Issues for Jan 12, 1888-Jan. 1889 include monthly "Magazine supplement".

Patty Fairfield is a pretty, well-mannered, graceful, thoughtful, and smart 14 year old girl. Through the series of novels we follow her from her childhood adventures to her adult years and marriage. Table of Contents: Patty Fairfield Patty at Home Patty's Summer Days Patty in Paris Patty's Friends Patty's Success Patty's Motor Car Patty's Butterfly Days Patty's Social Season Patty's Suitors Patty's Fortune Patty Blossom Patty-Bride Patty and Azalea Carolyn Wells (1862-1942) was an American writer and poet. She is known for her Patty Fairfield series of novels for young girls.

From New York Times bestselling author Jonathan Maberry comes a standalone supernatural thriller Ink, about a memory thief who feeds on the most precious of dreams. Tattoo-artist Patty Cakes has her dead daughter’s face tattooed on the back of her hand. Day by day it begins to fade, taking with it all of Patty’s memories of her daughter. All she’s left with is the certain knowledge she has forgotten her lost child. The awareness of that loss is tearing her apart. Monk Addison is a private investigator whose skin is covered with the tattooed faces of murder victims. He is a predator who hunts for killers, and the ghosts of all of those dead people haunt his life. Some of those faces have begun to fade, too, destroying the very souls of the dead. All through the town of Pine Deep people are having their most precious memories stolen. The monster seems to target the lonely, the disenfranchised, the people who need memories to anchor them to this world. Something is out there. Something cruel and evil is feeding on the memories, erasing them from the hearts and minds of people like Patty and Monk and others. Ink is the story of a few lonely, damaged people hunting for a memory thief. When all you have are memories, there is no greater horror than forgetting.

Patricia accidentally overhears the venomous words of her sister and mother, discovering that she may be adopted and that the confusing coolness she has felt from them stems from this. With her father gone on an overseas business trip, she has no one to turn to, and runs away from their spiteful, hateful words and behavior. Determined to hide until her father can return to help her, she finds herself alone in the city, only to have God miraculously provide a job and a new identity as a companion to an old woman who turns into her closest friend. Travelling with her employer to a far-off resort, Patricia suddenly comes across a man she knew and loved one summer long ago, but she must pretend she doesn't know him in order to protect her identity. But her young man has a tryst of his own, as he fulfills his promise to his mother to try to once again earnestly seek the God he has forsaken, while balancing the demands of his rich, selfish uncle, who wants to use him for his own ends.

Every year, 30–40 young Amish men descend on the cozy little town of West Kootenai, Montana, arriving in the spring to live there for six months and receive “resident” status for the hunting season in the fall. They arrive as bachelors, but go home with brides! Sarah Shelter has lived in West Kootenai for the last ten years and wonders if she will ever fall in love. Since the tragic death of her best friend, she carries her memories in a jar along with the small items connected to them. For just as long, she’s also been carrying around her emotions instead of allowing them to penetrate deep into her heart. Now she’s met a kind and gentle man who may be able to break down the wall. But can Sarah risk her heart to finally achieve her dreams?

Written with unerring skill and insight, The Dyehouse is a masterly portrait of postwar Australia, when industrial work was radically transformed by new technologies and society changed with it. Mena Calthorpe—who herself worked in a textile factory—takes us inside this world, vividly bringing to life the people of an inner-Sydney company in the mid-1950s: the bosses, middlemen and underlings; their dramatic struggles and their loves. This powerful and affecting novel was first published in 1961, and is the hundredth book in the Text Classics series. The new edition comes with an introduction by Fiona McFarlane, acclaimed author of The Night Guest. Mena Calthorpe was born in Goulburn, New South Wales, in 1905, and grew up there. After marrying, Calthorpe moved to Sydney and lived for most of her life in the Sutherland Shire. Working in office jobs and writing in her spare time, she was active in literary groups and in the Labor Party—for some years she was a member of the Communist Party, and she opposed B. A. Santamaria’s attempts to stop communism in trade unions. The Dyehouse (1961) was followed by The Defectors (1969), which dramatised unions’ internal power struggles. Mena Calthorpe’s third and final novel was The Plain of Ala, an Irish migrant story, which was published in 1989. She died in 1996. ‘[The Dyehouse] is executed with a singular combination of charm, grace and tough-mindedness.’ Meanjin ‘The Dyehouse is an extraordinary book—a true ensemble novel, written with astonishing control and animated by compassionate intelligence. With its indelible Sydney setting, it deserves—more than deserves—to take its place among the great Australian novels about work, and to be celebrated as the 100th Text Classic.’ Fiona McFarlane ‘A reminder of how rarely these days fiction tackles the world of work that so dominates our lives...Worth reading as much for its social history and its understanding of human nature as its rendering of the labour/capital clash.’ Australian ‘Vivid, fresh and utterly unsentimental...Re-reading The Dyehouse now I am struck by how technically accomplished it is, and how each of its many characters is made distinct and alive with extraordinary economy...Calthorpe's own experience of factory and office work provides The Dyehouse with many authentic touches (including much detail about the dyeing process) but that is not what generates this novel's compelling power. What is so remarkable is how it captures and presents a microcosmic world, in which the human elements are all parts of a moving whole.’ Sydney Morning Herald ‘The Dyehouse has themes that are as true today as they were at the time of writing...Beautifully written.’ Booksellers New Zealand ‘A masterly portrait of post-war Australia...vividly bringing to life the people of an inner-Sydney company in the mid-1950s.’ Womankind ‘The Dyehouse is the perfect novel for the Text Classics centenary. It’s a shining example of a book ‘we’ve never heard of’ that is very good reading indeed...I started reading The Dyehouse last night when I went to bed at 10 o’clock. I became so absorbed in it, that I didn’t turn the light out till four o’clock in the morning. That speaks for itself, I think!’ ANZ LitLovers ‘Fresh and lively...I really can’t recommend this book enough.’ Whispering Gums ‘[A] fascinating novel of women and work.’ Australian Women’s Weekly