Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Peter and Alexis is a novel by Dmitry Merezhkovsky, written in 1903-1904 and first published in Nos. 1-5, 9-12, 1904, Novy Put magazine. The third and final part of the Christ and Antichrist trilogy, it came out as a separate edition 1905, to be reissued in 1922 in Berlin, with its predecessors, The Death of the Gods and The Romance of Leonardo da Vinci, under one cover. All three novels had considerable success in Western Europe but were received coolly in Russia where the majority of the critics considered the trilogy 'tendentious' and 'scholastic'. The author sees Russia as an 'heir' to the fundamental Christ-Antichrist conflict and focuses here on Peter the Great as the "embodiment of Antichrist" (an idea he shared with Russian Old Believers) as opposed to the 'purely Christian' figure of Tsarevich Alexei.

Parrot and Olivier in America has been shortlisted for the 2010 Man Booker Prize. From the two-time Booker Prize–winning author comes an irrepressibly funny new novel set in early nineteenth-century America. Olivier—an improvisation on the life of Alexis de Tocqueville—is the traumatized child of aristocratic survivors of the French Revolution. Parrot is the motherless son of an itinerant English printer. They are born on different sides of history, but their lives will be connected by an enigmatic one-armed marquis. When Olivier sets sail for the nascent United States—ostensibly to make a study of the penal system, but more precisely to save his neck from one more revolution—Parrot will be there, too: as spy for the marquis, and as protector, foe, and foil for Olivier. As the narrative shifts between the perspectives of Parrot and Olivier, between their picaresque adventures apart and together—in love and politics, prisons and finance, homelands and brave new lands—a most unlikely friendship begins to take hold. And with their story, Peter Carey explores the experiment of American democracy with dazzling inventiveness and with all the richness and surprise of characterization, imagery, and language that we have come to expect from this superlative writer.