The ever maturing art and ever more ambitious imaginative reach of Anton Chekhov, one of the world's greatest masters of the short story, led him in his last years to an increasingly profound exploration of the troubled depths of Russian society and life. This powerful and revealing selection from Chekhov's final works, made by the legendary American critic Edmund Wilson, offers stories of novelistic richness and complexity, published in the only formatp edition to present them in chronological order. Table of Contents A Woman's Kingdom Three Years The Murder My Life Peasants The New Villa In the Ravine The Bishop Betrothed

Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific. The leading specialist on China's twentieth century peasant resistance reexamines, in bold and original ways, the question: Was the Chinese peasantry a revolutionary force? Where most scholarly attention has focused on Communist-led peasant movements, Bianco's story is one of peasant thought and action largely unmediated by modern political parties. This volume pays particular attention to the first half of the twentieth century when peasant-based conflict, ranging from tax and food protests to secret society conflicts, opium struggles, inter-communal conflicts, and tenant protests over rent, was central to nationwide revolutionary processes.

This is a work for political scientists and other specialists in the area."--BOOK JACKET.

This critical Reader is the essential companion to any course in twentieth-century literature. Drawing upon the work of a wide range of key writers and critics, the selected extracts provide: a literary-historical overview of the twentieth century insight into theoretical discussions around the purpose, value and form of literature which dominated the century closer examination of representative texts from the period, around which key critical issues might be debated. Clearly conveying the excitement generated by twentieth-century literary texts and by the provocative critical ideas and arguments that surrounded them, this reader can be used alongside the two volumes of Debating Twentieth-Century Literature or as a core text for any module on the literature of the last century. Texts examined in detail include: Chekhov's The Cherry Orchard, Mansfield's Short Stories, poetry of the 1930s, Gibbon's Sunset Song, Eliot's Prufrock, Brecht's Galileo, Woolf's Orlando, Okigbo's Selected Poems, du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise and Barker's The Ghost Road.

Thanks to Thomas Keneally's book Schindler's Ark, and the film based on it, Schindler's List, we have become more aware of the fact that, in the midst of Hitler's extermination of the Jews, courage and humanity could still overcome evil. While 6 million Jews were murdered by the Nazi regime, some were saved through the actions of non-Jews whose consciences would not allow them to pass by on the other side, and many are honoured by Yad Vashem as 'Righteous Among the Nations' for their actions. As a baby, Agnes Grunwald-Spier was herself saved from the horrors of Auschwitz by an unknown official, and is now a trustee of the Holocaust Memorial Day Trust. She has collected together the stories of thirty individuals who rescued Jews, and these provide a new insight into why these people were prepared to risk so much for their fellow men and women. With a foreword by Sir Martin Gilbert, one of the leading experts on the subject, this is an ultimately uplifting account of how some good deeds really do shine in a weary world.

"For Dobychin, early Soviet society was an absurdist wonderland. He was not anti-Soviet but trans-Soviet, practicing realism but looking at reality from jarring angles that expose the neophyte Soviet culture. A typical Dobychin hero participates in character-building sports, witnesses a funeral procession, watches a parade, attends the unveiling of a monument to a fallen Communist - and finally reflects at the end of the day that he almost met a pretty young nurse."--Jacket.

Beckford's Gothic novel Vathek, an Arabian tale, was originally written in French when the author was twenty-one. Published in English in 1786, it was one of the most successful of the oriental tales then in fashion. This edition makes available to a new generation of scholars and general readers, the originality of Beckford's ideas, and the excellence of his prose.

The writing of Boris Mozhaev, available in English for the first time ever in this volume, stands out in terms of narrative style and bold sincerity amongst contemporary Russian writers. The translator provides a wealth of background information and copious notes.