Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales. Among the questions that the volume seeks to answer are: How do supernatural stories engage with cultural attitudes toward war? In what ways do these stories reflect or challenge the popular memories of particular wars? How do they ask us to think again about battlefield heroism, military ethics, and the politics of sacrifice? Divided into four sections, chapters examine undead war stories in film (Carol for Another Christmas, The Devil’s Backbone), television (The Twilight Zone), literature (The Bloody Red Baron, Devils of D-Day), comics (Weird War Tales, The Haunted Tank), graphic novels (The War of the Trenches), and gaming (Call of Duty: World at War). Featuring contributions from a diverse group of international scholars, these essays address such themes as monstrous enemies and enemies made monstrous, legacies and memories of war, and the war dead who refuse to rest. Drawing together stories from across wars, branches of service, and generations of soldiers—and featuring more than fifty illustrations—Horrors of War will be of interest to scholars of film, popular culture, military history, and cultural history.

Chronicles the stories of Columbian children who have lost parents, homes, schools, and any hope of day-to-day security, yet work for change and face the future with the confidence that their efforts will make a difference.

The remarkable stories of Rachel Genuth, a poor Jewish teenager from the Hungarian provinces, and Hugh Llewelyn Glyn Hughes, a high-ranking military doctor in the British Second Army, who converge in Bergen-Belsen, where the girl fights for her life and the doctor struggles to save thousands on the brink of death. On April 15, 1945, Brigadier H. L. Glyn Hughes entered Bergen-Belsen for the first time. Waiting for him were 10,000 unburied, putrefying corpses and 60,000 living prisoners, starving and sick. One month earlier, 15-year-old Rachel Genuth arrived at Bergen-Belsen; deported with her family from Sighet, Transylvania, in May of 1944, Rachel had by then already endured Auschwitz, the Christianstadt labor camp, and a forced march through the Sudetenland. In All the Horrors of War, Bernice Lerner follows both Hughes and Genuth as they move across Europe toward Bergen-Belsen in the final, brutal year of World War II. The book begins at the end: with Hughes's searing testimony at the September 1945 trial of Josef Kramer, commandant of Bergen-Belsen, along with forty-four SS (Schutzstaffel) members and guards. "I have been a doctor for thirty years and seen all the horrors of war," Hughes said, "but I have never seen anything to touch it." The narrative then jumps back to the spring of 1944, following both Hughes and Rachel as they navigate their respective forms of wartime hell until confronting the worst: Christianstadt's prisoners, including Rachel, are deposited in Bergen-Belsen, and the British Second Army, having finally breached the fortress of Germany, assumes control of the ghastly camp after a negotiated surrender. Though they never met, it was Hughes's commitment to helping as many prisoners as possible that saved Rachel's life. Drawing on a wealth of sources, including Hughes's papers, war diaries, oral histories, and interviews, this gripping volume combines scholarly research with narrative storytelling in describing the suffering of Nazi victims, the overwhelming presence of death at Bergen-Belsen, and characters who exemplify the human capacity for fortitude. Lerner, Rachel's daughter, has special insight into the torment her mother suffered. The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.” Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most ... with eloquence, crushing detail, and power.”

In Horrors of War, Tudjman combines his first-hand war-torn Yugoslavian experience with a vast knowledge of history, philosophy and literature to prove that violence and retribution are not new to this world, and unfortunately show no sign of abatement. As part of his review of violence in history, and it's political uses, Tudjman examines the Yugoslav Communist creation of a croation 'black legend', attempting to fix the blame for the world war II crimes of Croatia's Ustasha puppet government on the entire Croation people. In particular, he assesses the nature and scope of the crimes committed by the Ustasha government, particularly at the Jasenovac death camp. He concludes that, although Jasenovac was a cruel and terrible place where tens of thousands were murdered, it does not and cannot justify the delegitimization of the Croatian nation. He chronicles the systematic use by the Yugoslav regime of Jasenovac and the ustasha terror as a tool in it's attempt to eliminate Croatian aspirations towards independence. He brings up the fact that the anti-fascist movement in Croatia was one of the strongest anti-fascist movements not only in Yugoslavia but also in Europe. Franjo Tudjman is the president of the Republic of Croatia and a signer of the Dayton Accords.

