This collection provides a critical reexamination of the development and current status of comparative literature studies that engage the literary practices of both China and the West. In so doing, it attempts to refashion literary methodologies and cultural theories in Chinese studies and reread several noncanonical texts in ways that cut across disciplines, genders, and modernities. Eschewing conventional taxonomies such as the study of literary influences and parallels, this volume shifts the emphasis from Chinese-Western comparativism to a critical rereading of Chinese or China-related texts using a variety of new critical approaches. Essays that draw on literary history, comparative poetics, modernist aesthetics, feminist studies, gender theory, and postcolonial discourse exemplify how multifaceted approaches can enrich our understanding of this field. The essays are grouped in three parts: studies of disciplines, institutions, and canon formation; gender, sexuality, and the body; and technology, modernity, and aesthetics. They cover a range of subjects, including the challenge of East-West comparative literature, the impact of literary theory on Sinological research, canon formation in traditional Chinese poetry, gender and sexuality in Ming drama, contemporary Chinese fiction and television drama, the problem of translation, the influence of science fiction, and the "cult of poetry” in post-Mao China. The introductory chapter traces the rise of the Chinese school of comparative literature and addresses the issues facing Western scholars of Chinese-Western comparative literature. A concluding chapter summarizes recent remappings of the geocultural world and outlines future possibilities for comparative literature.

The Omnidoxy is the founding treatise of the Astronist religion and was solely authored by the philosopher and religious founder, Cometan. Partitioned into twelve disquisitions, each of which are further divided into hundreds of discourses, which are themselves titled by those which are known as rubrals, The Omnidoxy has been codified according to a unique writing structure known as insentence. The Omnidoxy not only forms the foundations of Astronism, but it remains the primary modern contributor and the book that ignited the establishment of the Astronic tradition of religion which encompasses the philosophy of Astronism. Introducing brand new philosophical concepts such as cosmocentricity, reascensionism, transcensionism, and sentientism amongst many others, The Omnidoxy remains the principal signifier of a new era in philosophy. The Omnidoxy births hundreds of new belief orientations, schools of thought, neologisms, disciplines of study, theories, and concepts which, when combined and considered collectively, have formed the basis of Astronism. The authorship of The Omnidoxy rests with the single individual philosopher, Cometan who began writing The Omnidoxy at the age of seventeen driven by what he terms as personal inspiration. The historical origination of The Omnidoxy rests in its authorship by Brandon Taylorian during early 21st century England, specifically in the northern county of Lancashire. Like in all textual criticism, the timing and location of the codification of The Omnidoxy is integral to understanding why and how it was written, especially by considering the influential factors impacting Taylorian during his construction of the text, particularly the cultural, political, religious, and social contexts of Taylorian's personal life and of wider society at the time. This forms an important branch of study within omnidoxicology known as omnidoxical criticism, or omnidoxical exegesis in which scholars study and investigate The Omnidoxy in order to discern conclusive judgements inspired by how, where, why, by whom, for whom, and in what circumstances The Omnidoxy was written.

Beginning in the late Edo period, the Japanese faced a rapidly and irreversibly changing world in which industrialization, westernization, and internationalization were exerting pressure upon an entrenched traditional culture. The Japanese themselves felt threatened by Western powers, with their sense of superiority and military might. Yet the Japanese were more prepared to meet this challenge than was thought at the time, and they used a variety of strategies to address the tension between modernity and tradition. Inexorable Modernity illuminates our understanding of how Japan has dealt with modernity and of what mechanisms, universal and local, we can attribute to the mode of negotiation between tradition and modernity in three major forms of art: theatre, the visual arts, and literature. Dr. Hiroshi Nara brings together a thoughtful collection of essays that demonstrate that traditional and modern approaches to life draw from one another, and tradition, whether real or created, was sought out in order to find a way to live with the burden of modernity. Inexorable Modernity is a valuable and enlightening read for those interested in Asian studies and history. Book jacket.

A collection of the most significant and enduring works of the most important Japanese literary critic of the 20th century. The selections reflect the wide range of Kobayashi’s early work, from meditations on the nature of literature and of criticism to studies of individual Japanese and Western writers.

This book provides a thorough analysis of the scientific, critical, and cultural questions at the foundation of theory-building in communication and other social sciences. Any claim to knowledge, the author explains, can be analyzed in terms of a series of characteristics: the object of its explanation, the explanatory form and evidentiary method employed, its characteristic explanations, the scope of its performance, and its consequences of value. From identifying basic epistemological questions to exploring the impact of the "knowledge industry" on society, the volume offers readers the analytical tools to understand, compare, and evaluate theories and their use both inside and outside the classroom. The book also includes a systematic analysis of communication's most influential theories and traces their genealogies across different content fields and disciplines.

No detailed description available for "The Moon in the Water".

The Duodoxy is a 370,000 word long philosophical disquisition and the second of twelve disquisitions forming The Omnidoxy solely authored by the mononymous philosopher and founder of Astronism, Cometan. The Duodoxy comprises of one hundred and forty different discourses and introduces a plethora of new words, concepts, disciplines of study, and belief orientations. The topics addressed in these discourses differ vastly from the introduction of the Millettic approach to logic, the different forms and structures of philosophies, comparisons of philosophies to religions and ideologies, as well as outlining the theoretical foundations of how Astronism is to be disseminated globally which is addressed in the discourse focusing on the nature of promulgation and its management. The Duodoxy is also colloquially referred to as The Everything Disquisition due to the fact that it encompasses such a wide range of branches of philosophy, the most prominent one of which of course remains logic, upon which all of the ideas and theories presented in The Duodoxy are predicated. Additionally, The Duodoxy is said to provide the philosophy of Astronism with its ornamentation for The Duodoxy comprises of such a wide range of topics that without its presence, Astronism would not have developed as it has to become a philosophy with its own distinct physical and conceptual features and beliefs. At its heart, The Duodoxy is the introducer and outliner of Millettarian/Millettic/Astronic logic and under this auspice, Cometan has formulated, with the use of a new philosophical language, a new logical approach to understanding The Cosmos from the perspective of humanity as a whole as well as from our own personal individual perspectives.

No matter what age we are, or what ability we have, or what level we play at - in sport we all encounter the same kinds of inner pressures, and our reactions all follow the same kinds of pathways. Unlike Forrest Gump and ping pong, we all suffer from the things that don't come easy to us. These complications seem to make our game much harder to play at times. However, virtually all these complications can be traced back to what golfing legend Bobby Jones once described as ""The 6 inch playing field between our ears."" Sport should just be about the pleasure, the fun and the rewards - not the complications and the angst! Mind How You Play sets us on a journey - a fascinating search for the real gold of mastering a consistent approach to sporting excellence by gaining an understanding of ourselves. This book will enable you to change your perspectives about your sporting practice and performance, and through that change your way of being in your game!