Wayne Clifford’s The Exile’s Papers first appeared in 2007 with the publication of The Duplicity of Autobiography, but this creative project – a four-part series of hundreds of surreal, straightforward, narrative or mythic, and endlessly varying sonnets – is the culmination of decades of effort. In 2009 the series continued with The Face As Its Thousand Ships, and now emerges the third installment: The Dirt’s Passion Is Flesh Sorrow. Described by critics as ‘resonant’, ‘striking’, ‘quixotic’, ‘elegant’, ‘ribald’ and ‘jazzy’, Clifford’s sonnets defy categories or boundaries. He is a master of the form and every page is an example of how a great poet can use a complicated structure to achieve depth of thought, beauty and explosive resolutions (or, in many cases, questions). In fact, every poem reinvents the sonnet itself, and, despite all poems sharing the same form, each one is sharply, conclusively differentiated from the others. These are sonnets like you’ve never read before. Clifford often draws on his own life experiences – fatherhood, love, death and uncertainty – but he also has plenty to say about God, pop culture and the foolhardiness of certain current political figures. In the end, though, the collection remains a remarkably cohesive, intelligent and death-defying foray into an ancient form that never knew what hit it.

My Exile Lifestyle is a memoir made of stories from the life of author, entrepreneur, and full-time traveler, Colin Wright. From his early years as an antisocial geek, to his high-flying career in Los Angeles, to his life as a wandering vagabond, Colin holds nothing back as he talks about love, business, blogging, and culture through tales that span four continents. In the easy to digest style of storytelling that has made his other work such a success, Colin discusses life on the road and nothing is too taboo. Every epic, embarrassing, and awkward detail is covered with sometimes brutal honesty.

Poet and essayist Fawaz Turki begins his search for answers in the hallways of the 1983 Palestine National Council meeting in Algiers. He then recalls his family's flight into Lebanon when he was eight, childhood in a refugee camp and the streets of Beirut, and years spent in Australia, France, and the United States in search of his identity, both personal and national. In describing this journey, Fawaz Turki also relates the stories of family, friends, and comrades, those who fought the battles and those who walked away from them. Together, these episodes comprise a panoramic history of a generation formed in exile, of a homeless people caught in the violent storm of Middle East politics.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

Essays in Caribbean Literature,A wide ranging collection of essays that offer an,illuminating commentary on the literary and social,history of the English speaking Caribbean.

This collection of work is an analysis and investigation into Maxine Greene, the most important philosopher of education in the United States today. The book opens and concludes with Greene's own autobiographical statements.

Analyses mid-twentieth century British spy thrillers as resistance to political oppressionEspionage and Exile demonstrates that from the 1930s through the Cold War British writers Eric Ambler, Helen MacInnes, John le Carr Pamela Frankau and filmmaker Leslie Howard combine propaganda and popular entertainment to call for resistance to political oppression. Their spy fictions deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. With politically charged suspense and compelling plots and characters, these writers challenge distinctions between villain and victim and exile and belonging by dramatising relationships between stateless refugees, British agents, and most dramatically, between the ethics of espionage and responses to international crisis.Key FeaturesThe first narrative analysis of mid-twentieth century British spy thrillers demonstrating their critiques of political responses to the dangers of Fascism, Nazism, and CommunismCombines research in history and political theory with literary and film analysisAdds interpretive complexity to understanding the political content of modern cultural productionOriginal close readings of the fiction of Eric Ambler, John Le Carr and British women spy thriller writers of World War II and the Cold War, including Helen MacInnes, Ann Bridge, and Pamela Frankau as well as the wartime radio broadcasts and films of Leslie Howard

Iris Exiled is a critical history of wonder from the Bible and Homer to modern times. Dennis Quinn examines the subject in relation to various disciplines and modes of discourse- philosophy, theology, poetry, art myth, history, rhetoric, psychology, education, and modern science. Quinn shows that wonder, originally seen as the principle of philosophy and poetry and as a passion essential to the highest order of education, has been weakened by certain intellectual, cultural, and religious shifts during the past 600 years. The history is synoptic in two senses of the word: it is comprehensive but selective, and illustrative not exhaustive. Iris Exiled is presented from a single theoretical perspective, that of the original understanding of wonder as developed and set forth by such authors as Plato, Aristotle, St. Thomas Aquinas, John Ruskin, and Joseph Pieper, as well as a host of other writers of all kinds and from all eras of western history.

Isolation, remoteness from one's native land, and the loss of language are but a few of the themes that recur in the literature of exile written over the centuries. In this book, the first study of the theme of exile in Canadian literature, Hallvard Dahlie brings together a broad spectrum of Canadian writers -- writers from the Old World who have become exiles to Canada, but also Canadians who have exiled themselves for varying periods from Canada.

Was verstanden Stoiker unter einer polis und Staatlichkeit? Was passiert, wenn ihre Ideen unter wechselnden historischen Bedingungen gelebt und neu gedacht werden? The Stoics and the State verfolgt diese Fragen mit detaillierter, philologischer Quellenkritik, präziser Konzeptanalyse sowie weit ausholender thematischer und diachronischer Kontextualisierung. Der systematische Teil behandelt Definitionen, Aspekte der Staatlichkeit (Staatsgebiet, Institutionen, Volk und Staatsidee) und das für den stoischen Staat konstitutive Gemeinsame Gesetz. Die diachronische Darstellung von Zeno bis Marcus Aurelius zeigt die Anwendung der Theorie auf real existierende Gemeinwesen: ihre Bewertung, ihre Entstehung und die politische Praxis. Beispiele moderner Rezeption von Justus Lipsius bis Martha C. Nussbaum verdeutlichen die Eigenheiten der stoischen Staatstheorie, nicht zuletzt ihre Grundlegung in einem Menschbild, das unsere Natur nicht nur als politisch sondern als sozial und wohltätig begreift.