From the bestselling and award-winning author of Girl in the Blue Coat, comes an extraordinary novel of conviction, friendship, and betrayal, when two teenage girls meet in an American internment camp during WWII. It's 1944, and World War II is raging across Europe and the Pacific. The war seemed far away from Margot in Iowa and Haruko in Colorado—until they were uprooted to dusty Texas, all because of the places their parents once called home: Germany and Japan. Margot and Haruko meet at the high school in Crystal City, a "family internment camp" for those accused of colluding with the enemy. The teens discover that they are polar opposites in so many ways, except for one that seems to override all the others: the camp is changing them, day by day and piece by piece. Haruko finds herself consumed by fear for her soldier brother and distrust of her father, who she knows is keeping something from her. And Margot is doing everything she can to keep her family whole as her mother's health deteriorates and her rational, patriotic father becomes a man who distrusts America and fraternizes with Nazis. With everything around them falling apart, Haruko and Margot find solace in their growing, secret friendship. But in a prison the government has deemed full of spies, can they trust anyone—even each other?

During World War II, as the United States called on its citizens to serve in unprecedented numbers, the presence of gay Americans in the armed forces increasingly conflicted with the expanding antihomosexual policies and procedures of the military. In Coming Out Under Fire, Allan Berube examines in depth and detail these social and political confrontation--not as a story of how the military victimized homosexuals, but as a story of how a dynamic power relationship developed between gay citizens and their government, transforming them both. Drawing on GIs' wartime letters, extensive interviews with gay veterans, and declassified military documents, Berube thoughtfully constructs a startling history of the two wars gay military men and women fough--one for America and another as homosexuals within the military. Berube's book, the inspiration for the 1995 Peabody Award-winning documentary film of the same name, has become a classic since it was published in 1990, just three years prior to the controversial "don't ask, don't tell" policy, which has continued to serve as an uneasy compromise between gays and the military. With a new foreword by historians John D'Emilio and Estelle B. Freedman, this book remains a valuable contribution to the history of World War II, as well as to the ongoing debate regarding the role of gays in the U.S. military.

Out of War draws on Mariane C. Ferme’s three decades of ethnographic engagements to examine the physical and psychological aftereffects of the harms of Sierra Leone's civil war. Ferme analyzes the relationship between violence, trauma, and the political imagination, focusing on “war times”—the different qualities of temporality arising from war. She considers the persistence of precolonial and colonial figures of sovereignty re-elaborated in the context of war, and the circulation of rumors and neologisms that freeze in time collective anxieties linked to particular phases of the conflict (or “chronotopes”). Beyond the expected traumas of war, Ferme explores the breaks in the intergenerational transmission of farming and hunting techniques, and the lethal effects of remembering experienced traumas and forgetting local knowledge. In the context of massive population displacements and humanitarian interventions, this ethnography traces strategies of survival and material dwelling, and the juridical creation of new figures of victimhood, where colonial and postcolonial legacies are reinscribed in neoliberal projects of decentralization and individuation.

The brutality of Japanese soldiers towards both allied prisoners of war and millions of civilians in Asia during the Second World War was one of the greatest horrors of the Twentieth Century. Here Laurence Rees, award-winning historian and author of Auschwitz and The Nazis: a Warning from History, turns his attention to a crucial question: why were these atrocities carried out? In this classic and seminal study, Rees talks openly with perpetrators and victims alike, and asks how seemingly ordinary people were driven to mass murder, rape and suicide. Uncovering startling first-hand testimonies of cruelty and barbarity, Horror in the East looks to individual experiences to understand this dark and violent chapter of human history. 'Another stunning slice of history from Laurence Rees' Daily Telegraph review of Horror in the East, BBC TV

WINNER OF THE COSTA BOOK OF THE YEAR 2018 WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2018 'A masterpiece of history and memoir' Evening Standard 'Superb. This is a necessary book - painful, harrowing, tragic, but also uplifting' The Times __________________________________________________ Little Lien wasn't taken from her Jewish parents in the Hague - she was given away in the hope that she might be saved. Hidden and raised by a foster family in the provinces during the Nazi occupation, she survived the war only to find that her real parents had not. Much later, she fell out with her foster family, and Bart van Es - the grandson of Lien's foster parents - knew he needed to find out why. His account of tracing Lien and telling her story is a searing exploration of two lives and two families. It is a story about love and misunderstanding and about the ways that our most painful experiences - so crucial in defining us - can also be redefined. ___________________________________________________ 'Luminous, elegant, haunting - I read it straight through' Philippe Sands, author of East West Street 'Deeply moving. Writes with an almost Sebaldian simplicity and understatement' Guardian 'Sensational and gripping . . . shedding light on some of the most urgent issues of our time' Judges of the Costa Book of the Year 2018