entire event. Levine arrived days before the crowds when Woodstock was still a green, grassy pasture and continued to photograph long after the last person had departed the debris-strewn mud hole. Over the course of that tumultuous week, Levine had taken so many pictures, he had blisters on his index finger and thumb from clicking the shutter and advancing the film. Levine stopped only once, for a 45 minute nap on top of a piano cover that was on stage while Blood, Sweat & Tears performed. Along with 240 full-color photographs, the text by Linanne G. Sacket presents a chronological account of this historical event, capturing the performers, personalities, audience, excitement, mood, and actions. The Woodstock Story Book is a must for anyone who was at Woodstock, wishes they had gone, or just wanted a bird's eye view at the greatest historical event of the 1960s.

Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 Woodstock Music and Arts Fair. Hanley is credited with creating the sound of Woodstock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-Woodstock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.

Woodstock: The 1969 Rock and Roll Revolution celebrates the fascinating story of how the music event came to be and the people that made it part of history. How can you explain the Woodstock Festival, 50 years after the event, to those who were not fortunate enough to take part? The concert that changed the history of rock music and an entire generation cannot be reduced to the photos. Half a million young people come to Bethel, New York, from every corner of the world to experience three days of music together. This event, now legendary, resounds with the psychedelic notes of Santana and the sublime guitar of Pete Townshend of The Who, the rich voices of Joan Baez and Janis Joplin, and the many other artists who appeared one after another on the stage. Yet, it was perhaps the guitar of Jimi Hendrix as he played his version of the American national anthem, “The Star-Spangled Banner,” as Woodstock screamed its impetuous, revolutionary protest against the war in Vietnam, that became the symbol of an epochal dissent. In Woodstock, journalist and music critic Ernesto Assante presents those unforgettable days through exclusive interviews and photos he has recorded throughout his entire career. Michael Lang, Carlos Santana, Joe Cocker, Grace Slick, Arlo Guthrie, Joan Baez, Bob Weir, Roger Daltrey, Graham Nash, will all take us to Bethel to re-live and give thanks to the extraordinary figures that made Woodstock a legend that still echoes today.

As the fiftieth anniversary of the Woodstock festival nears, Woodstock 1969 stands out for its singular voice. Photojournalist Jason Lauré followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including the Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana. Threading his way back and forth from the stage, through a sea of happy audience members, Jason Lauré photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors. Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock's lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.

"The Angel and the Serpent is a book which combines scholarship and literary grace, and which recreates for us both the world of the Rappites and the Owenites.Ó ÑHenry Steele Commager, ÑThe New York Times Book ReviewÒWilson writes with clarity and humor and has given us a work which will be valuable both to the cultural historian and to the general reader.Ó ÑSt. Louis Globe DemocratÒ. . . exceedingly valuable addition to Indiana historiography.Ó ÑIndianapolis TimesHere is the story of George RappÕs German Harmonists and Robert OwenÕs IdealistsÑthe two vastly different communities that shaped the history of New Harmony, Indiana. Both the Rappites and the Owenites came to New Harmony to conduct communal living experimentsÑRapp expecting the millennium; Owen believing he had brought the millennium with him. Although the two men were motivated by different ideas, they shared the same goal: to see their people live together in happiness and peace. Their two experiments are probably the best known and most interesting efforts at establishing alternate or Utopian communities in America.

Donated by Lloyd Miller.

Giftable 50th anniversary commemorative with never-before-seen images and original interviews. Hear from performers and attendees in their own voices! Featuring Janis Joplin, Jimi Hendrix, and The Grateful Dead, as well as unsung audience members and folks behind the scenes. This compendium remembers all the people who made the three days of peace and music an impossible success. The world today feels far removed from the one in which Woodstock was possible, where half a million strangers congregated peacefully for three days. Longtime music writer Daniel Bukszpan offers insights on how the festival is still making an impact on pop culture, while candid interviews, set lists, and beautiful photographs relive the beautiful chaos and once-in-a-lifetime performances at Yasgur's farm. With images by renowned photographers, including Amalie R. Rothschild and Elliott Landy, including the cover photo of Janis Joplin.

"[A] thorough and comprehensive study of this tragic, almost forgotten episode of American history." —History "What Sherman did in Georgia and Sheridan in the Valley pales in comparison. This study truly shows the horrible cost inherent in any civil war." —Civil War Courier "[A] well written and compelling account of an aspect of the Civil War which has not received sufficient attention." —Southern Historian "Compelling . . ." —Publishers Weekly "[A] fast-paced . . .absorbing discourse . . . Black Flag is a highly recommended book that transports the reader to the towns and dusty highways of Kansas and Missouri during the Civil War." —Kansas History From 1861 to 1865, the region along the Missouri-Kansas border was the scene of unbelievable death and destruction. Thousands died, millions of dollars of property was lost, entire populations were violently uprooted. It was here also that some of the greatest atrocities in American history occurred. Yet in the great national tragedy of the Civil War, this savage warfare has seemed a minor episode. Drawing from a wide array of contemporary documents—including diaries, letters, and first-hand newspaper accounts—Thomas Goodrich presents a hair-raising report of life in this merciless guerrilla war. Filled with dramatic detail, Black Flag reveals war at its very worst, told in the words of the participants themselves. Bushwhackers and Jayhawkers, soldiers and civilians, scouts, spies, runaway slaves, the generals and the guerrillas—all step forward to tell of their terrifying ordeals. From the shocking, sensational massacres at Lawrence, Baxter Springs, and Centralia to the silent terror of a woman at home alone in the Aburnt district, Black Flag is a horrifying day-by-day account of life, death and war, told with unforgettable immediacy.