‘I think everyone has at least one eccentric aunt or uncle in the family. I had more than one. My boyhood days were enlivened by their presence.’ India’s best-loved children’s writer Ruskin Bond introduces us to some of the most endearing and adorable characters he has ever written about—his grandfather, with his unusual ability to disguise himself as just about anyone; the eccentric Uncle Ken, with his knack for trouble; the stationmaster Mr. Ghosh and his amazing family; and the unforgettable Aunt Ruby and her hilarious encounter with a parrot! Heart-warming, funny and delightful, The Parrot Who Wouldn’t Talk and Other Stories features some old favourites as well as refreshingly new stories. Marked by Bond’s inimitable style and trademark humour, and embellished with lively illustrations, this book will be a firm favourite with children.

W.W. Jacobs delighted in finding unlikely humour in everyday situations and observations, and these tales succeed in raising a laugh from the most mundane of scenarios. In 'The Grey Parrot', a sailor buys a parrot for his wife, whom he suspects isn't faithful in his absence, hoping that the bird will inadvertently repeat anything untoward it hears. Unfortunately for him, the parrot exceeds his expectations, and it's not only his wife who is left blushing.This volume contains a careful selection of the very best stories from Jacobs's 150-strong repertory, and includes well-known standalone pieces such as 'The Monkey's Paw', as well as accounts of raucous dockside dalliances and tightly woven tales of poacher Bob Petty's crimes against the unlikely cast of an Essex village. Showcasing a unique assortment of stories spanning his writing career, this edition hopes to shine a light on a hugely talented writer who inspired many of the literary giants we now consider masters of the genre.

A collection of animal stories, set in India. The author also wrote Flames in the Forest and Getting Grannie's Glasses.

Introducing the works of a major Chinese writer—liberal, cosmopolitan, and lyrically exotic—once banned but now embraced, and newly "discovered" in the West. Xu Xu 徐訏 (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century. These translations--spanning a period of some thirty years, from 1937 until 1965--bring to life some of Xu Xu’s most representative short fictions from prewar Shanghai and postwar Hong Kong and Taiwan. The Afterword illustrates that Xu Xu’s idealistic tendencies in defiance of the politicization of art exemplify his affinity with European romanticism and link his work to a global literary modernity.

The Presented here book is a collection of psychological horror stories typical of the Victorian era. The collection contains the stories: "The Wind in the Rose-Bush," "The Shadows on the Wall," "Luella Miller," "The Southwest Chamber," "The Vacant Lot," "The Lost Ghost."

Boulevard Wren and Other Stories is the stunning follow-up to the bestselling Gospel According to Blindboy, and a warped mirror held up to the Irish psyche. Provocative and unsettling, the stories rove through the centuries, from the barren fields of Famine-struck Meath to the chaotic landscape of the near future, where social media has colonised the deepest recesses of the human subconscious. This is a world populated by characters lost and at odds with the demands of contemporary life, for whom the line separating redemption and madness has grown impossibly fine. Razor-sharp social satire, it is an era-defining work from one of Ireland's most anarchic satirists and a quietly devastating portrait of a society in disarray.

The first collection of Fonseca's short stories to appear in English, ranging across his oeuvre, exploring the sights and sounds of Rio de Janeiro. Fonseca's Rio is a city at war, where vast disparities, in wealth, social standing and prestige are untenable. Rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order and violence and deception are the essential tools of survival. From the tale of the businessman who rans over pedestrians to let off steam to a serial killer being pushed to kill more by his lover, this collection is a true gem.

During the Harlem Renaissance, several literary periodicals encouraged African American women to submit poetry, short stories, essays, or other literary contributions for publication. Opportunity magazine was one such periodical that made immeasurable contributions to the careers of many female African American writers. This anthology collects all of the short stories published in Opportunity by African American women during the magazine's 25 years of publication. It includes works by both well-known authors (Zora Neale Hurston, Marita Bonner) and more obscure writers. There is also an additional African tale translated by Violette de Mazia, a white woman known for promoting African American art. It also includes an introduction which contextualizes the short stories historically in light of the overall development of African American writing.

Four tales about Jimmieboy and his adventures with animal friends that talk.