Depth, perspective of sky and sea, shadows, much more, not usually covered. 391 diagrams, 81 reproductions of drawings and paintings.

Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.

A hands-on guide to perspective provides exercises designed to make drawing perspective effortless and easy.

DIVConcisely written text accompanied by more than 150 simply drawn illustrations together demonstrate vanishing points and eye level and explain such concepts as appearance versus reality and perspective distortion. /div

Perspective is the art of understanding the space that surrounds us, and then having the skill to reproduce what we see in an image-to flatten the world on a sheet of paper. This clear and richly illustrated book features more than 400 diagrams that introduce artists, graphic designers, and architects to the principles of perspective, so that they can create their own illusion of reality.

Learn how to create the illusion of three-dimensional space in your drawings It is as mundane as it is astounding: placed in the right way, a couple of lines on paper create three-dimensional space. To be more exact, the illusion of space. The interest in three-dimensional drawing may initially arise from the intention to depict visible reality. However, the creation of depth is a fascinating challenge in every artistic composition. Drawing Perspective Methods for Artists is suitable for beginners and professionals alike. Authors Peter Boerboom and Tim Proetel have arranged, commented on, and with a guiding hand intuitively and tangibly presented 85 fundamental methods of three-dimensional illustration, offering a refreshing, simple approach to the graphic depiction of three-dimensionality.

A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.

Ready to take your drawing skills to the next level? Success in Art: Mastering Perspective allows beginning artists to master the challenges of creating depth and realism with one-, two-, and three-point perspective. Perspective is a necessity for realistic drawing. Whether you are drawing people, still life, architecture, or landscapes, you must have a thorough understanding of perspective in order to create depth and dimension in your subject. Mastering Perspective explains one-, two-, and three-point perspective in a fresh, approachable way, through the eyes of an experienced graphic artist. Learn how to use vanishing points and foreshortening to build scenes and compositions and render subjects in proportion. With clear, step-by-step instructions and illustrations outlining horizon lines, field of vision, point of view, and more, Mastering Perspective teaches artists how to master this basic, and often challenging, technique. More than a basic step-by-step drawing guide, the Success in Art series focuses on subject matter that is often challenging for artists, regardless of skill level. From highly foundational art concepts, such as proportion and perspective, light and shadow, and composition to mastering textures and the human figure, Success in Art covers difficult subject matter in an approachable way using easy-to-grasp techniques and step-by-step exercises.

Perspective is one of the most important concepts for an artist to understand. In this valuable beginnerÆs guide, acclaimed artist Ernest Norling teaches you how to use perspective to create a sense of depth and realism in your artwork. Perspective covers techniques for drawing in one-, two-, and three-point perspective, as well as information on how to use vanishing points and the horizon line to establish believable depth. Special attention is given to learning to draw circles, cylinders, and people in perspective. Whether you specialize in drawingùeven cartooning or animationùor painting in acrylic, pastel, oil, or watercolor, a good working knowledge of perspective is essential. DonÆt be surprised if you find yourself referring to this essential guide again and again!